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Jason Blundell, a former creative lead on Activision Blizzard’s Call of Duty: Black Ops series, has announced that he’s formed a new development studio called Magic Fractal Studios. Blundell announced the studio on a livestream with former Dark Outlaw Games coworker JC Farmer, a little over a week after the previous studio was closed by Sony.

Little is known about Magic Fractal beyond its logo and social media accounts. Dark Outlaw Games was similarly mysterious, and closed before it could even announce its first project. All that’s known is what Blundell has shared after the studio was shut down: Dark Outlaw wasn’t working on a live-service game. The distinction is notable, if only because live-service games have been connected to at least two notable studio closures in the past. Sony shut down Firewalk Studios in October 2024, not long after its live-service shooter Concord was released, and in February 2026, closed Bluepoint Games after its live-service game based on the God of War series was reportedly cancelled.

Magic Fractal is Blundell’s third studio after leaving Activision Blizzard in 2020. He formed Dark Outlaw Games with Sony’s backing in March 2025. Before that, he led Deviation Games, which was closed in 2024 and was reportedly also working on a game for PlayStation.

This article originally appeared on Engadget at https://www.engadget.com/gaming/jason-blundell-announces-his-new-new-studio-magic-fractal-201055837.html?src=rss 

Take-Two, the owner of Grand Theft Auto developer Rockstar Games, has seemingly laid off the head of its AI division, Luke Dicken, and several staff members working under him. “​​It’s truly disappointing that I have to share with you that my time with T2 — and that of my team — has come to an end,” Dicken shared in a LinkedIn post spotted by Game Developer. 

When asked to confirm the layoffs in its AI division, Take-Two declined to comment.

Dicken writes that his team was “developing cutting edge technology to support game development” and his post specifically notes that he’s trying to find roles for staff with experience in things like “procedural content for games” and “machine learning.” It’s unclear how many people other than Dicken have been impacted by these layoffs, but the timing does seem a bit unusual for Take-Two.

Like some other large game publishers, Take-Two has “actively embraced” generative AI tools to “drive efficiencies” and “reduce costs.” Take-Two CEO Strauss Zelnick has even framed AI as having a positive effect on employment, noting that generative AI “will not reduce employment, it will increase employment,” because “technology always increases productivity, which in turn increases GDP, which in turn increases employment.”

It’s too early to characterize these layoffs as some sort of tide turning against AI — like other big game companies, Take-Two also just does a lot of layoffs — but it’s interesting they’re happening now, while the company is speeding towards the release of Grand Theft Auto VI. The sequel is expected to be a big hit, one that should give Take-Two plenty of financial wiggle-room to experiment with new technology.

This article originally appeared on Engadget at https://www.engadget.com/gaming/take-two-laid-off-the-head-its-ai-division-and-an-undisclosed-number-of-staff-182824338.html?src=rss 

On their way around the Moon, the Artemis II crew had time to snap some terrific pictures of our blue planet. NASA has begun sharing the images, including the one above, which shows a striking view of Earth through the Orion capsule’s window.

Artemis II Commander Reid Wiseman overcame the crew’s problems with Microsoft Outlook and the toilet to capture the photos. He took the above pic after the craft completed its translunar injection burn on April 2.

Meanwhile, this second photo trades clever composition for a full-on view of our planet. If you look carefully, you can see two auroras: one on the top right and another on the bottom left. Easier to spot is the diffuse glow of zodiacal light (bottom right) as the Earth eclipses the Sun.

At the time of publication, Artemis II is over 105,000 miles from Earth. The 10-day journey will have the crew of four looping around the Moon and back again. Serving largely as a test run for future deep space travel, the mission is NASA’s first to the Moon since the Apollo program. However, the crew won’t be landing this time; that will have to wait for Artemis IV, currently planned for 2028.

This article originally appeared on Engadget at https://www.engadget.com/science/space/the-artemis-ii-crew-snapped-some-mesmerizing-photos-of-earth-183610493.html?src=rss 

I realized something was genuinely wrong with The Super Mario Galaxy Movie about 30 minutes in: I hadn’t laughed even once. My audience of around 15 people, including a few families, was dead silent as well. The guy sitting behind me, a Nintendo fan decked out in Mario gear, was so bored he fell asleep. Sure, this is made for kids, but as a Nintendo devotee myself, and someone who has to watch a ton of children’s films on repeat, even the Despicable Me films are more entertaining. 

To be fair, there’s the pretense of a plot: Koopa Jr. and Peach are on parallel tracks to reconnect with a sense of family, in their own ways. But the movie leaps from scene to scene joylessly, with no sense of storytelling or characterization, glued together by the “oh I remember that guy”-ness of empty corporate nostalgia. It’s even less of a movie than the previous Pratt-led popcorn flick. 

Luigi, Yoshi, Mario and Toad in The Super Mario Galaxy Movie

Take the discovery of Yoshi, which takes place early in the film. Mario and Luigi just find him in a cave and he immediately becomes part of the crew, no questions asked. There’s a brief creative sequence where Yoshi wreaks havoc in the real world, but it’s far too short. Yoshi’s got plot duties to fulfill, after all! He’s the perfect sidekick, with no desires of his own and the bare minimum of characterization (thanks to Donald Glover’s voice, oddly enough. Dude’s got range!)

I argued that the first Mario film felt a bit too safe, but at least it had a few moments to shine: Like an early side-scrolling sequence, and Jack Black’s endearingly musical take on Koopa. The only truly inventive sequence in this movie involves Star Fox’s Fox McCloud, voiced with just the right dose of attitude by current Hollywood “it guy” Glen Powell. He briefly recounts his story in anime form, and yes, he does a barrel roll or two. 

Bowser Jr. and Bowser in The Super Mario Galaxy Movie.

Now it doesn’t make much sense why Fox is actually in the film, but a few half-hearted fight sequences throughout makes it seem like Nintendo is setting up an eventual Avengers-style Smash Bros. movie. What better way to cram in even more characters and references! Isn’t that what franchise filmmaking is all about? 

I’d like to think Nintendo and its collaborators can do better. This is a company known for the thoughtfulness of its game designs, for delivering quirky and inventive player experiences and for not always following the competition. None of that applies to The Super Mario Galaxy Movie. There’s little in the way of creativity. It barely respects the audience’s time. And it is, in every sense, just following the More, Louder, Busier playbook for unfocused franchise sequels. 

The Super Mario Galaxy Movie is so soulless, it makes me worried about the upcoming Legend of Zelda film (which at least has a far more respectable creative team). Sure, it’s  hard to expect genuine cinema from a Mario film. But we live in an era of great kids movies – Pixar’s Hoppers was an absolute hoot wrapped in an environmentalist message; The Lego Movie (and its sequel and side stories) manage to deliver both laughs and heart. Kids deserve better than an empty sequel moneygrab.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/the-super-mario-galaxy-movie-is-a-black-hole-of-entertainment-154406362.html?src=rss 

Amid Microsoft’s hacking and slashing of its Xbox division, you wouldn’t be crazy for thinking State of Decay 3 was dead. After all, the title was announced nearly six years ago, and, well, we haven’t heard much since. But the survival game is still in the pipeline, and developer Undead Labs will hold a series of playtests beginning in May.

In the announcement, franchise co-creator Brant Fitzgerald emphasized the role of community input in the game’s continued development. “We’ve read your feedback on Discord, we’ve watched your gameplay clips and livestreams on YouTube,” he said. “It became clear that community is survival — and that we need your help.”

The Alpha playtests will include four-player co-op, new base building and resource strategies and plenty of combat. “If scavenging supplies in the middle of a zombie outbreak sounds fun to you, then grab your ruck, pack some mags and head over to our website to find more information and register for a chance to be included in the Alpha,” Fitzgerald said.

Assuming it eventually launches, State of Decay 3 will be available for Xbox and PC. You can sign up for the playtest on the game’s website. Undead Labs warned that not everyone will be selected for the first round, but they’ll keep your names on the list for future opportunities later this year.

This article originally appeared on Engadget at https://www.engadget.com/gaming/xbox/much-like-the-games-zombies-state-of-decay-3-is-somehow-still-alive-170709155.html?src=rss