Category: Technology

If you’ve been waiting for the best possible deal on an Xbox Series S console, today is the day. For Cyber Monday, Amazon is offering a $60 discount (20 percent) plus a $40 coupon that can be applied to future purchases. That effectively gives you a $100 discount (33 percent) off the regular $300 price for today only — a great deal on a very good console. 

Buy Xbox Series S at Amazon – $240 (with $40 credit)

When the Series S came out, we called it the “next-gen starter pack” and gave it a solid 85 score. Even though it doesn’t support gameplay in 4K, it plays incredibly smoothly and has a svelte look that will fit into any decor. Thanks to the FPS boost technology added to the Series S and X, older games, including many made for Xbox One, will look and perform better with faster frame rates.

Unlike the Series X, the Series S only plays digital titles, with no slot to insert physical game media. It’s a great option if you have an Xbox Game Pass membership, though, which costs $10 per month for the Console tier, and $15 per month for the Ultimate tier. Either level unlocks a library with hundreds of game to download and play, while also granting discounts to many titles you might want to buy outright.

Another caveat is that the Series S has less SSD storage, with 512GB on-board compared to the 1TB for the Series X. If you like to keep plenty of titles on hand, you’ll either need to shuffle them between the main disk and USB-C storage, or purchase Seagate’s $200 expansion card. All told, though, it’s a great option for casual console gamers, particularly considering all the backward-compatible Game Pass games — just keep in mind that the sale ends today. 

 

Slow Horses was something of a slow-burning surprise when its first season launched back in April. It was yet another Apple TV hit whose marketing hadn’t done well enough to connect with audiences, relying instead on word of mouth. What viewers found, however, was a low-stakes spy drama with the sort of pulpy, throwback thrills that you rarely see in our more self-serious age. Mixed with a shot or two of black comedy, and it made for a surprisingly gripping package I felt compelled to rave about back in April.

The show’s second season, which returns to Apple TV+ on December 2nd, carries on in that vein, albeit with less of the show’s trademark humor. It focuses, once again, on the staff members of Slough House, the closest thing MI5 has to purgatory for disgraced intelligence officers. Led by the “colorful” Jackson Lamb, the Slow Horses are often left doing administrative donkeywork nobody else thinks is worth doing. Of course, you wouldn’t have a series if the misfits weren’t frequently embroiled in the grander machinations of the intelligence community.

Season Two is based on Dead Lions, the second in Herron’s series of Slough House novels, and focuses on Lamb’s investigation of the death of a former officer. Apple’s usual ban on spoilers means that, of the plot, I can only say that it features “long-buried Cold War secrets” which “threaten to bring carnage to the streets of London.” Oh, and that “when a liaison with Russian villains takes a fatal turn, our hapless heroes must overcome their individual failings and raise their spy game in a race to prevent a catastrophic incident.”

We pick up shortly after the first season, with the Horses frustrated that their heroics haven’t led to better things. Instead, the team has been bolstered with Shirley Dander (Aimee-Ffion Edwards) and Marcus Longridge (Kadiff Kirwan) and put back on regular duties. That has, understandably, left River Cartwright (Jack Lowden) in something of a funk. But when a former agent is found dead on a bus, it suddenly piques Jackson Lamb’s (Gary Oldman) interest enough to return to work in the field.

Given that the first two six-episode seasons were shot in a single run, it’s no surprise that the show expects you to recall much of what happened in the first run. But, despite the continuous production, there’s a big tonal shift here, with the show getting darker and dropping some of its trademark wit and humor. And, I’ll be honest, the running gag about Jackson Lamb’s lack of personal hygiene and non-stop farting starts to get a bit thin by the end.

Fans of the books will already know why the series takes a darker turn, although I found some of the twists were initially a bit lightweight. Maybe years of watching series where nothing we see can be believed meant I was always waiting for a non-existent second shoe to drop. None exist here in the Slow Horses universe, and when you see some beloved characters go, uh, to places you might not expect, be mindful that none of it is for show.

It’s not a show that you can watch with one eye on your phone, but it’s so briskly paced that if you blink, you might lose your place. I’d consider myself a close watcher of things, but even I found myself having to pause to work out which sinister Russian emigre was which. It doesn’t help that while you can see where all of the various plotlines are heading, their collision is a little predictable. But I’m nitpicking, and this isn’t the sort of show you need to unpick for hours on end on Reddit – just repeat to yourself it’s just a show, and you should really just relax.

And Slow Horses’ second season really belongs to Rosalind Eleazar (Guy) and Saskia Reeves (Standish), who are both given time and space to grow their characters. The former carries much of the major narrative this time around, while the latter again shows how much steel is buried underneath Standish’s downtrodden personae. But the show is democratic enough to give every character a grace note or two during the explosive, and gripping, finale.

Slow Horses season two will launch on Apple TV+ on Friday, December 2nd, with two new episodes, with subsequent episodes appearing every Friday through December 30th. A third and fourth season has already been greenlit.

 

Since 2013, Gran Turismo’s Vision project has seen some of the world’s largest automakers, including Jaguar and Mercedes-Benz, imagine what their cars could look like without real-world constraints. Over the weekend, GT series developer Polyphony Digital announced the latest addition to the Vision stable, an entry from Ferrari, would arrive in Gran Turismo 7 on December 23rd.

Like its predecessors, the Ferrari Vision Gran Turismo features capabilities that would put any production vehicle to shame. Ferrari outfitted the concept car with “a more extreme version” of the V6 engine found on the 499P hypercar the automaker plans to field at next year’s Le Mans endurance race. In-game, the single-seat hybrid will produce more than 1,000 horsepower, with three electric motors providing additional power.

“We wanted to create a vision of the future designed without constraint, but born from Ferrari’s unrivalled understanding of engineering, aerodynamics and future technologies, and deliver it into the digital world for a whole new audience to experience,” said Ferrari Design Director Flavio Manzoni. Ferrari fans should keep their eyes out for an in-game quiz. Completing it before anyone else will grant early access to the Ferrari Vision Gran Turismo.

 

Two years after its release, Half-Life Alyx remains the definitive VR experience. So it’s no surprise a lot of people want more. Until Valve announces a sequel (which might take a while), it’s up to the modding community to provide new content. Thankfully, Levitation, a new single-player mod for Half-Life Alyx, not only extends the story of Valve’s latest but is also earning praise for its gameplay.

The free mod features three to four hours of additional story content, complete with new voice acting and animations. As of the writing of this article, Levitation has a perfect five-star rating across 627 reviews, with many praising the work of level designer FMPONE. The positive response is especially noteworthy considering Levitation was only announced earlier this year. Without sharing too much of the story, the mod sees the player sent to City 17’s mysterious Section X to investigate a levitating building where two members of The Resistance went missing.

You can download Levitation by subscribing to the mod through its Workshop page. Once you’ve installed Part One, Steam will automatically download the remaining four parts as you play through the mod. Note that you will need a copy of Half-Life Alyx and a compatible VR headset to play through the experience.   

 

A month after completing his takeover of Twitter, Elon Musk says new user signups are at an “all-time high.” On Saturday evening, the billionaire shared a slide deck that details the current state of Twitter and his vision for the platform. As of November 16th, Twitter was adding more than 2 million new users per day over the last seven days, according to one of the graphs Musk shared. He added daily signups are up 66 percent compared to the same seven-day period in 2021. 

Musk said user active minutes were also at an all-time high, with Twitter’s userbase averaging nearly 8 billion active minutes per day over the last seven days as of November 15th – representing a 30 percent increase from the same period last year. He also used a graph to claim hate speech impressions recently decreased.

Even if the data Musk shared is accurate, what it means is very much up for discussion. For instance, the graph about hate speech presents, at best, an incomplete picture of the situation. For one, note that the small print states the data only covers tweets in English. Second, there’s evidence to suggest Twitter recently stopped enforcing its hateful conduct policy as it applies to targeted harassment of trans people.

Just as important is the data Musk decided not to share. Not a single graph offers insight into Twitter’s financials, yet according to multiple reports, Musk recently told employees the company was losing so much money that bankruptcy was “not out of the question.” A more recent report suggests Twitter has lost 50 of its top 100 advertisers since Musk took the platform over.

On early Sunday, Musk told Jordan Peterson he sees “a path to Twitter exceeding a billion monthly users in 12 to 18 months.” Meeting that goal will require Twitter to dramatically increase signups. Assuming the company continues to add 2 million users per week, that’s only 104 million new users by the end of one year. Twitter has approximately 450 million monthly active users as of 2022. 

 

From the moment that people started getting nasty with Johannes Gutenberg’s newfangled printing press, sexually explicit content has led the way towards wide-scale adoption of mass communication technologies. But with every advance in methodology has invariably come a backlash — a moral panic here, a book burning there, the constant uncut threat of mass gun violence — aiming to suppress that expression. Now, given the things I saw Googling “sexually explicit printing press,” dear reader, I can assure you that their efforts will ultimately be in vain. 

But it hasn’t stopped social media corporations, advertisers, government regulators and the people you most dread seeing in your building’s elevator from working to erase sexuality-related content from the world wide web. In the excerpt below from her most excellent new book, How Sex Changed the Internet and the Internet Changed Sex: An Unexpected History, Motherboard Senior Editor Samantha Cole discusses the how and why to Facebook, Instagram and Google’s slow strangling of online sexual speech over the past 15 years.

Excerpted from How Sex Changed the Internet and the Internet Changed Sex: An Unexpected History by Samantha Cole. Workman Publishing © 2022

How Sex Is Repressed Online

Human and algorithmic censorship has completely changed the power structure of who gets to post what types of adult content online. This has played out as independent sex workers struggling to avoid getting kicked off of sites like Instagram or Twitter just for existing as people—while big companies like Brazzers, displaying full nudity, have no problem keeping their accounts up.

Despite Facebook’s origins as Mark Zuckerberg’s Hot-or-Not rating system for women on his Harvard campus, the social network’s policies on sexuality and nudity are incredibly strict. Over the years, it’s gone through several evolutions and overhauls, but in 2022 forbidden content includes (but isn’t limited to) “real nude adults,” “sexual intercourse” and a wide range of things that could imply intercourse “even when the contact is not directly visible,” or “presence of by-products of sexual activity.” Nudity in art is supposedly allowed, but artists and illustrators still fight against bans and rejected posts all the time.

That’s not to mention “sexual solicitation,” which Facebook will not tolerate. That includes any and all porn, discussions of states of sexual arousal, and anything that both asks or offers sex “directly or indirectly” and also includes sexual emojis like peaches and eggplants, sexual slang, and depictions or poses of sexual activity.

These rules also apply on Instagram, the photo-sharing app owned by Facebook. As the number one and two biggest social networks in the US, these dictate how much of the internet sees and interacts with sexual content.

In the earliest archived versions of Facebook’s terms of use, sex was never mentioned—but its member conduct guidelines did ban “any content that we deem to be harmful, threatening, abusive, harassing, vulgar, obscene, hateful, or racially, ethnically or otherwise objectionable.” This vagueness gives Facebook legal wiggle room to ban whatever it wants.

The platform took a more welcoming approach to sexual speech as recently as 2007, with Sexuality listed as one of the areas of interest users could choose from, and more than five hundred user-created groups for various discussions around the topic. But the platform’s early liberality with sex drew scrutiny. In 2007, then–New York attorney general Andrew Cuomo led a sting operation on Facebook where an investigator posed as teens and caught child predators.

As early as 2008, it started banning female breasts—specifically, nipples. The areola violated its policy on “obscene, pornographic or sexually explicit” material. In December 2008, a handful of women gathered outside the company’s Palo Alto office to breastfeed in front of the building in protest (it was a Saturday; no executives were working).

As of 2018, Facebook lumped sex work under banned content that depicts “sexual exploitation,” stating that all references and depictions of “sexual services” were forbidden, “includ[ing] prostitution, escort services, sexual massages, and filmed sexual activity.”

A lot of this banned content is health and wellness education.

In 2018, sexuality educator Dr. Timaree Schmit logged in to Facebook and checked her page for SEXx Interactive, which runs an annual sex ed conference she’d held the day before. A notification from Facebook appeared: She and several other admins for the page were banned from the entire platform for thirty days, and the page was taken down, because an “offending image” had violated the platform’s community standards. The image in question was the word SEXx in block letters on a red background.

The examples of this sort of thing are endless and not limited to Facebook. Google AdWords banned “graphic sexual acts with intent to arouse including sex acts such as masturbation” in 2014. Android keyboards’ predictive text banned anything remotely sexual, including the words “panty,” “braless,” “Tampax,” “lactation,” “preggers, “uterus,” and “STI” from its autocomplete dictionary. Chromecast and Google Play forbid porn. You can’t navigate to adult sites using Starbucks Wi-Fi. For a while in 2018, Google Drive seemed to be blocking users from downloading documents and files that contained adult content. The crowdfunding site Patreon forbids porn depicting real people, and in 2018 blamed its payment processor, Stripe, for not being sex-friendly. Much of this followed FOSTA/SESTA.

This is far from a complete list. There are countless stories like this, where sex educators, sex workers, artists, and journalists are censored or pushed off platforms completely for crossing these imaginary lines that are constantly moving.

Over the years, as these policies have evolved, they’ve been applied inconsistently and often with vague reasoning for the users themselves. There is one way platforms have been consistent, however: Images and content of Black and Indigenous women, as well as queer and trans people, sex workers, and fat women, experience the brunt of platform discrimination. This can lead to serious self-esteem issues, isolation, and in some cases, suicidal thoughts for people who are pushed off platforms or labeled “sexually explicit” because of their body shape or skin color.

“I’m just sick of feeling like something is wrong with my body. That it’s not OK to look how I do,” Anna Konstantopoulos, a fat Instagram influencer, said after her account was shut down and posts were deleted multiple times. Her photos in bikinis or lingerie were deleted by Instagram moderators, while other influencers’ posts stayed up and raked in the likes. “It starts to make you feel like crap about yourself.”

In spite of all of this, people project their full selves, or at least a version of themselves, onto Facebook accounts. Censorship of our sexual sides doesn’t stop people from living and working on the internet—unless that is your life and work.

 

Senator Ed Markey of Massachusetts is calling on Congress to pass new legislation to rein in Big Tech companies after Elon Musk ignored an information request. “Elon Musk could respond to my tweets but failed to respond to my letter by yesterday’s deadline and answer basic questions about Twitter verification,” Markey tweeted Saturday. “Congress must end the era of failed Big Tech self-regulation and pass laws that put user safety over the whims of billionaires.”

Musk had until November 25th to answer a letter the senator sent on November 11th about Twitter’s paid account verification feature. The initial rollout of the new Twitter Blue saw trolls use the service to impersonate celebrities, politicians and brands. Markey sent Musk a list of questions about the launch after The Washington Post created a “verified” account impersonating him. One day after Markey shared a copy of the letter on Twitter, Musk attacked the senator.

“Perhaps it is because your real account sounds like a parody,” Musk tweeted. “And why does your pp have a mask!?” he added a few hours later, referring to Markey’s profile picture, which shows the policymaker wearing a face covering. The exchange prompted Markey to chastise the billionaire. “One of your companies is under an FTC consent decree. Auto safety watchdog NHTSA is investigating another for killing people. And you’re spending your time picking fights online,” the senator said. “Fix your companies. Or Congress will.”

As of the writing of this article, Musk has yet to respond to Markey’s latest tweet. It’s hard to say whether the senator’s call will translate to legislative action, particularly with a split between the House of Representatives and Senate. Musk did appear to answer at least one of Markey’s questions when he announced Twitter’s new verification system on Friday. The latest iteration of the program will feature manual authentication and different colored check marks for different types of users. “Gold check for companies, grey check for government, blue for individuals (celebrity or not) and all verified accounts will be manually authenticated before check activates,” he said.

 

Fifteen years after the release of the iPhone, it’s easy to overlook the role early innovators like Palm played in popularizing the smartphone. By the time HP unceremoniously shut down the company in 2011, Palm had struggled for a few years to carve out a niche for itself among Apple and Google. But ask anyone who had a chance to use a Palm PDA in the late ‘90s or early 2000s and they’ll tell you how fondly they remember the hardware and software that made the company’s vision possible. Now, it’s easier than ever to see what made Palm OS so special back in its day.

This week, archivist Jason Scott uploaded a database of Palm OS apps to the Internet Archive. In all, there are about 560 programs to check out, including old favorites like DopeWars and SpaceTrader. Even if you don’t have any nostalgia for Palm, it’s well worth spending a few minutes with the collection to see how much – or, in some cases, little – things have changed since Palm OS was a dominant player in the market.

For instance, there’s an entire section devoted to shareware and it’s interesting to see just how much some developers thought it was appropriate to pay for their software. Want to use the full version of StockCalc? Just send $15 by post to DDT Investments in Plaistow, New Hampshire.

In an interview with The Verge, Scott said it took about six months to get the CloudpilotEmu emulator to work with the Internet Archive. There’s still some work to be done. Specifically, some of the more obscure apps are missing descriptions and metadata. Scott also hopes to write instructions for each program. Still, short of buying an old Palm device off of eBay, this is the best way to experience a bygone computing era. That’s because CloudpilotEmu allows you to navigate through Palm OS. You can even launch the database from your phone and there’s full support for Palm’s Graffiti handwriting recognition system. If you want to help Scott with the project, contact him on Twitter or Discord.

 

The Artemis 1 Orion crew vehicle has set a new record for a NASA flight. At approximately 8:40AM ET on Saturday, Orion flew farther than any spacecraft designed to carry human astronauts had ever before, surpassing the previous record set by Apollo 13 back in 1970. As of 10:17AM ET, Orion was approximately 249,666 miles ( from 401,798 kilometers) from Earth.

“Artemis I was designed to stress the systems of Orion and we settled on the distant retrograde orbit as a really good way to do that,” said Jim Geffre, Orion spacecraft integration manager. “It just so happened that with that really large orbit, high altitude above the moon, we were able to pass the Apollo 13 record. But what was more important though, was pushing the boundaries of exploration and sending spacecraft farther than we had ever done before.”

Of all the missions that could have broken the record, it’s fitting that Artemis 1 was the one to do it. As Space.com points out, Apollo 13’s original flight plan didn’t call for a record-setting flight. It was only after a mid-mission explosion forced NASA to plot a new return course that Apollo 13’s Odyssey command module set the previous record at 248,655 miles (400,171 kilometers) from Earth.

With a limited oxygen supply on the Aquarius Lunar Module, NASA needed to get Apollo 13 back to Earth as quickly as possible. The agency eventually settled on a flight path that used the Moon’s gravity to slingshot Apollo 13 back to Earth. One of the NASA personnel who was critical to the safe return of astronauts Jim Lovell, Jack Swigert and Fred Haise was Arturo Campos. He wrote the emergency plan that gave the Command and Service Module enough power to make it back to Earth. Artemis 1 is carrying a “Moonikin” test dummy named after the late Arturo.

Earlier this week, Orion completed a flyby of the Moon. After the spacecraft completes half an orbit around the satellite, it will slingshot itself toward the Earth. NASA expects Orion to splash down off the coast of San Diego on December 11th.

 

The Roomba s9+ has been around for a couple of years and it’s probably overkill for most people. At $999, it’s certainly not cheap, but it did earn a spot in our list of best robot vacuums. Right now, you can pick up the high-end machine for $220 less than usual by shopping through Wellbots and using the code ENG220 at checkout. A final price of $779 is the best we’ve seen on this smart home gadget, and while it’s still an expensive device, it’s a much easier to recommend when its on sale like this.

Buy Roomba s9+ at Wellbots – $779

You probably don’t need all of the bells and whistles that the s9+ provides, but they are some of the things that make it one of the best robot vacuums available today. It’s the most attractive in iRobot’s lineup, with a sleek design that can get into room corners more easily than other models, and a tall, slim clean base. It has 40x the suction power of a standard Roomba, making it a great option for households with pets and kids. It’s “careful driver” feature uses a 3D sensor to detect objects so it can move around them to clean, and like all Roombas, it will automatically return to its charging base when it’s low on power.

In our testing, we found the s9+ to be an incredibly capable cleaner, and while on the loud side, it’s no more noisy than other robo-vacs in this price range. When emptying its bin into its clean base, it was actually not as loud as the Roomba j7, so it’s less likely to scare your pets while doing so. The clean base does use proprietary bags from iRobot, though, so just keep in mind that you’ll have to consistently buy those in order to make full use of the s9+. Thankfully, each bag can hold up to 60 days worth of debris.

The Roomba s9+ also connects to iRobot’s mobile app, from which you can control the machine, set cleaning schedules and more. It’s one of the easier robo-vac companion apps we’ved used, so even if you’re gifting the s9+ to a loved on who is a novice, they should have no trouble getting the thing set up and using it regularly. If you’re willing to splurge this holiday season, the s9+ is one of the best robo-vacs you can get for your money.

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