Category: Technology

On Wednesday, Google introduced Circle to Search, a gesture-based way to quickly find info without leaving your app. The feature will be exclusive (at least at first) to the new Galaxy S24 and the Pixel 8 / Pixel 8 Pro starting at the end of January.

Google pitches Circle to Search as “a new way to search anything on your Android phone without switching apps.” You can activate the feature by long-pressing the home button or navigation bar. Then, circle something on your screen with your finger and see the results pop up at the bottom. To return to what you were doing, “simply swipe away and you’re right back where you started,” Google Search VP Cathy Edwards wrote in a company blog post.

Despite its name, Circle to Search isn’t limited to circling. “With a simple gesture, you can select images, text or videos in whatever way comes naturally to you — like circling, highlighting, scribbling or tapping,” Google Search VP Elizabeth Reid wrote.

Circle to Search also works alongside multisearch, Google’s text / image search feature launched in the Google app in 2022. The company suggests circling to select a corn dog in a viral social post and asking, “Why are these so popular?” (“You’ll quickly learn that these sweet and savory treats are Korean corn dogs,” Google explains.) The feature works with anything on your screen, including products, other items or text in videos.

In more hardware-agnostic news, the company is injecting generative AI into Lens multisearch in the Google app. The company says this allows you to ask “more complex or nuanced questions.” It provided an example of seeing a mysterious and unlabeled board game at a yard sale, snapping a pic and asking Google Lens, “How do you play this?”

Google says the feature will provide a generative AI-fueled overview using the web’s most relevant info. The results will include supporting links to let you scour the web for more details.

AI-powered multisearch overviews roll out this week in the Google app on Android and iOS in the US (English only). The feature is open to everyone who fits that criteria — no beta opt-in necessary. Meanwhile, Circle to Search will be available on January 31 for “select premium Android smartphones,” starting with the Galaxy S24 series, Pixel 8 and Pixel 8 Pro.

This article originally appeared on Engadget at https://www.engadget.com/galaxy-s24-and-pixel-8-owners-can-soon-search-for-anything-by-drawing-a-circle-around-it-180029757.html?src=rss 

Samsung unveiled its Galaxy S24 devices at its first Unpacked of the year. As expected, the three smartphones have a heavy focus on artificial intelligence-powered features, from the likes of live translations to image editing.

Galaxy AI, as Samsung is calling the devices’ overarching AI system, is behind a number of communication-focused functions. For one thing, Galaxy S24 devices will natively support live, two-way translations on phone calls without the need for a third-party app, Samsung says. Since processing for most AI features is handled on-device with the help of the Snapdragon 8 Gen 3 Chipset and its neural processing unit, the conversations will stay private (well, aside from eavesdroppers who might catch one half of the chat). You’ll have the option to entirely disable online processing of data for any AI features.

On a similar note, on-device processing also means that you won’t need cellular data or Wi-Fi connections to use AI features such as Interpreter. This enables you to display split-screen translations of an in-person conversation. Your device will also be able to generate transcripts of recordings — these can be summarized or translated as needed.

When it comes to dashing off text-based messages, Samsung says its Chat Assist feature can help you find the right tone. Samsung Keyboard can translate messages between 13 languages too. A Note Assist function in Samsung Notes can summarize texts, generate templates and create covers to help you identify the note you’re looking for.

Meanwhile, as you’re driving, Android Auto can summarize incoming messages and suggest relevant responses and actions for you to approve via voice command. These could include things like telling someone your estimated time of arrival.

A new search experience means that you’ll be able to draw a circle around something on your screen and see related results from Google. Depending on your location and the search query, you may see an AI-generated overview that pulls information from the web to offer context and more details.

AI will be a driving force behind the Galaxy S24 lineup’s camera systems too. Samsung suggests it will help with digital zoom, image stabilization and when capturing photos and videos in low-light. A Super HDR feature is designed to help you see a lifelike preview of an image before pressing the shutter button.

When it comes to image editing, the suite of AI tools might come in useful. Galaxy AI will offer suggested tweaks to improve a photo, while the Generative Edit function can fill in parts of an image’s background. This may prove handy if a shot is crooked and you want to straighten it, as the feature should let you move the subject and fix the background. Of note, you will need a network connection to use Generative Fill. Also, whenever you use generative AI to modify a photo, your phone will apply a watermark to the image and its metadata.

If you want to slow down a video that has a lot of activity, the Instant Slow-mo feature might help out. Samsung says this can generate extra frames based on movements in the original video to slow down the action smoothly. Last but not least, the camera systems in certain Galaxy S models feature HDR integration with third-party social apps. This means that when you look up an image in Gallery or your Instagram feed or reels, you’ll see photos and videos in Super HDR.

It’s little surprise that Samsung is going all in on AI with its latest Galaxy phones. The company previewed its AI models at the tail end of 2023, and word at the time suggested Samsung would deploy those functions broadly in the following months. Moreover, Samsung needs to keep pace with Google, which has been focusing more on AI features on Pixel phones for the last few years. Recent Pixel models are able to handle AI processing on-device too.

This article originally appeared on Engadget at https://www.engadget.com/samsungs-galaxy-s24-lineup-puts-generative-ai-front-and-center-180034530.html?src=rss 

With the launch of the Galaxy S24 family, Samsung is boldly declaring an end to the smartphone camera wars as it moves into the AI era. And the $1,300 S24 Ultra is its torchbearer for this new age of mobile design.

While it may not look like a ton has changed on the S24 Ultra, there’s one major design update along with a handful of smaller tweaks. The move to a titanium frame (available in four colors: titanium yellow, violet, gray and black) apes what Apple did for the iPhone 15 Pro last fall. The big difference is that, because Samsung’s previous flagship featured an aluminum chassis unlike the heavier stainless steel build on the iPhone 14 Pro, the S24 Ultra’s weight (8.22 ounces) is largely unchanged from last year’s device (8.25 ounces). That means aside from some very slight changes to the texture, there aren’t a ton of outward signs hinting at the S24’s increased durability which includes the same IP68 rating for dust and water resistance.

More subtle upgrades include a new Corning Gorilla Armor panel in back (instead of Gorilla Glass Victus 2 like on the standard S24/S24+), even thinner bezels (42 percent slimmer than before) and a slightly boxier feel. The latter might not be something most people notice, but it’s part of an ongoing trend for Samsung as it’s moved towards phones with flatter screens. On the S24 Ultra, aside from some faint rounding at the perimeter of its display, it’s almost completely rectangular. So for all the people who hate screens with curvy edges, congratulations, you’ve won.

Inside, the S24 Ultra features a Snapdragon 8 Gen 3 chip along with 12GB of RAM and up to 1TB of storage. Samsung says it’s installed a larger vapor chamber that’s almost twice the size of what’s in the previous model to help keep the phone’s thermals in check. The Ultra’s screen is also slightly brighter with a peak of 2,600 nits for its 120Hz 6.8-inch OLED screen. There’s still a storage slot for the Ultra’s S Pen with a springy magnetic attachment system and its core functionality hasn’t changed, so you can expect the same super responsive stylus input.

It’s important to note that the S24 Ultra’s camera setup is largely unchanged. You still get a 200-MP main sensor and a 12-MP ultra-wide, but instead of a 10x lens, the S24’s telephoto camera is now based on a 50-MP sensor (up from 10-MP) with a 5x optical zoom. Samsung says this change was made based on customer feedback and usage patterns, which saw 5x being the most frequently used focal length. While its overall reach has seemingly decreased, the phone uses pixel-binning and AI to achieve what the company is calling a “10x optical quality” zoom while still delivering up to a total 100x Space Zoom. In our limited hands-on time, the Ultra’s telephoto camera still looked sharp even with the shorter focal length, though as before image quality begins to deteriorate quickly past 20x.

Of course, the Ultra’s zoom is just one small application of AI. The entire S24 family has a full suite of machine learning-based features. Similar to what’s available on the Pixel 8, Samsung is using AI to help you edit photos and create new slow-mo footage. You can use the S24 Ultra’s stylus (or your finger on the other models) to draw a lasso around a subject before touching and holding to move it whenever you want. Then, all you have to do is hit the generate button, and the phone uses AI to fill in any missing elements. And this isn’t limited just to moving things around either, as you can delete objects, resize, recompose and more.

Samsung’s photo app can also detect things like shadows and reflections and will ask if you would like to remove them from your shot. This might be my favorite application of AI, as this helps streamline editing while also making more complicated fixes incredibly easy. And while I only got to test this out using sample photos provided by Samsung, it worked astonishingly well. After finding a photo in the gallery app, all I had to do was hit the info button to see a list of suggested edits, which almost instantly transformed a mediocre image into something I would be proud to share on social media.

Samsung’s slow-mo feature was also quite impressive. It works on practically any local clip, not just footage shot by an S24. When playing back a video, you can simply touch and hold. Then the phone looks at the framerate of the footage, multiplies it by four (e.g. from 30fps to 120fps) and uses AI to create additional frames — all on the fly and on-device, so nothing is being sent to the cloud.

It’s not all photo tricks, though. The S24 uses its AI powers to help you communicate both on the phone, via the new live-translation feature, and in text, with improved proofreading, summarization and tone-correction abilities. During calls, activating translation is as simple as tapping a button. From there, it will recognize your speech and automatically convert it into whatever the other person is speaking (or you can save a tiny bit of time and select the language yourself). Granted, this does mean that conversations will take a touch longer since you’ll need to pause to give the phone a chance to process and translate what you say. But if you’re in a pinch while traveling, I wouldn’t hesitate to try this out.

As for the S24’s summarizing capabilities, it’s similar to what you get on the Pixel or in services like ChapGPT, Bard and others. You can direct the phone to a website or a file (including those in Samsung Notes) and the phone will condense things into a handful of major bullet points. But the potentially more useful tool is the tone-correcting feature, which in addition to basic stuff like highlighting typos, also gives you some options to rephrase things to make them seem more positive or encouraging.

Notably, because you get a handful of options and the choice to ignore or implement things as you see fit, it feels like less policing yourself and more like adjusting language to get your message across in a more effective manner. Honestly, this is something everyone could probably use from time to time, even if it’s just to prevent sending out an angry text or email.

The one aspect of the S24’s AI powers that isn’t handled locally is a new circle-to-search tool. Developed in partnership with Google, the feature allows you to highlight both text and images before sending a query off to the cloud and returning results. In practice, it feels like combining traditional search and visual lookup aids like the Google Lens app into a single thing. It’s a nice upgrade in terms of general usability standpoint even if it doesn’t revolutionize the way the phone works.

Finally, following a similar move Google made last year with the Pixel 8, Samsung will now provide a full seven years of regular OS and security updates. This is something I’m hoping to see from every Android handset maker, so I’m glad Samsung is stepping up now.

The two gripes I have are that, for a device that starts at $1,300, I think the S24 Ultra’s design is rather plain. It’s just 6.8-inches of phone with a bunch of sensors and camera lenses on the back. Not to mention I don’t think Samsung’s special titanium-hued paint jobs stand out as much as the company hopes they do.

The other issue is the lack of Qi 2 support. The S24 falls in the second half of Samsung’s two-year product cycle, which means we probably weren’t going to get any big facelifts or design changes until next year. But as the largest Android phone maker, it’s pretty disappointing to see a new flagship not adopt what could be an incredibly important multi-platform wireless charging standard.

Honestly I was kind of taken aback by how good its AI features are. I actually had to stop myself multiple times from writing how one of the phone’s latest tools was a pleasant surprise. Unlike Google who has been beating the drum about machine learning for more than a decade, Samsung’s mobile expertise always felt like it lay more in hardware than software. But with the S24, Samsung is showing that it’s taking the transition to the AI era incredibly seriously.

The Samsung Galaxy S24 Ultra will start at $1,300. Pre-orders go live today and on Samsung.com will include a free upgrade that doubles the phone’s storage, while official sales are slated for January 31.

This article originally appeared on Engadget at https://www.engadget.com/samsung-galaxy-s24-ultra-hands-on-a-fresh-titanium-frame-combined-with-a-big-bet-on-ai-180050005.html?src=rss 

Rode, the Australian audio company that enjoyed breakthrough success with the Wireless Go and GO II, has unveiled a dual transmitter version of the more affordable Wireless ME mic. If you can do without onboard recording, the dual transmitter version could save you from buying extra gear for a multi-mic setup.

As wireless clip-on digital mics have exploded in popularity with creators, the (single transmitter) Rode Wireless ME has been a popular budget ($149) alternative to the $299 GO II. This dual-transmitter model is otherwise the same as the single-mic version. So, you’ll get the same Series IV 2.4GHz digital transmission, Rode’s GainAssist tech and “universal compatibility” with cameras, phones and computers.

Also, like the single-transmitter version of the Wireless ME, the new model’s receiver includes an extra “behind-camera” mic for a bonus audio source. In this case, that theoretically gives you a third mic — as long as your setup allows plugging it directly into your recording device. It works with the Rode Capture app (available for iOS and Android), which is aimed at creators. 

Given that the Wireless ME is on the budget end of Rode’s lineup, the same compromises from the single-transmitter version apply. That includes the lack of a receiver display, onboard recording / storage or an option to record a safety track at a lower gain level. In return for those tradeoffs, you’ll likely save a few bucks vs. the higher-end GO II.

We say “likely” because Rode hasn’t yet said how much the dual-transmitter version will cost. (The single-mic variant costs $150, so you can probably assume it will be more.) The dual Wireless ME arrives this spring, so expect to hear about pricing as its release date approaches. It will be available in black and (for the first time in the ME series) white.

Rode has growing competition in this space. JBL launched a similar budget product — the $100 Quantum Stream — at CES 2024, and DJI just revealed the Mic 2, including a $349 dual-transmitter variant.

This article originally appeared on Engadget at https://www.engadget.com/rode-reveals-a-dual-transmitter-version-of-the-wireless-me-lapel-mic-181534298.html?src=rss 

I own a jacket that’s eerily similar to Tess’ in Open Roads. It’s a blue bomber with yellow and burnt orange accents, and it’s not the only thing that Tess and I have in common. As she leisurely explores her childhood bedroom in the first few minutes of the game, Tess comes across set pieces that ground her environment in the early 2000s. There’s a chunky black television set and scattered DVD cases, little bottles of bright nail polish, a black-and-white strip from a photo booth, newspapers remembering 9/11 and hunting for bigfoot, and a bright pink tube of sickly sweet lip balm. These are the leftovers of her adolescence — the room is disheveled and largely empty, with most of her possessions packed away, ready to move. Tess picks through the room’s remaining photos and yearbooks, her hand-drawn fingers reaching out to interact with 3D objects, revealing more of her backstory with each touch. The cuff of her jacket is jarringly familiar every time it enters the frame.

Open Roads is a narrative-driven, exploration-focused game about the road trip that Tess and her mother take when a death in the family uproots their life. After clearing out the house and finding a mysterious diary in the attic, Tess and her mom, Opal, print out directions from RoadBuddy (not MapQuest) and set off on a long drive. Emotional upheaval is bound to ensue.

I watched developers play the first 15 minutes or so of Open Roads, and the preview reeled me in immediately. Visually, the game is polished and engaging; the settings and interactable objects are 3D, while characters are hand-drawn, carving depth into each scene. Developers at the Open Roads Team uploaded real-life handwriting samples to create yearbook pages, postcards and letters, which removes the threat of pixelated text ruining the immersion. In conversation, the characters float between movements like old-school Disney storyboards, making the entire experience feel like a lucid dream.

Tess and Opal are fully voiced by two mainstream actors, Kaitlyn Dever and Keri Russell, and in the scenes I’ve seen, their performances are fantastic. The interactions between Tess and Opal are simultaneously loving and strained, as mother-daughter relationships can be. The writing is also evocative and genuine; dialogue flows smoothly, even with the various player-chosen paths that each conversation can take. These characters feel real right away.

The house that Tess and Opal are leaving is lived-in and it has a sense of history. There are personal, hand-crafted touches in every room, and developers added bits of their own lives to the game. The chair by that desk? It was modeled after a developer’s own childhood memories. Those old, creepy ornaments in the attic? A developer’s grandma passed down those exact decorations in real life. The scribbles on the wall? They’re drawings from the creators’ kids. These details won’t be obvious to most players, but they lend a sense of authenticity to the game as Tess explores the closets and corners of her family home.

Open Roads doesn’t just provide early-2000s nostalgia, but it also reaches back and references the ’60s and ’70s, covering multiple generations in Tess’ family. As Tess investigates the house and picks up various objects, Opal provides context and tells stories about their life, and there are branching dialogue paths. At one point during the preview, the developer that was playing decided to make Tess walk away from the refrigerator without shutting its door, and this caused Opal to scold her. Tess and Opal’s relationship is charming and warm, but there’s a sense of tension running through their interactions that I’m eager to examine in the full game.

Open Roads feels like a mix of Gone Home, Life is Strange and What Remains of Edith Finch, in the best possible way. The writing, voice acting and animation style harmonize in the first few minutes of the game to create a realistic and nostalgic world populated with vivid characters. I’m ready to hit the road with Tess, Opal and their printed-out driving directions when the game hits PC, Switch, PlayStation and Xbox on February 22. After all, I already have the jacket.

This article originally appeared on Engadget at https://www.engadget.com/open-roads-preview-bring-me-to-life-in-2003-170007873.html?src=rss