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On Tuesday, Razer launched its first keyboard for the DIY set. As its name implies, the BlackWidow V4 75% Barebones is the popular mechanical keyboard, only without keys and keycaps. It could be a solid option if you like Razer’s design and Chroma RGB but want to bring your own keys.

Otherwise, the Barebones BlackWidow is identical to the fully assembled variant. It still supports 3-pin or 5-pin mechanical switches and custom keycaps. It offers a polling rate of up to 8,000Hz with Razer’s HyperPolling tech.

Other details include factory-lubricated stabilizers for smoother keystrokes and dual-layer dampening foam. It even has pre-applied tape to soften higher frequencies. For a full rundown of the keyboard’s feature set, Engadget’s Igor Bonifacic reviewed it for IGN in 2023.

At $140, the black barebones version is $60 cheaper than the pre-assembled version. The white variant is slightly less thrifty at $150. (Unfortunately, you can’t get a barebones one in phantom green.) You can order the BlackWidow V4 75% Barebones today on Razer’s website.

This article originally appeared on Engadget at https://www.engadget.com/computing/accessories/razer-launches-its-first-barebones-mechanical-keyboard-205043334.html?src=rss 

Welcome to Video Games Weekly on Engadget. Expect a new story every Monday, broken into two parts. The first is a space for short essays and ramblings about video game trends and related topics from me, Jess Conditt, a reporter who’s covered the industry for more than 13 years. The second contains the video game stories from the past week that you need to know about, including some headlines from outside of Engadget.

Please enjoy — and I’ll see you next week.

Summer Game Fest 2025 will be remembered as the one that happened while the Waymos burned.

The SGF Play Days event space, where games media and influencers meet up with developers over a long weekend, is in the fashion district in Los Angeles, and this year it was a few miles from the heart of sprawling protests against ICE. After months of inhumane and legally dubious deportations of LA residents by masked federal agents — emboldened by President Donald Trump’s far-right extremism and equipped with weapons built for war — the bubble of resistance popped. Protestors hit the streets after ICE officers swept up dozens of people across LA in another round of coordinated raids on Friday, June 6. The protests grew over the weekend and Trump called in the National Guard, followed by the Marines. Militarized LAPD officers attacked people with horses and batons, and they fired rubber bullets into crowds and directly at one journalist. On Sunday evening, protestors lit a line of unoccupied Waymos on fire.

The thick, black smoke was visible from the Play Days lot. I saw it as I was leaving the media lounge, heading toward the food trucks, and it stopped me in my tracks just in front of the Capcom booth. The low buzz of helicopters and the cries of police sirens had been a constant companion that weekend, but the smoke was new. I stopped and took a photo as upbeat reggae music pumped out of the speaker beside me. Around the corner, an actor dressed as a Fortnite banana in a suit was enticing passersby to play Ddakji as part of a cross-promotional effort with Squid Game. The dissonance made my head spin.

The sickly pallor of encroaching authoritarianism has hung over every video game convention in the past six months — because it’s shadowed literally everything in the United States this year. I’ve spent a significant amount of this time actively shutting down thoughts about Project 2025, government-sponsored human trafficking, neo-Nazis and all manner of hateful, bigoted policies targeting the United States’ most vulnerable people, because if I didn’t, the stress of these realities would consume me. I think most of us are doing something similar nowadays. We have to deprioritize specific thoughts at certain times, in order to get work done, maintain relationships and make it through the day. Having to ignore these monumental things in favor of, at least in my case, video games is a mindfuck.

The smoke from the burning Waymos, visible from the main alleyway at SGF, felt like a physical manifestation of this constant internal tension. Video games are a vehicle for connection and expression, and they’re deeply valuable to society — but, as with anything else, their importance is a matter of perspective.

The news

Everything — like, everything — announced at Summer Game Fest 2025

Our SGF 2025 roundup post is a comprehensive rundown of all the news from the show, from Day of the Devs to the big Xbox showcase. We’ll be adding our hands-ons and interviews as they’re published over the coming week right at the top of this article, so feel free to keep checking back. Or, Engadget’s Gaming hub will keep you covered.

Resident Evil Requiem is a thing

Arguably the biggest bit of news out of SGF 2025, Resident Evil Requiem is due out on February 27, 2026. It’s a mainline Resident Evil title starring FBI agent Grace Ashcroft, and it features familiar locations from the series, including Raccoon City’s demolished police department.

The Outer Worlds 2 release date

Obsidian’s sci-fi RPG The Outer Worlds 2 is heading to PC, PlayStation 5 and Xbox Series X/S on October 29 — just in time for everyone to understand your fancy-man moon-head Halloween costume.

There’s an official Xbox handheld, but it isn’t made by Xbox

After months of rumors about Microsoft and ASUS teaming up to make an Xbox-branded handheld gaming device, we finally have relief. The ROG Xbox Ally and ROG Xbox Ally X are due out this holiday season, capable of playing Xbox games natively via the cloud or a remote console connection, and with support for other popular PC storefronts like Steam, GOG and Battle.net. There’s no word on price or an exact release date yet, but the Xbox handhelds are definitely, finally coming.

Relooted looks like the kind of fun we need right now

If you only have time to read about one game from SGF 2025, acquaint yourself with Relooted from South African indie studio Nyamakop. It’s a heist game about rescuing African artifacts from the Western colonizers who stole them, and it’s filled with puzzles, action and Afrofuturism. This is one to keep an eye on.

Enter the world of Mat Smith writeups

Engadget’s UK Bureau Chief Mat Smith was on the ground at SGF 2025 and he’s already published a trio of stories directly from the show, each one more delightful than the last. There’s a look at Lumines Arise, complete with input from director Takashi Ishihara; a preview of Patapon spiritual successor Ratatan; and Mat’s thoughts on Supermassive’s sci-fi romp Directive 8020. There’s more coming from Mat, too, so keep that Engadget Gaming tab open.

Sword of the Sea is a return to form for the artist behind Journey

I had a lovely little chat at SGF with Matt Nava, the artist responsible for Journey, Abzû, The Pathless, and the upcoming sand-surfing game, Sword of the Sea. Nava has spent the past decade or so running from his own shadow, but with Sword of the Sea, he’s finally following his intuition again. This story includes impressions of the game — spoiler: it’s fabulous — and development insight from Nava.

This article originally appeared on Engadget at https://www.engadget.com/gaming/video-games-weekly-the-one-that-happened-while-the-waymos-burned-192959322.html?src=rss 

It’s hard to look at Apple’s new “Liquid Glass” aesthetic and not think about Windows Vista, Microsoft‘s much-maligned OS which also touted transparencies and glass-like effects as a bold new vision for computing. You can see the similarities between Apple‘s UI and Vista’s “Windows Aero” design language everywhere, from the glassified app icons in iOS 26 and macOS Tahoe 26 which look a lot like VIsta’s glossy icons, to the transparent backgrounds used in drop down menus, which hearken back to VIsta’s transparent window borders. The key difference is that Apple is just doing it all better. (Sorry, not sorry, Windows fans.)

While Microsoft started off with an intriguing idea, it failed to execute the Windows Aero UI well in Vista. Mostly, that’s because Vista itself was a huge mess — it was far slower than Windows XP, it was notoriously buggy and it handled drivers poorly. And if you actually wanted to partake in the glory of Aero transparency bars, you needed a computer with a powerful GPU. That was far more rare in 2007 than it is today, when even integrated graphics can run basic 3D and fancy UI elements well. With its homegrown chips, Apple also provides decent graphics capabilities in its devices that support iOS 26, iPadOS 26 and other new software releases with Liquid Glass.

It also helps that Liquid Glass isn’t really a huge change for Apple, unlike the jump from Windows XP to Vista. Apple has been creeping towards a flashier UI and more widespread use of transparencies ever since iOS 7 was released in 2013, which dropped the archaic skeuomorphic design trend in favor of a flatter and more stylish aesthetic. So sure, your icons and menus may have a bit more shine to them in iOS 26, but they mostly work the way you remember. (You could also argue Apple itself kickstarted the move towards transparencies in desktop operating systems with the original Mac OS X in 2001, which gave its iconic dock a glossy background.)

I can argue for the overall wisdom of Apple’s Liquid Glass, at least compared to Windows Vista, and personally I also think it gives iOS a much-needed dose of personality. But I can’t really convince you otherwise if you think it looks ugly, as many of my Engadget colleagues do. Senior News Editor Avery Ellis calls it “busy and obnoxious,” and Editor-in-Chief Aaron Souppouris noted that “it truly feels like Aero, rooted in the mid ’00s…. I don’t need light refracting around my pause button.” Fair complaints! And as usual, you can also reduce transparency effects and motion elements in Apple’s Accessibility Settings, if these elements truly bother you.

But after spending a bit of time with the first iOS 26 developer beta, I’m more intrigued by Liquid Glass than anything else. It makes app icons look like tiny jewels that I just want to touch, and I dig the transparency effects throughout the OS — they almost seem like a preview for a future where we’re using holographic Apple devices. (That’s also something I felt while using visionOS on the Vision Pro, which served as the launchpad for Liquid Glass.) I also genuinely love iOS 26’s revamped Safari, which lets you browse completely in full screen. As you scroll down, the location bar at the bottom of your screen shrinks and gets out of the way. But if you scroll up or tap into the location bar, it pops back up to give you the sharing and navigation options you’re used to.

It could also be that I’m a sucker for novelty. Back in my Windows XP days, I used to use apps like WindowBlinds to customize the OS and add transparent effects. And there are signs that Apple may be going a bit too far with transparencies, like with the iOS 26’s Control Center (above). It looks fine if you’re swiping it down while inside an app, but if you’re on the home screen, it’s just one of many levels of glass-like windows. I could see that being a bit overbearing for some users.

It’s also worth noting that interface redesigns are often rejected at first glance, especially since you’re seeing them abstracted through screenshots and videos. Even Apple’s slick marketing magic doesn’t replicate the experience of using Liquid Design. In my experience, iOS 26 really isn’t that different from everything that came before. Once you get over the initial shock of a new interface, you may see it with new eyes.

There’s also still plenty of time until Apple’s new operating systems arrive this fall though, and the company is often quick to tweak major design changes if beta users complain about them. I could see Apple toning down the Control Center’s transparent background, or even better, giving users more control over the amount of Liquid Glass elements on your screen. Personally, I don’t mind it when companies stretch their interface ideals a bit too far – there’s always room to move back. That’s far better than being too conservative and never really pushing your aesthetic vision forward.

This article originally appeared on Engadget at https://www.engadget.com/computing/apples-liquid-glass-is-windows-vista-done-well-181954910.html?src=rss 

Google has released Android 16 to the masses, as it’s now available for compatible handsets. The company says new devices will come preloaded with the OS in “the coming months.”

The update includes several notable features. The biggest one might be live updates in notifications. This means that stuff like ride-shares and food deliveries will get a progress bar directly in the notification, so folks won’t have to constantly open and close the app to wonder why a burrito seems to be stuck four blocks away.

Also, notifications from the same app will now be automatically grouped together to reduce clutter and pings. There’s now support for LE audio hearing aids, with a native control option. Users can also switch to the phone’s microphone when using one of these hearing devices for clearer audio in noisy places.

Google has tied all of its security features together, so users can now be protected from “online attacks, harmful apps, unsafe websites, scam calls and more in just a tap.” This includes new scam detection features that were previewed back in May.

Shutterbugs are getting a fairly robust suite of new features, including automatic night mode scene detection, hybrid auto exposure and more precise color temperature adjustments. UltraHDR images have been improved, with support for HEIC encoding, and Android 16 offers integration with the high-end Advanced Professional Video (APV) codec.

The company is finally bringing desktop windowing to Android, but it’s not ready just yet. That feature will be available to general users later in the year, but Android 16 QPR 3 Beta 2 is currently previewing the feature.

There’s also a neat Android ecosystem update with some nifty features. This includes upgraded RCS group chats, with custom icons and the ability to mute threads. Google Photos now offers an AI-enhanced image editor that will recommend suggested edits. Emoji Kitchen is receiving new sticker combinations and Wear OS devices can now pay for transit fares without having to open a dedicated app.

Finally, Google has offered details on the Pixel Drop for June. New features include a Pixel VIPs widget that displays information on preferred contacts and more expressive captions on videos.

This article originally appeared on Engadget at https://www.engadget.com/mobile/android-16-is-out-complete-with-live-notification-updates-and-new-camera-features-170006072.html?src=rss