Kalakshar US

Holiday travel is getting closer and that means a lot of babies, crowds and nosey seat neighbors to contend with through it. Fortunately, Black Friday comes first and, with it, sales on a bunch of tech products that can make your journey a lot more enjoyable.

Take the second-generation Bose QuietComfort Ultra Earbuds, which are 17 percent off in an early Black Friday sale. Our choice of best noise-canceling earbuds for 2025 are currently available for $249, down from $299. The deal brings these new Bose Earbuds to a record-low price in all colors. 

We gave the second-gen Bose QuietComfort Ultra Earbuds an 88 in our review when they launched in early fall. We called them the best option for “blocking distractions” and that “Bose’s tweaks make its best earbuds even better.” The earbuds have enhanced call quality and further improved ANC filters than their predecessors. They also offer improved comfort and a new guard designed to prevent wax build up — something that all earbud users know is very important. 

However, the newer model offers the same six hours of battery life per charge — four when using Immersive Audio — as the originals. Plus, despite the improved comfort, they still have the bulkier design that’s not going to be everyone’s cup of tea.

With that said, the original Bose QuietComfort Ultra Bluetooth Earbuds are also down to an all-time low price. You can grab them for $199, down from $299 — a 33 percent discount. Notably, this deal is only available in the White Smoke model. We also gave these earbuds an 88 when they debuted in 2023, so they’re still a great option for $50 less than the second-gen model. 

This article originally appeared on Engadget at https://www.engadget.com/deals/boses-second-generation-quietcomfort-ultra-earbuds-are-50-off-for-black-friday-130007879.html?src=rss 

Rebecca Heineman, co-founder of video game company Interplay Entertainment, has died at 62. As Rock Paper Shotgun has reported, her friends and colleagues from the industry broke the news on their social media accounts. According to Heineman’s GoFundMe campaign, she was diagnosed with adenocarcinoma a few months ago. In her last update, she revealed that “all further treatments [were] pointless” and that all donations will go towards her funeral being arranged by her children. Heineman’s last post on Instagram was a tribute to her wife Jennell Jaquays who died in 2024 due complications brought by Guillain–Barré syndrome.

Heineman won the Atari 2600 Space Invaders championship in 1980 before she was offered a job as a programmer at 16 years old by Avalon Hill Games. She then co-founded Interplay as Interplay Productions back in 1983 with Brian Fargo, Jay Patel and Troy Worrell. Under Interplay, she designed The Bard’s Tale III: Thief of Fate among other games. In 1999, she founded Contraband Entertainment, which worked on the Mac OS ports for Aliens vs. Predator and Baldur’s Gate II. Heineman also worked as a senior software engineer at Electronic Arts, senior engine programmer at Ubisoft Toronto and senior software architect at Sony Computer Entertainment America.

This article originally appeared on Engadget at https://www.engadget.com/gaming/interplay-co-founder-rebecca-heineman-dies-133000414.html?src=rss 

Roblox is starting to roll out the mandatory age checks that will require all of its users to submit an ID or scan their face in order to access the platform’s chat features. The updated policy, which the company announced earlier this year, will be enforced first in Australia, New Zealand and the Netherlands and will expand to all other markets by early next year.

The company also detailed a new “age-based chat” system, which will limit users’ ability to interact with people outside of their age group. After verifying or estimating a user’s age, Roblox will assign them to an age group ranging from 9 years and younger to 21 years and older (there are six total age groups). Teens and children will then be limited from connecting with people that aren’t in or close to their estimated age group in in-game chats.

Unlike most social media apps which have a minimum age of 13, Roblox permits much younger children to use its platform. Since most children and many teens don’t have IDs, the company uses “age estimation” tech provided by identity company Persona. The checks, which use video selfies, are conducted within Roblox’s app and the company says that images of users’ faces are immediately deleted after completing the process.

Roblox didn’t provide details on how accurate its age estimation features are, but the company’s Chief Safety Officer, Matt Kaufman, said that it was “pretty accurate” at guessing the approximate age of most of its users. “What we find is that the algorithms between that 5 and 25 years old [range] are typically pretty accurate within one or two years of their age,” he said during a briefing with reporters.

All Roblox users can now voluntarily submit to a face scan or provide an ID to the company to ensure their access to its chat features isn’t interrupted. The company says it will be enforcing age checks for all users by January and that people in the Netherlands, Australia and New Zealand will need to comply beginning in early December. Next year, the company also plans to put age restrictions around users’ ability to access links to outside social media sites and to participate in Roblox Studio. 

Roblox has repeatedly come under fire for alleged safety lapses even as it’s released a flurry of child safety updates in recent years. The company is facing lawsuits from Texas, Louisiana and Kentucky amid accusations that it hasn’t done enough to prevent adults from targeting teens and children on its service.

This article originally appeared on Engadget at https://www.engadget.com/gaming/roblox-begins-asking-tens-of-millions-of-children-to-verify-their-age-with-a-selfie-120000311.html?src=rss 

DJI has released its third action cam in less than four months, the Osmo Action 6. The new GoPro rival offers something we’ve never seen in this type of camera: a variable aperture for more control over exposure. It also has a new, square sensor (like the one we saw on the Osmo 360) that makes it easier to crop video for social media-friendly aspect ratios. I’ve had the Osmo Action 6 for a few days and it looks impressive so far.

Rather than a fixed f/2.8 setting as before, the Osmo Action 6 offers a variable f/2.0-4.0 aperture, which offers several benefits. When at f/2.0, it allows twice as much light as before. That in turn allows for higher shutter speeds in dim conditions, which reduces the motion blur that can hurt image quality and stabilization. It also delivers shallower depth of field to help separate the subject from the background. On sunny days, meanwhile, changing the aperture to f/4.0 lets you lower the shutter speed so video looks less staccato and more natural. 

Oddly, DJI doesn’t let you fully control the f-stop, however. You can either choose a fixed aperture at f/2.8, or Auto aperture with a range of ISOs, varying from f/2.0 – 4.0 up to f/2.8 – 4.0. That’s unfortunate, as it would be nice to be able to select a fixed f/2.0 aperture, for example, to have a shallow depth of field for portraits. (Note that you can pick an f/4.0 fixed aperture as well to get a “starburst” pattern on bright parts of the image.)

The Action 6 has a new, 1/1.1-inch square sensor (9.8 x 9.8mm), as well. It doesn’t boost resolution as some people had hoped, but does allow for more aspect ratio choices. As with the Action 5, video can be shot at up to 4K 120 fps, or 4K at 60 fps in SuperNight Mode. However, it now offers a 4K Custom mode that lets you capture 3,840 x 3,840 square video at up to 60 fps, for cropping at full 4K resolution in both horizontal and vertical formats. It also supports 4:3 4K (3,840 x 2,880) at up to 120 fps for more cropping options when shooting slo-mo. 

The new sensor is also considerably larger than the 1/1.3-inch sensor on the Osmo Action 5 and the 1/1.9-inch sensor on the GoPro 13. That allows for improved low-light performance, according to DJI, and the larger pixels also boost dynamic range to a claimed 13.5 stops. That, combined with DJI’s D-LogM and 10-bit capability, should make footage from the Osmo Action 6 easy to adjust, even on high contrast sunny days.

DJI has also taken a page from Fujifilm by introducing a Film Tone function to get six distinct looks straight out of the camera, including “cool tones,” “classic negative film” and “pleasing skin tones.” The Osmo Action 6 also offers a 2x lossless zoom (a digital zoom, effectively), portrait mode and subject centering and tracking. Finally, the new “Natural Wide” mode gives you a wider field of view without the usual ugly distortion at the corners. 

For closeup photography, the Action 6 is available with an optional macro lens, as well as an FOV Boost lens that increases the field of view from 155 to 182 degrees.

Sample 34MP photo from DJI’s Osmo Action 6

From my tests so far, low-light video quality looks considerably cleaner and more color-accurate than the Action 5. In addition, the SuperNight Mode is more useful as shutter speeds are higher and thus stabilization in low light is improved over the Action 5. I’ll have more information in my full review, coming soon. 

There are a number of other improvements as well. DJI has boosted the internal storage to 50GB from 47GB before, so you can largely shoot without a memory card, though a microSD slot is also available. As before, it’s waterproof to 20 meters (66 feet) by itself, or nearly 200 feet with DJI’s waterproof case. And on top of voice control, the Action 6 now supports gestures as well. With the same 1,950mAh Extreme Battery Plus as before, shooting time between charges is 4 hours at 1080p and 2 hours at 4K, both with Rocksteady 3.0 stabilization enabled and the screen off. 

The Osmo Action 6 is compatible with DJI’s increasingly generous accessory lineup, like selfie sticks, bike, helmet and body attachments, suction mounts and more. However, the company upgraded its Quick-Release Adapter Mount to a dual-latch system (first introduced on the Osmo Nano) that “can be attached in either direction without mechanical limitations,” the company said. That’s a big quality-of-life improvement over the old mounts, which could only be attached one way. That said, the old mounts are still compatible with the new camera and vice-versa. 

So what about US availability? It looks like, as with the Osmo 360 and Osmo Nano, that DJI’s Action 6 won’t be available on the company’s US store, but it will be sold at Amazon, B&H Photo Video and other third-party resellers, with pricing tba. In Europe, the Osmo Action 6 is now available at DJI’s store and Amazon at €379 for the standard combo with one battery, or €479 in the Adventure Combo that includes three batteries and the Battery Case 3 charger. 

This article originally appeared on Engadget at https://www.engadget.com/cameras/djis-osmo-action-6-is-the-first-action-cam-with-a-variable-aperture-120058873.html?src=rss 

While unofficial videos from filming The Legend of Zelda hit the internet first, Nintendo also unveiled the first images of its live-action project. One photo shows Link and Zelda amid the hills of New Zealand — if you’ve got characters with Elven ears, you have to film in NZ.

As Engadget’s Nathan Ingraham notes, Zelda appears with a bow and quiver, so hopefully it’s a more modern spin than the damsel-in-distress original. I mean, the game is named for her. Filming has just started, so this is all we have until a proper trailer arrives.

— Mat Smith

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Meta and Google delay undersea cables over security concerns

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This article originally appeared on Engadget at https://www.engadget.com/general/the-morning-after-engadget-newsletter-121532744.html?src=rss