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HGTV Star Ty Pennington Rushed To Hospital & Intubated: He Could ‘Hardly Breathe’

The ‘Trading Spaces’ star spent time intubated in a Denver ICU after an abscess kept him from breathing properly.

Robert De Niro & Girlfriend Tiffany Chen’s 3-Month-Old Baby Makes Her TV Debut

Robert De Niro and his girlfriend Tiffany Chen have shared yet another glimpse of their little bundle of joy! Check out her TV debut here.

Future Reignites Russell Wilson Feud As He Bashes Ex Ciara’s Husband On New Song: Listen

Future seems to have resurrected his feud with Ciara’s husband with a pointed, expletive-laced diss.

Gigi Hadid Shows Off Massive Upper Thigh Tattoo In Bikini: See Her New Ink

The model showed off her new tattoo via Instagram on Jul. 14 while she rocked a colorful bikini amid her tropical vacation with a few of her besties.

Reddit is removing years of chats and messages

If you have fond memories of chatting with Reddit friends, you might want to check your archives. Reddit has confirmed user reports that it’s removing all chats and messages from before 2023. As the social site explained in June, it’s moving to a new chat architecture and believes pulling older messages will enable a “smooth and quick transition” to the new architecture. The change took effect June 30th, but many users only noticed days later.

There may be a way to recover some of those messages, Mashablesays. You can request account data from Reddit through an online form, and the archive might include conversations from before 2023. While it won’t be as easy to revisit a priceless chat, it won’t necessarily be gone forever.

Users still aren’t thrilled, however. While Reddit disclosed the cutoff in a changelog, it didn’t notify community members directly. That left some to discover the company’s plans only after their message logs disappeared, preventing them from backing up their histories on their own terms.

The move also comes as Reddit is facing a broader backlash. Numerous subreddits conducted a days-long blackout to protest new policies that made it impractical for third-party apps like Apollo to remain active. Since then, users and moderators have taken various actions (such as focusing subreddits on John Oliver photos) to fight back.

More recently, Reddit said it would phase out the existing coin system used to recognize exceptional contributors. You can no longer buy new coins, and all awards and coins will go away after September 12th. The existing approach leads to “clutter” and provides content that some don’t believe is all that valuable, Reddit says. While there will be a replacement system, it’s expected to be simpler and more direct. That may not thrill longtime fans used to Reddit’s sometimes very specific awards and medals.

This article originally appeared on Engadget at https://www.engadget.com/reddit-is-removing-years-of-chats-and-messages-194558937.html?src=rss

Larry Hryb, Xbox’s ‘Major Nelson,’ is leaving Microsoft

Larry Hryb, better known as “Major Nelson” in Xbox circles, tweeted today that he’s leaving Microsoft. Hryb spent many years as one of the most prominent public faces of the brand as Director of Programming for Xbox Live. He didn’t state his reasons for leaving the company but said he plans to step back and work on his career’s next chapter. The move comes as Microsoft tries to close its $68 billion purchase of Activision. “As I take a moment and think about all we have done together, I want to thank the millions of gamers around the world who have included me as part of their lives,” Hryb said.

Hryb spent over two decades with Microsoft, joining the company as editor-in-chief of MSN Music in 2001. But in 2003, when he joined the Xbox division, he found his identity with the company. His public role was a combination of official employee and super fan. His blog posts, podcasts, interviews, unboxings and other various updates straddled the line between a marketing executive and a trusted “gamer’s gamer,” helping fans feel like they had one of their own on the inside at the gaming behemoth.

After 20 incredible years, I have decided to take a step back and work on the next chapter of my career. As I take a moment and think about all we have done together, I want to thank the millions of gamers around the world who have included me as part of their lives. (1/3)

— Larry Hryb 💫✨ (@majornelson) July 14, 2023

Xbox had used him less as a face of the company in recent years, but from at least the mid-2000s to the mid-2010s, “Major Nelson” was practically synonymous with the platform. He says he got his gamer handle and public nickname from Larry Hagman’s character in the 1960s sitcom I Dream of Jeannie — after his TiVo recommended it.

Hryb hasn’t yet detailed what his next career chapter is. However, he did note that The Official Xbox Podcast, which he hosted, will take a hiatus this summer and return later “in a new format.”

This article originally appeared on Engadget at https://www.engadget.com/larry-hryb-xboxs-major-nelson-is-leaving-microsoft-203607573.html?src=rss

‘RHOP’ Cast Members Spotted Fighting While Filming Season 8 Group Event: Watch

Drinks and glasses were thrown during the messy fight, which had two friends of the cast wrestling each other to the ground at a D.C. bar.

Noah Thompson Reveals Why He’s Been ‘Writing A Lot Of Breakup’ Songs & ‘Sad Music’ Lately (Exclusive)

Noah Thompson writes what he likes, and he likes sad songs! The ‘American Idol’ winner opened up about what has been inspiring his new music these days on the HollywoodLife Podcast.

‘Mission: Impossible’ is still the geekiest spy franchise

For almost three decades in the Mission: Impossible franchise, Tom Cruise’s Ethan Hunt has gone head to head in high-speed motorcycle battles, climbed Dubai’s Burj Khalifa, and hung from the side of a plane during takeoff. Oh, and he also died at one point (following an extended free dive into an underwater data bank). But in the latest film, Dead Reckoning Part 1, Ethan Hunt faces his toughest opponent yet: an omnipotent AI that could reshape geopolitics as we know it. After defying the laws of physics, it only makes sense that he has to defeat a god.

As ludicrous as that may sound, it also fits perfectly within the Mission: Impossible series, a universe where Ethan Hunt has been described as the “living manifestation of destiny,” and everyone is well aware that the “Impossible Mission Force” sounds like something pulled out of a comic book. At this point, it’s a franchise that exists for Tom Cruise and his collaborators — most recently, writer/director Christopher McQuarrie — to go wild with spy gadgets and death-defying stunt sequences. It’s made by spy movie geeks, for spy movie geeks.

That’s been true of the series from the start. The original TV show centered on grounded spy craft, albeit in a world where people could easily impersonate others with realistic face masks. Brian de Palma’s 1996 film was a throwback to paranoid ’70s spy thrillers, but it also made room for gadgets like glasses that wirelessly transmitted crystal clear video. And, of course, there’s the nail-bitingly tense infiltration of a CIA server room, a scene that infiltrated pop culture for years.

John Woo’s Mission: Impossible 2 is far less cerebral, but it also leans heavily into his operatic Hong Kong action style. It’s not a great movie, I’ll admit, but as a fan of Woo’s action films, I can’t help but be thrilled by the car chase meet cute, and the balletic finale which morphs from a motorcycle chase into a hand-to-hand fight on a beach.

Paramount Pictures and Skydance

After a slight hiatus, JJ Abrams rebooted the franchise in 2006 with Mission: Impossible 3, a film that built upon the spy shenanigans from his TV series, Alias. Since then, the franchise has been on a constant quest to one-up itself. 2011’s Ghost Protocol goes full on Buster Keaton with every set piece (director Brad Bird essentially turns Ethan Hunt into a character from The Incredibles), culminating in the scene where Cruise himself actually scaled the Burj Khalifa.

Arriving amid Daniel Craig’s James Bond run (which is filled with movies I either love or absolutely hate), and the end of the original Jason Bourne trilogy, Ghost Protocol felt like a throwback to everything that made the Mission: ImpossibleTV show so addictive. There’s a loyal and highly-skilled team, a nefarious villain and tons of gadgets on display. But crucially, things don’t always work out as Hunt and crew expect, which makes the franchise more relatable to all of us with failing gadgets. (Every time my iPhone crashes, I can’t help but be grateful I’m not climbing the Burj Khalifa with only a single high-tech gecko glove.)

With the arrival of Christopher McQuarrie, who directed 2015’s Rogue Nation and its sequels, Mission: Impossible found a groove that differentiated it from most other modern franchises. Almost like action film jazz, McQuarrie and Cruise frequently came up with ideas for set pieces and built movies around them. Scripts were reworked on the fly. Normally this would spell disaster, but McQuarrie ended up thriving in the chaos. Together with stunt coordinator Scott Eastwood, he also managed to push the series into astounding new practical set pieces (see: Ethan Hunt hanging out of a plane in Rogue Nation, or the extended skydiving sequence in Fallout).

Paramount Pictures and Skydance

Dead Reckoning Part 1 builds on McQuarrie’s previous entries. This time, Hunt and a new companion (Hayley Atwell’s Grace) are chased through Rome’s narrow streets while driving a souped-up, tiny Fiat. He base-jumps off of a mountain using a motorcycle. He fights on a real train speeding along at 60MPH. All the while, he’s trying to stop the villainous AI, known only as The Entity.

On the face of it, Dead Reckoning shares plenty with Mrs. Davis, the latest show co-created by Damon Lindelof which also features a tough protagonist against an all-powerful AI. The film also dabbles in similar themes: Surely an omnipotent artificial intelligence would also inspire near-religious devotion. In Dead Reckoning, that’s embodied by Gabriel, the angelically named sociopath played by Esai Morales.

While the film rarely slows down to explore the true impact of AI, Hunt and his team — Simon Pegg’s Benji, Ving Rhames’ Luther — instantly grasp the larger implications. Whoever can control the AI could basically control the world — not merely through physical force, but by defining truth and reality itself. An AI could erase a person from surveillance footage, or turn them into someone else entirely. Nothing can be trusted. As we grapple with the impact of ChatGPT and generative AI in real life, it’s hard not to feel like we’re on a similar path. (It’s also funny to see in the midst of the WGA and SAG-AFTRA strikes, which are directly tied to complaints about studios taking advantage of creatives with AI.)

As much as I love other action film franchises – like John Wick’s increasingly elaborate choreography, or the sheer ridiculousness of the Fast and the Furious –Mission: Impossible remains uniquely enjoyable. It’s committed to delivering astonishing practical stunt work. It’s self-aware just enough to poke fun at itself. And a part of me hopes that somehow, a team of geeks can also fight back against the excesses of AI.

This article originally appeared on Engadget at https://www.engadget.com/mission-impossible-dead-reckoning-review-185939336.html?src=rss

New Studio Ghibli film ‘The Boy and the Heron’ is coming to North America later this year

Hayao Miyazaki’s first film in ten years (and supposedly his last) premiered in Japan today — without any lead-up marketing from Studio Ghibli. Soon after, Gkids announced that it had acquired the animated movie’s North American rights. Called Kimitachi wa Do Ikiruka (translated as “How Do You Live”) in Japan, the international release will use the title The Boy and the Heron. Gkids says it will arrive in North America “later this year.”

Little is known about the new movie, but Gkids describes the hand-drawn animated feature as “an original story written and directed by Hayao Miyazaki.” Studio Ghibli co-founder Toshio Suzuki produces it with a musical score from Joe Hisaishi. It was previously announced that Miyazaki’s next film would have an IMAX release (as well as Dolby Atmos, Dolby Cinema and DTS:X) in Japan. However, it isn’t clear if it will screen in IMAX in the US.

When the film arrives stateside, don’t expect to see any more promotion than it got in Japan. Gkids says it will follow Studio Ghibli’s “unprecedented decision” to premiere the film in Japan without any marketing images, trailers, synopses ads — or any information — ahead of its surprise premiere today. Suzuki attributes the decision to honoring another era while hoping to spark imagination. “A poster and a title — that’s all we got when we were children. I enjoyed trying to imagine what a movie was about, and I wanted to bring that feeling back,” Suzuki reportedly told Japanese broadcaster NHK via The Japan Times and Deadline.

Gkids has distributed the North American versions of previous Miyazaki films, including The Tale of The Princess Kaguya, When Marnie Was There and From Up on Poppy Hill (among others). The 15-year-old producer and distributor has 12 Best Animated Feature Oscar nominations in its short history. “Hayao Miyazaki is a living legend in filmmaking, as evidenced by his Academy Award win for Spirited Away and his two Oscar nominations for Howl’s Moving Castle and The Wind Rises,’” David Jesteadt, president of Gkids, wrote in a press release today. “It’s been ten years since the world has seen a new film from Miyazaki-san, and Gkids is so proud and honored to unveil his latest, highly anticipated masterpiece in North America.”

This article originally appeared on Engadget at https://www.engadget.com/new-studio-ghibli-film-the-boy-and-the-heron-is-coming-to-north-america-later-this-year-192006799.html?src=rss