Billboard’s charts are increasingly weighted towards on-demand streaming, but not enough for YouTube

YouTube announced that it will no longer share data with Billboard for the creation of the Billboard Hot 100 and other charts because the video platform doesn’t believe they’re calculated fairly. The issue lies, per YouTube, with how Billboard weighs on-demand streams in its rankings: The publication weighs streams from paid music streaming services over ad-supported streams, and YouTube just so happens to run an ad-supported streaming service.

Much like getting a book on The New York Times Bestseller list, landing a spot on the Billboard charts doesn’t carry quite the same importance that it once did. When the majority of the media people consume is digital and on-demand, sales numbers aren’t a guaranteed indicator of success or popularity. That’s part of the reason why Billboard started including digital streams in its calculations way back in 2007, and why it announced plans to adjust how it weighs on-demand streaming just yesterday.

On Tuesday, Billboard announced that it would add more weight to streaming to “better reflect an increase in streaming revenue and changing consumer behaviors.” Billboard currently counts an “album consumption unit” as an album sale, which either breaks down to “3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams.” In the new ranking scheme that will go into effect in January 2026, “each album consumption unit will now equal 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams.” 

“The change means that it will take 33.3 percent fewer ad-supported on-demand streams of songs from an album, and 20 percent fewer paid/subscription on-demand streams of songs from an album, to equal an album unit,” Billboard says. Put another way, things are moving in YouTube’s favor, just apparently not as quickly as the company wants.

YouTube characterizes pulling its data from Billboard as fighting for fairness and equality, but it’s equally connected to the platform’s demonstration of its own power. It already funnels billions of dollars to artists and labels from the money it makes on ads and subscriptions, but it clearly also wants the power to mint new chart-topping stars. “We are committed to achieving equitable representation across the charts and hopefully can work with Billboard to return to theirs,” YouTube says in its announcement. “Until then, if you’re curious about what music is making waves on YouTube, you can visit our charts here.”

This article originally appeared on Engadget at https://www.engadget.com/entertainment/music/billboards-charts-are-increasingly-weighted-towards-on-demand-streaming-but-not-enough-for-youtube-220238291.html?src=rss 

Jared Isaacman is NASA’s new leader

NASA has a leader again. On Wednesday, the US Senate confirmed Jared Isaacman as the agency’s administrator, with a 67-30 vote. The billionaire entrepreneur (and Elon Musk ally) will have his hands full navigating political waters while managing a severely downsized workforce.

You might recall that this wasn’t Isaacman’s first shot at the job. He was nominated to the post earlier this year. But days before he was scheduled for a confirmation vote, President Donald Trump withdrew his nomination.

The reversal reportedly came after the president was told that Isaacman had donated to prominent Democrats. (Trump’s description of his decision, as based on a “thorough review of prior associations,” seemed to lend weight to that.) However, that was also around the time the Trump-Musk feud was about to boil over. Regardless, Isaacman was nominated again in November.

The new NASA head reportedly has broad support from the space community. (That makes him something of an aberration among Trump appointees in scientific fields.) “I am optimistic that Mr. Isaacman will bring a steady hand and clear vision to NASA,” Sen. Marie Cantwell (D-WA) told The New York Times.

The new administrator has traveled to space twice on private missions. In a document published in May, Isaacman shared his three objectives for NASA. These included human missions to the Moon, Mars and deep space; helping the organization do more with a constrained budget; and cost-cutting through industry and academic partnerships.

This article originally appeared on Engadget at https://www.engadget.com/science/space/jared-isaacman-is-nasas-new-leader-220833691.html?src=rss 

Astronomers find mysterious lemon-shaped exoplanet with NASA’s Webb telescope

Space is full of unsolved mysteries, and a team using NASA’s James Webb Space Telescope have recently turned up a doozy. “I remember after we got the data down, our collective reaction was ‘What the heck is this?’ It’s extremely different from what we expected,” said Peter Gao of the Carnegie Earth and Planets Laboratory in Washington, a co-author on the study.

The researchers found an exoplanet dubbed PSR J2322-2650b that orbits a small, dense star emitting electromagnetic radiation known as a pulsar. They are an example of a black widow system, where a rapidly spinning pulsar is paired with a smaller astronomical body. A black widow duo isn’t unusual, but this pair has sparked questions about how the exoplanet originally formed.

The exoplanet’s proximity to the pulsar and its intense gravitational pull have distorted it into an oblong lemon shape. More unusually, PSR J2322-2650b also has a unique atmosphere comprised mostly of helium and carbon. “Instead of finding the normal molecules we expect to see on an exoplanet — like water, methane, and carbon dioxide — we saw molecular carbon,” principal investigator Michael Zhang of University of Chicago said. Given its strange atmosphere, the team isn’t certain how the exoplanet formed. “It’s very hard to imagine how you get this extremely carbon-enriched composition. It seems to rule out every known formation mechanism,” Zhang said. For now, we’ll chalk this up as another mystery of the universe.

This article originally appeared on Engadget at https://www.engadget.com/science/space/astronomers-find-mysterious-lemon-shaped-exoplanet-with-nasas-webb-telescope-223722244.html?src=rss 

Study links Amazon’s algorithmic pricing with erratic, inflated costs for school districts

When it comes to convenience, it’s hard to beat Amazon. And that rationale isn’t limited to consumers: Many local districts shopping for supplies with public funds apply the same logic. But the Institute for Local Self-Reliance (ILSR) published a study earlier this month (via The American Prospect) that illustrates the cost of that bargain. It suggests that Amazon’s “dynamic pricing” has led many schools and other localities to overpay for supplies.

Public schools and local governments have historically bought supplies by soliciting competitive bids from local suppliers. Those vendors then respond with fixed price lists, delivery timelines and other terms. This competition — all out in the open, part of the public record — encourages low prices and transparency.

On the surface, ordering from Amazon appears to offer competition, too. After all, the platform includes third-party vendors fighting for your dollars. But turning taxpayer funds over to Amazon’s algorithms isn’t quite that simple. That’s because the platform’s “dynamic pricing” (algorithmically driven real-time changes) is inherently opaque.

According to the report, Amazon’s contracts with public entities don’t include fixed price lists. Instead, they include language built around swings. “This contract has a dynamic pricing structure in which the price for items listed on the online digital marketplace is driven by the market,” Amazon’s contract with Utah reads. “This contract will not need to be amended when prices fluctuate.”

Below are some examples of wild price discrepancies for these districts. All of ILSR’s examples are from localities buying supplies from Amazon Business with public funds in 2023.

A City of Boulder, CO employee ordered a 12-pack of Sharpie markers from Amazon Business for $8.99. On the same day, a Denver Public Schools worker ordered the same markers for $28.63.

Amazon charged Clark County, WA, $146,000 for 610 computer monitors. On another day, that same order would have cost $24,000 less.

Pittsburgh Schools bought two cases of Kleenex for $57.99 each. On the same day, Denver Schools paid $36.91 for a single case.

On a single August day, Denver Schools placed two separate orders for bulk cases of dry-erase markers. One cost $114.52. The other was $149.07.

In March 2023, Denver Schools paid $15.39 for a Swingline stapler (sold by Amazon). A few days later, the same school system paid $61.87 for the same product (sold by a third-party seller).

Even in that last example, ILSR says Amazon’s algorithms are the culprit. “It might be tempting to blame the seller for putting a $62 price tag on a stapler or the employee for not noticing the cost,” the nonprofit argues. “But that overlooks Amazon’s pivotal role in the transaction — and the profit it makes. Amazon’s algorithms steer shoppers’ attention, selecting featured products and organizing search results. The platform routinely prompts users to ‘buy it again,’ even when the price has jumped. For busy public school employees, it’s all too easy to simply click the buy button, under the assumption that Amazon is surfacing the best option.”

Amazon CEO Andy Jassy

Noah Berger via Getty Images

One portion of the study looked at repeat orders for 2,500 “high-frequency items.” (These included Amazon-brand copy paper, Elmer’s glue, BIC pens, Lysol cleaning wipes and Crayola crayons.) In total, the jurisdictions in the study spent $3 million on those items. But based on the lowest prices Amazon charged during that period, they would have paid only $2.5 million. Across those same items, one school district could have saved 17 percent (about $1 million) if it consistently received Amazon’s lowest prices.

What would fair market value have been for those items? Well, it’s hard to say because the algorithms are steering pricing silently in the background. A more thorough study that included the same items, bought exclusively through the traditional procurement method, would tell us much more. And recent history has taught us that trusting Big Tech’s algorithms to serve the public good (rather than its own bottom line) is a fool’s errand.

In at least some cases, the practice routes public funds away from local vendors and toward overseas ones — and, of course, Amazon itself. In Berkeley County, WV, the school district spent $1.3 million on Amazon Business in 2023. What portion went to sellers in the state? A measly $142.

On top of all of that, the practice has snuffed out many of the smaller vendors that traditionally competed for these contracts. “The disappearance of these small and mid-sized businesses weakens local economies and tax bases,” the report concludes. “And it leaves governments increasingly dependent on Amazon, paving the way for the kind of monopoly control that ensures higher prices, poorer service, and less innovation.”

In a statement sent to The Guardian, Amazon disputed the study’s conclusions. “Pricing research is notoriously difficult to conduct accurately and typically lacks reliable methodology, including cherry-picked product selections, mismatched product comparisons and comparing in-stock items with products out-of-stock at competitors,”

ILSR’s report drew in spending data from 128 local governments (including cities, counties and school districts) and 122 state agencies. It also gathered contract documents and interviewed public officials, procurement experts and vendors.

This article originally appeared on Engadget at https://www.engadget.com/big-tech/study-links-amazons-algorithmic-pricing-with-erratic-inflated-costs-for-school-districts-202047988.html?src=rss 

This cute little Behringer synthesizer sounds massive and costs just $49

Behringer is no stranger to remaking classic synthesizers and selling them at much cheaper price points. However, this latest release may just take the budget-friendly cake. The company just introduced the UB-1 Micro, previously called the Spirit, a portable analog synth inspired by the Oberheim Matrix line that costs just $49.

Despite the price tag, this thing still manages to sound extremely beefy. It features a pair of digitally controlled oscillators (DCOs) based on the Oberheim Matrix 6 analog chip. The monophonic/duophonic synth boasts two LFOs to control filters and tuning and an arpeggiator with three patterns and a hold function.

It also offers 32 factory presets, which is expandable via the company’s SynthTribe software. The UB-1 Micro includes 16 touch-sensitive keys, six function buttons and an OLED display for editing parameters. There’s a USB-C port, for connecting to smartphones and computers. To that end, it can do USB/MIDI.

This is just the latest teensy recreation by Behringer. The UB-Xa Mini is a take on another Oberheim classic and a portable version of its own full-size UB-Xa synthesizer. The JT Mini recreates an iconic Roland Jupiter synth, while the Phara-o Mini is primarily based on the Korg Volca Keys.

This article originally appeared on Engadget at https://www.engadget.com/audio/this-cute-little-behringer-synthesizer-sounds-massive-and-costs-just-49-191513007.html?src=rss 

Meta is ‘pausing’ third-party VR headsets from ASUS and Lenovo

Last year, Meta announced that it was opening up its VR operating system to other headset makers, starting with ASUS and Lenovo. Now, it seems that Meta is pumping the brakes on the effort and those third-party Horizon OS headsets might never actually launch.

The company has “paused” the program, Road to VR reported. Meta confirmed the move in a statement to Engadget, saying that it’s instead focusing on “building the world-class first-party hardware and software needed to advance the VR market.” ASUS and Lenovo didn’t immediately respond to a request for comment. Both companies have said little about the headsets since they were first announced in 2024. ASUS’ was going to be a “performance gaming” headset under its Republic of Gamers (ROG) brand, while Lenovo’s was intended to be a mixed reality device focused on “productivity, learning and entertainment” experiences 

The shift isn’t entirely surprising. Meta Connect was very light on virtual reality news this year as smart glasses have become a central focus for the company. Earlier this month, Bloomberg reported that Meta was planning significant cuts to the teams working on virtual reality and Horizon Worlds. The company said at the time it was “shifting some of our investment from Metaverse toward AI glasses and wearables given the momentum there.”

Still, Meta is seemingly leaving the door open for third-party VR headsets in the future. “We’re committed to this for the long term and will revisit opportunities for 3rd-party device partnerships as the category evolves,” the company said.

This article originally appeared on Engadget at https://www.engadget.com/ar-vr/meta-is-pausing-third-party-vr-headsets-from-asus-and-lenovo-193622900.html?src=rss 

IO Interactive’s 007 First Light reimagines James Bond as a young and reckless spy

The creators of the Hitman series have honed their style of- open-ended and spectacle-driven sandboxes across several games, and now they’re taking their signature immersive gameplay to the world of James Bond. With 007 First Light, developer IO Interactive is crafting an origin story for the globetrotting British spy, showing how he undertook daring missions at the start of his career to eventually become the world’s most infamous agent.

Before the reveal at The Game Awards of 007 First Light‘s newest villain, played by Lenny Kravitz, we had an early look at the latest bits of plot for James Bond’s origin story as a superspy. We also spoke with cinematic and narrative director Martin Emborg about the main inspirations for the game, how Bond’s origin taps into decades of lore, and why a good spy story is timeless.

“What I think is kind of baked into doing an origin story for a character like James Bond, is that everyone knows the character and who he’s going to become,” Emborg said. “But how does he become this character? I think that’s an exciting challenge from a storytelling perspective.”

IO Interactive’s James Bond is young and inexperienced.

IO Interactive

While some Bond films and novels have touched upon the early years of the iconic character, 007 First Light will be the first attempt at an actual, modernized origin story. As a twenty-something new MI6 recruit, this James Bond, portrayed by Patrick Gibson, is inexperienced and brash, which can result in some operations going off the rails. He still possesses a certain cunning, and near-supernatural levels of charisma and resourcefulness. This presents a solid archetype for the game’s open-ended missions where players will explore tightly designed worlds with a multitude of tasks and objectives to handle – however the players see fit.

While IO Interactive’s Hitman series taps into the spy experience, what really separates James Bond from Agent 47 is that he’s a far more social character. The social element will play a big part in how players can find ways to distract, or even outright bluff through charisma to sneak into areas.. Emborg explained that James Bond’s resourcefulness also makes him a compelling character for a video game, especially one that is all about player agency.

007 First Light will take players to several locations, including Slovakia and what appears to be Vietnam.

IO Interactive

“Bond is a competent character,” Emborg said. “We want to give the player the opportunities to have that agency to say, ‘Oh, I’m gonna talk to that guy,’ or, ‘I’m gonna go and punch that guy,’ or, ‘I can probably crawl up into a tight space to sneak in.’ Having that sense of agency is pivotal if you want to deliver a full Bond experience. Obviously, the social aspect of that is important; to embed yourself and infiltrate socially is a big part of that Bond experience.” 

Emborg said the rhythm of a James Bond game is different from a Hitman title, even though espionage, infiltration and subterfuge are at the core of both. 

“We have a lot of experience with that from obviously making Hitman, but there are just many more gears to Bond,” he said. “Of course, the shape of this game is different. We have sandbox locations where you make the open-ended decisions, but we also have other levels where it is a chase or a set-piece encounter, and then it opens up again. So we kind of coined the term, having a game that breathes. It’s a very different way of playing this type of game that we usually do, so we’ve definitely bolstered our toolbox for this game.”

In many ways, 007 First Light is a story that can only be told in an interactive format. The new game will pull from numerous novels and films for its plot, and it also features a large cast of familiar characters seen throughout the franchise – such as MI6 assistant Moneypenny (performed by Kiera Lester), gadget guru and quartermaster Q (played by Alastair Mackenzie), and team leader M (Priyanga Burford). 

But like any singular Bond story, First Light features its own set of original characters. In addition to James Bond’s MI6 mentor John Greenway (portrayed by Lennie James), a new core villain, black-market smuggler and warlord Bawma, will be played by Lenny Kravitz. It’s a familiar setup for a Bond experience for sure, but within the context of a video game – one made by IO Interactive – it really taps looks to tap into the Bond fantasy more than other games have. 

From the gameplay demos and trailers we’ve seen, IO Interactive looks to be channeling the style and lore from decades of Bond with its modernized reboot of the character. From deep cuts to On Her Majesty’s Secret Service – one of the great and underrated Bond movies – and You Only Live Twice, 007 First Light is keeping a keen eye on paying tribute to what came before.

“At the very beginning, it was very much like a maelstrom of [ideas], then suddenly something emerges, and you build up a story around it,” Emborg said. He continued, “I love doing this stuff and with great reverence for the material. It’s a privilege to work in this universe. James Bond is one of the few IPs that still hasn’t been overdone, in my view. We have a space to come in with a fresh take, and he’s a character who’s seen a lot of versions over the years.”

Confirmed MI6 gadgets include the “Q-Watch.”

IO Interactive

So far, 007 First Light has the makings of not only the biggest Bond game but also the most true-to-life simulation of being a superspy. While previous Bond games like Goldeneye and Everything or Nothing are well-loved classics, they embody traditional video game shooting spectacle. 007 First Light is looking to lean into the immersive element of the Hitman games in its adaptation of James Bond, finally giving players the opportunities to explore the social aspects of spy work on a grand scale. 

007 First Light will arrive on March 27, 2026, for PC, PS5 and Xbox Series X/S.

This article originally appeared on Engadget at https://www.engadget.com/gaming/io-interactives-007-first-light-reimagines-james-bond-as-a-young-and-reckless-spy-180000758.html?src=rss 

The Oscars will exclusively air on YouTube starting in 2029

The entertainment industry’s most well-known awards show is heading to streaming. The Academy of Motion Picture Arts and Sciences (AMPAS) has announced that the Academy Awards, popularly known as the Oscars, will exclusively air on YouTube starting in 2029. The new deal means the awards show is abandoning its long-time partnership with ABC (owned by frequent Oscars heavyweight, The Walt Disney Company), though the Oscars will continue to air on the network through its 100th anniversary in 2028.

The Academy Awards will be joined by other Academy events and programming on the Oscars YouTube channel, including “the Governors Awards, the Oscars Nominations Announcement, the Oscars Nominees Luncheon, the Student Academy Awards, the Scientific and Technical Awards, Academy member and filmmaker interviews, film education programs, podcasts, and more,” AMPAS says. The Google Arts & Culture initiative will also digitize artifacts in the Academy collection and help provide digital access online as part of the new partnership.

Developing…

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/the-oscars-will-exclusively-air-on-youtube-starting-in-2029-181545531.html?src=rss 

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