Kalakshar US

After dropping a rare photography-oriented camera recently with the S1R II, Panasonic is going back to its creator roots. The company just unveiled the S1 II, a 24-megapixel full-frame mirrorless camera with a partially-stacked sensor (like the Nikon Z6 III) that can capture 6K ProRes RAW video internally with minimal rolling shutter wobble. At the same time, Panasonic is pitching it as a relative value next to full stacked sensor cameras.

With the same body as the S1R II, the S1 II is considerably smaller and lighter than the original S1 while still offering a large grip and full complement of manual controls. It also comes with a display that both tilts and flips out, a high-resolution 5.76 million-dot electronic viewfinder, CFexpress Type B and SD UHS-II card slots and optional support for Panasonic’s 32-bit float audio. 

Photographers get up to 70 fps burst shooting speeds in electronic shutter mode and 10 fps with the mechanical shutter (along with 1.5s pre-burst capture). They can also take 96MP high resolution shots (with no tripod needed), along with live view composites, multiple exposures and timelapse animations. Autofocus is via Panasonic’s latest AI Phase Hybrid AF with Eye/Face AF, AF tracking and detection of animals, vehicles and a new category, “urban sports” (ie breakdancing). 

On paper, though, this is more of a video-oriented camera camera. You can shoot ProRes and ProRes RAW video at up to 5.8K and 3:2 “open-gate” video at 5,952 x 3,968 resolution, along with 4K at 120 fps. It supports V-Log / V-Gamut capture with dual native ISO at 640/5000 and up to 15 stops of dynamic range. In addition, you get anamorphic video modes plus external RAW HDMI recording in either ProRes or Blackmagic formats. 

Panasonic boosted in-body stabilization to 8.0 stops via it’s Dual I.S.2 system, while also offering the cropless IBS mode introduced on the S1R II. Optical smoothing can can be enhanced with electronic stabilization when more aggressive smoothing is required for walking or quick camera movements. 

Other key features include video monitoring tools like false color and exposure review, live streaming, wired webcam supports via USB-UVC/UAC (a first for Panasonic) and support for the Lumix Flow app that lets you do things like creator storyboards and shot lists for quicker editing. And as with other recent models, the S1 II supports real time LUTs and the Lumix Lab app, letting you download creator designed film looks that can be baked in to your video or added later in post. Panasonic will also introduce ARRI LogC3 so that the S1 II, S1R II and S1 IIE can be used in conjunction with ARRI digital cinema cameras. 

The Panasonic S1 II is now available for pre-order at $3,199 (body only) with shipping set to start on June 16th. That price is high next to its main competition, the Nikon Z6 III, which retails for $2,497 and is often on sale. 

Panasonic does have an answer to that: the $2,499 S1 IIE that has the body and features of the S1 II but lacks the stacked sensor and high-speed photo bursts. Panasonic also introduced an interesting lens, the Lumix S 24-60mm f/2.8. It offers the features and most of the range of its $2,000 Lumix S 24-70mm f/2.8 lens but in a smaller and lighter size and at a lower $1,200 price tag. I’ve had the S1 II for a short time now and have been impressed so far with its speed and capabilities, so stay tuned for a full review with final firmware.

This article originally appeared on Engadget at https://www.engadget.com/cameras/panasonics-s1-ii-is-its-most-powerful-creator-camera-yet-140039445.html?src=rss 

Notion is coming for Otter.ai. On Tuesday, the company announced an update for Notion AI, the suite of generative AI features available through its popular note-taking app. Among the new tools included in the package is AI Meeting Notes, a feature that can transcribe and summarize any conversation directly within Notion. No need to turn to dedicated software like the aforementioned Otter.ai.

If you use Notion Calendar, your meeting notifications will include the option to start an AI Meeting Note page. Alternatively, you can write “/meeting” to add a transcription block to an existing note. Any conversation Notion AI transcribes for you is searchable through the app, and you can add what you get to any of your projects.

Speaking of search, you can now use Notion AI to comb through a number of different productivity apps, including Slack, Google Workspace and Github. As long as you’ve connected those platforms to Notion, the app can resolve natural language queries, like, “What’s the latest on our upcoming brand campaign?” and sort results by source.

Separately, Notion is adding a Research Mode. Similar to Deep Research modes from Google and OpenAI, you can ask Notion’s built-in AI to write reports for you. The difference here being that Notion AI will pull information from your projects, in addition to what it finds online. The company is pitching this as a real time-saver. “Create project updates, research reports, and internal best practices in minutes with one prompt,” Notion says. “We’ve already seen this save days worth of time.”

Last but not least, if you would rather prompt with GPT-4.1 or Claude 3.7 than Notion’s own chatbot, you can now do that directly within the app courtesy of a new model picker. OpenAI and Anthropic’s models won’t have access to your workspace data, but they’re there for users who prefer their responses for general questions and in case you want to turn to a reasoning system in the form of Claude 3.7 Sonnet.

As part of today’s announcement, Notion is changing how it bills for its AI features. Instead of a separate $10 per month plan, unlimited access to Notion AI is now part of the company’s Business plan, which is increasing from $15 per month and per member to $30 per month and per member. Notion’s justification for the increase is that it’s giving users access to several different tools, including GPT-4.1 and Claude 3.7, for the price of an all-in-one package. Of course, it’s not quite a one-to-one comparison. For example, if you decide to skip out on ChatGPT Plus, you miss out on expanded limits on Advanced Voice mode and Deep Research. Still, for Notion users that might be a tradeoff well worth making. 

If you’re a current Notion AI subscriber, you’ll keep access to all the AI features you had before today’s announcement. For Free and Plus users, you get limited trial access to all the new features.   

This article originally appeared on Engadget at https://www.engadget.com/ai/notion-ai-can-transcribe-conversations-and-write-reports-but-itll-cost-you-130018464.html?src=rss 

DJI’s much-awaited Mavic 4 Pro drone has launched, but there’s bad news. Due to Trump’s tariffs and other market uncertainties (like a potential DJI ban), it’s not yet on sale in America and there’s no word on when it will be, or for what price. That will disappoint US buyers, because the Mavic 4 Pro is the most technologically advanced consumer drone ever.

With a triple-camera system housed in a wild-looking round gimbal, it can shoot up to 6K at 60 fps with 16 stops of dynamic range, beating any drone and even most cameras. DJI also boosted top speed, battery life and range, while improving obstacle avoidance in low light via a new LiDAR system. Plus, the company introduced an all-new RC Pro 2 controller with a useful new foldable design.

I’ve had the Mavic 4 Pro for a couple of weeks now and it performs even better than the specs would suggest. Though a bit expensive, this drone is so polished and capable that nothing else remotely compares to it.

Design

The trademark feature, as we’ve seen from leaks and a teaser last week, is the big round triple-camera “Infinity Gimbal” module at the front. The idea is to allow the gimbal to rotate freely for improved stabilization and interesting camera angles. It boosts the tilt-up angle from 60 to 70 degrees and lets the gimbal rotate at any angle, allowing off-kilter “Dutch” camera angles for more interesting shots. And of course, it can rotate 90 degrees to deliver full-resolution vertical video for social media.

With that new housing and slightly larger batteries, the 2.3 pound Mavic 4 Pro is 0.2 pounds heavier than the Mavic 3 Pro. The propeller arms have been updated so they can be folded and unfolded in any order, unlike the previous model. The body is also more aerodynamic to boost efficiency and speed.

Tucked in the left propeller arm is a forward-facing LiDAR sensor that greatly aids nighttime obstacle detection. The drone also has six omnidirectional fisheye sensors that work in as little as 0.1 lux, which is equivalent to a night sky lit by a full moon.

Where the Mavic 3 Pro had just 8GB of internal memory, the standard Mavic 4 Pro is equipped with 64GB of storage (42GB usable), and the Creator Combo version comes with a generous 512GB of high-speed storage (460GB usable). Both models have a microSD card slot as well.

DJI’s new RC2 Pro screen controller folds up and flips sideways.

The Mavic 4 Pro ships with the RC2 screen controller first seen with the Air 3 in the basic and Fly More kits. However, DJI also introduced the RC2 Pro, a controller unlike any I’ve seen before. The bright 7-inch HDR display folds up to provide a multi-angle view and tilts 90 degrees (automatically flipping the Mavic 4 Pro’s camera 90 degrees) for vertical video. 

There’s no longer a need to stow the joysticks (though you can) as they automatically collapse into the body when the screen is folded back. It has a full complement of controls for flying and camera operations, including a button that flips the camera 90 degrees. The RC2 Pro also has an HDMI and a USB-C port, along with Wi-Fi 6 support for high-speed data transfers.

The new 95Wh batteries are rated to offer up to 51 minutes of flight time, or around 40-45 minutes in typical use. That’s a significant boost from the 30-35 minute real-world battery life on the Mavic 3 Pro. Better still, they charge faster than ever at 51 minutes for one battery (via USB-C) or 90 minutes for three with the Fly More kit charger.

Performance and features

The Mavic 4 Pro can now hit 56 mph (90 km/h) in sport mode without obstacle detection, up from 47 mph before, which will be a big help for filming motor vehicles. Top speed in normal mode with tracking and obstacle detection is also faster at 40 mph. It’s still a big SUV of a drone, though, so it lacks the agility of DJI’s Mini 4 Pro. And with no prop guards, it’s not advisable to maneuver around people or in tight spaces like the Avata 2.

Noise from the Mavic 4 Pro is unchanged from the Mavic 3 Pro at 83 dB. However, the frequency is lower and less bothersome, especially when it’s flying close to people — so, er, props to DJI for that improvement.

With the new O4+ transmission system, the Mavic 4 Pro now offers up to 18.6 miles (30 km) of video transmission range, double that of the Mavic 3 Pro. Though most pilots won’t venture that far away, I found the Mavic 4 Pro less susceptible to interference and dropouts than before. It also supports bright 10-bit HDR 1080p live video transmission for a higher-quality backup capture and better visibility in sunlight.

Subject tracking is available via the ActiveTrack 360 function (first seen on the Mini 4 Pro), which allows you to manually control the camera position while keeping your subject in frame. It’s also designed to keep subjects in focus even if they’re partially obscured.

I tested it with a car, mountain bike and while walking to see how it worked at various speeds. The Mavic 4 Pro stayed locked on a car driving at up to 30 mph with full obstacle avoidance. When filming the bike rider, the Mavic 4 Pro chose interesting and random routes around trees that often yielded cinematic greatness. That behavior also caused a crash into a small tree branch, but luckily, it caused no visible or functional damage. The drone also worked well as a vlogging tool, following me on a preset ActiveTrack 360 path.

Later, I took the Mavic 4 Pro out at night to test the LiDAR and low-light sensors, flying it up around trees and next to buildings. That would have been risky with past models, but it successfully detected and avoided all obstacles in my testing. The low-light capability will also help you bring the drone home safely at night, as long as you remember that the LiDAR only works in the forward direction. Return-to-home now functions without GPS in sufficient light, as the Mavic 4 Pro can memorize flight paths.

Video quality

With its new camera system, the Mavic 4 Pro has the best video quality I’ve seen on any consumer drone. The main Hasselblad-branded 28mm wide camera has a 100-megapixel , dual ISO 4/3 sensor that supports 6K 60 fps or 4K 120 fps capture along with DJI’s professional D-Log and D-LogM modes to max out dynamic range. It also delivers up to 100MP photos. The Mavic 4 Pro is one of few drones with a variable aperture (f/2.0 to f/11) for better depth of field control and more usability in sunlight.

The Infinity Gimbal also houses a 70mm medium telephoto lens with a 1/1.3-inch sensor like the one on the Mini 4 Pro. Plus, there’s a longer 168mm camera with a 1/1.5-inch sensor that should be ideal for things like wildlife tracking. Both feature an f/2.8 aperture, 4K 60p video and D-Log/D-LogM and HDR, along with subject-tracking AF and dual native ISO.

6K and 4K video quality on the Hasselblad camera is incredibly sharp and color-accurate, while providing good dynamic range, particularly with sky and cloud details. Switching over to D-Log mode further boosts dynamic range, but makes color correction a bit trickier. I liked using D-LogM to get a good balance between ease of adjustment and dynamic range.

The base Mavic 4 Pro captures H.265 video up to 180 Mbps, but the Creator Combo version — with its faster internal storage — also supports 1,200 Mbps H.264 All-I for easier editing. However, DJI dropped the ProRes 4:2:2 HQ option that was available on the Cine version of the Mavic 3 Pro.

Where the Mavic 4 Pro really beats other drones is in low light, thanks to the native dual ISO capability. When shooting a cityscape at dusk at ISO 6400 and up, grain was easy to tamp down with a bit of noise reduction. And if shooting at dawn or dusk, the D-Log mode provides enough dynamic range to balance light sky and dark ground areas.

Photo quality is also outstanding in the 100MP mode with so much detail that I could zoom in and clearly see tiny objects. For low-light shooting, though, it’s best to stick with 25MP to reduce noise. DJI’s RAW DNG capture makes it easy to fine-tune photos shot in contrasty lighting conditions.

The 70mm (3x) 1/1.3-inch telephoto camera is great for taking portraits or getting in tighter when shooting landscapes. With support for 4K at up to 120 fps and D-Log or D-LogM, it can easily be mixed and matched with footage from the main camera, though detail and low-light capability isn’t as good. The 168mm 1/1.5-inch camera produces mediocre video quality, but it’s great for capturing wildlife.

Wrap-up

The Mavic 4 Pro is a great example of how DJI stays far ahead of rivals by consistently updating and perfecting its products. It’s an improvement over the Mavic 3 Pro in nearly every area, and as mentioned, it doesn’t really have any competition in the consumer space. The closest alternative in price and capability is Autel’s Evo II Pro 6K, but that drone has a single-camera system with a smaller sensor, less endurance and shorter range.

The lack of US availability is a major issue that’s bound to cause a furor with drone enthusiasts in the States. And there’s still a great risk that sales of DJI drones will be completely banned in America by the end of the year. The company insists that its drones pose no national security risk and says it welcomes any scrutiny.

The Mavic 4 Pro is now on sale in most regions except the United States starting at €2,099 or £1,879 (about $2,360) with the RC2 controller. You can also get it in the Fly More kit with the RC2 controller, a bag, three batteries and a charger for £2,459 and €2,699 ($3,040). The Creator Combo, which includes everything in the Fly More kit plus the RC2 Pro controller, 512GB of storage and All-I video capture, is €3,539 (£3,209) or about $3,980. The RC2 Pro controller by itself is €999 and €879 (about $1,125).

This article originally appeared on Engadget at https://www.engadget.com/cameras/dji-mavic-4-pro-review-a-new-standard-for-consumer-drones-120006235.html?src=rss