Jordyn was a vision in her gorgeous white gown as she took over Paris with her NBA star beau tagging along and holding her hand.
Jordyn was a vision in her gorgeous white gown as she took over Paris with her NBA star beau tagging along and holding her hand.
Bandai Namco knows what to do when it turns anime or manga series into video games. Revealed at Summer Game Fest last week, Sand Land is the latest addition, with a big punchy poster on the show floor in Los Angeles, conveniently right next to an established hitmaker for the publisher, its Naruto (now Boruto) Ultimate Storm fighting series.
Sand Land, though? You may never have heard of it, but don’t let that put you off, because it’s a 2000s comic penned by legendary manga artist, Akira Toriyama. Yes, Dragon Ball creator, Akira Toriyama. The man who created the character designs for Chrono Trigger, Blue Dragon and the Dragon Quest series. And Toriyama’s creations have never looked better.
Sand Land is an action-adventure game where you’ll play as the rambunctious prince of the Devil, capital ‘d’, Beelzebub, as he explores a desert-themed world where water is a rare and costly resource. Demons and humans coexist in this world, with the human Sheriff Rao and the demon Thief accompanying Beelzebub on his adventure to solve the water crisis.
At SGF 2023 last week, I played a 15-minute demo that showcased a few parts of the game, including melee combat, exploration and two vehicles: a tank and, er, a golf cart. The demo kicked off with the trio fleeing a desert dragon, and after having steered the cart away from relentless attacks, the gang eventually had to cast off their supplies of water to escape.
Apparently, this is a beat-for-beat replication of how Sand Land plays out in the manga, and you can expect the game to follow the same storyline beats. That’s sometimes frustrating for games where you already know the story. For example, I know who dies in Dragon Ball’s Frieza saga, so it’s not a surprise when it happens in one of the several Dragon Ball video games. With Sand Land, however, many of us will be hearing the tale for the first time.
During my demo, the game split into two play styles. You’ll explore the desert, outposts, and towns with your vehicles but also set out on foot when you need to brawl with someone or interact with things appropriately. Bandai Namco has teased that you can customize vehicles within the game, adding different weaponry and components to improve performance or offer tactical advantages. I loved using the armor-piercing rounds. Sure, they had a low fire rate, but they obliterated almost anything. Vehicle controls are simple enough but vary depending on the type and whether they feature weapons or not. Don’t forget: my first Sand Land vehicle was a golf cart. There was no artillery option.
When not rolling around in a tank (which can be repaired if it takes damage), Beelzebub himself can go toe-to-toe with enemies in melee combat. He has a mix of weak attacks, dodge rolls and super attacks that will charge up as you battle enemies. If it sounds a bit… simple, well, it is. Bandai Namco isn’t reinventing the wheel here. More moves and support characters could help deepen the combat sections, so I’ll hold judgment for now, but it’s also worth remembering that this game is likely aimed at gamers younger than I. You will only ever control Beelzebub himself, but both of his aforementioned companions will eventually be able to assist in fights, although this wasn’t apparent in my demo.
The highlight of this early demo was confronting a gang of bandits. They gave off a mild Ginew Force vibe, which I wasn’t mad about. Each wielded different weapons and attacked differently, offering a nice opportunity to test out little devil’s combos, sending enemies high with a punch, only to jump up and slam them back to the ground.
Ensuring even these secondary characters are interesting is proof that, hopefully, the developers are ensuring Toriyama’s characters, and his offbeat humor and charm, make it onto consoles.
While there are some questionable lip-sync moments (at this point, all the voiceovers are Japanese), this generation of consoles and PCs offer more than enough power to replicate Toriyama’s detailed drawings. I gawped at the tank during my playthrough just because it looked so good. Imagine how long I’d stare at a tank I customized myself.
Sand Land will launch on PS5, Xbox Series X/S and PC.
Catch up on all of the news from Summer Game Fest right here!
This article originally appeared on Engadget at https://www.engadget.com/sand-land-first-impressions-an-akira-toriyama-manga-brought-to-life-140023184.html?src=rss
Collin Gosselin completely snubbed his estranged mother, Kate Gosselin, as he celebrated his high school graduation by thanking his friends and family for their support.
Collin Gosselin completely snubbed his estranged mother, Kate Gosselin, as he celebrated his high school graduation by thanking his friends and family for their support.
The ‘Top Gun: Maverick’ star looked incredible as she kicked off summer with a bikini snap and a salute on the deck of a boat.
The ‘Top Gun: Maverick’ star looked incredible as she kicked off summer with a bikini snap and a salute on the deck of a boat.
Bandai Namco knows what to do when it turns anime or manga series into video games. Revealed at Summer Game Fest last week, Sand Land is the latest addition, with a big punchy poster on the show floor in Los Angeles, conveniently right next to an established hitmaker for the publisher, its Naruto (now Boruto) Ultimate Storm fighting series.
Sand Land, though? You may never have heard of it, but don’t let that put you off, because it’s a 2000s comic penned by legendary manga artist, Akira Toriyama. Yes, Dragon Ball creator, Akira Toriyama. The man who created the character designs for Chrono Trigger, Blue Dragon and the Dragon Quest series. And Toriyama’s creations have never looked better.
Sand Land is an action-adventure game where you’ll play as the rambunctious prince of the Devil, capital ‘d’, Beelzebub, as he explores a desert-themed world where water is a rare and costly resource. Demons and humans coexist in this world, with the human Sheriff Rao and the demon Thief accompanying Beelzebub on his adventure to solve the water crisis.
At SGF 2023 last week, I played a 15-minute demo that showcased a few parts of the game, including melee combat, exploration and two vehicles: a tank and, er, a golf cart. The demo kicked off with the trio fleeing a desert dragon, and after having steered the cart away from relentless attacks, the gang eventually had to cast off their supplies of water to escape.
Apparently, this is a beat-for-beat replication of how Sand Land plays out in the manga, and you can expect the game to follow the same storyline beats. That’s sometimes frustrating for games where you already know the story. For example, I know who dies in Dragon Ball’s Frieza saga, so it’s not a surprise when it happens in one of the several Dragon Ball video games. With Sand Land, however, many of us will be hearing the tale for the first time.
During my demo, the game split into two play styles. You’ll explore the desert, outposts, and towns with your vehicles but also set out on foot when you need to brawl with someone or interact with things appropriately. Bandai Namco has teased that you can customize vehicles within the game, adding different weaponry and components to improve performance or offer tactical advantages. I loved using the armor-piercing rounds. Sure, they had a low fire rate, but they obliterated almost anything. Vehicle controls are simple enough but vary depending on the type and whether they feature weapons or not. Don’t forget: my first Sand Land vehicle was a golf cart. There was no artillery option.
When not rolling around in a tank (which can be repaired if it takes damage), Beelzebub himself can go toe-to-toe with enemies in melee combat. He has a mix of weak attacks, dodge rolls and super attacks that will charge up as you battle enemies. If it sounds a bit… simple, well, it is. Bandai Namco isn’t reinventing the wheel here. More moves and support characters could help deepen the combat sections, so I’ll hold judgment for now, but it’s also worth remembering that this game is likely aimed at gamers younger than I. You will only ever control Beelzebub himself, but both of his aforementioned companions will eventually be able to assist in fights, although this wasn’t apparent in my demo.
The highlight of this early demo was confronting a gang of bandits. They gave off a mild Ginew Force vibe, which I wasn’t mad about. Each wielded different weapons and attacked differently, offering a nice opportunity to test out little devil’s combos, sending enemies high with a punch, only to jump up and slam them back to the ground.
Ensuring even these secondary characters are interesting is proof that, hopefully, the developers are ensuring Toriyama’s characters, and his offbeat humor and charm, make it onto consoles.
While there are some questionable lip-sync moments (at this point, all the voiceovers are Japanese), this generation of consoles and PCs offer more than enough power to replicate Toriyama’s detailed drawings. I gawped at the tank during my playthrough just because it looked so good. Imagine how long I’d stare at a tank I customized myself.
Sand Land will launch on PS5, Xbox Series X/S and PC.
Catch up on all of the news from Summer Game Fest right here!
This article originally appeared on Engadget at https://www.engadget.com/sand-land-first-impressions-an-akira-toriyama-manga-brought-to-life-140023184.html?src=rss
In a world over-saturated by superhero films, ‘No Hard Feelings’ is the summer comedy that’s got everything: laughs, heart, and JLaw.
In a world over-saturated by superhero films, ‘No Hard Feelings’ is the summer comedy that’s got everything: laughs, heart, and JLaw.
After wrapping up the soccer season, Cristiano Ronaldo treated his family to a luxurious getaway on a private yacht in the Mediterranean.
After wrapping up the soccer season, Cristiano Ronaldo treated his family to a luxurious getaway on a private yacht in the Mediterranean.
A new decision from Meta’s Oversight Board reiterates Facebook’s continual role as a platform for dangerous election rhetoric. The Board reversed Meta’s initial decision to leave public a video posted in January that called for insurrectionist actions in Brazil following the inauguration of its new president, Luiz Inácio Lula da Silva.
Lula took office on January 1st, and two days later, a user posted the video of a prominent Brazilian general — and supporter of the former president Jair Bolsonaro — telling people to “hit the streets” and “go to the National Congress … [and the] Supreme Court.” Portugese text overlaid the video stating, “Come to Brasília! Let’s Storm it! Let’s besiege the three powers.” Three Powers Plaza sits in the Brazilian capital and is home to the Congress, Supreme Court and the presidential offices.
Meta had previously acknowledged the risk of civil and election-centric unrest in Brazil, first labeling the country a “Temporary High-Risk Location” in September 2022 and then extending it to late February of this year. Yet, when an initial user reported the video, a moderator didn’t find it in violation of Meta’s policies — a second moderator agreed following an appeal. Seven moderators in total reviewed reports from four individuals between January 3rd and 4th, but none found an issue with the video. An accompanying caption for the video called for a “besiege” of Brazil’s Congress as a last-ditch effort. Five days after the video arrived on Facebook, hundreds of protesters broke into the three governmental buildings and set fires, broke windows and assaulted police officers.
The next day Meta called the riots a “violating event” and claimed to have “been removing content calling for people to take up arms or forcibly invade Congress, the Presidential palace and other federal buildings.” Yet, the video remained on Facebook until January 20th, when Meta removed the post following the Oversight Board’s choice to shortlist its review into it. Moderators should categorize a post as violating Meta’s rules when it calls for forced entry into a high-risk place (like a government building) in a temporary high-risk location (as Brazil was at the time). Meta stated that leaving up the video with a military official calling for an insurrection was an “error.”
In its decision, the Oversight Board said it was “deeply concerned” that Meta’s moderators had continually found the video not to violate its policies. The Board recommended that Meta finally “develop a framework for evaluating its election integrity efforts. This includes creating and sharing metrics for successful election integrity efforts, including those related to Meta’s enforcement of its content policies and its approach to ads.” It also called on the company to expand its protocols when evaluating if content causes harm in high-risk events.
The Oversight Board has operated since 2020 as an independently funded entity to which individuals can appeal content visibility decisions. It has the power to permit or remove Facebook and Instagram content with statements outlining its rationale accompanying each decision. The Board currently has 22 members (a report claims it will eventually be 40), including Nighat Dad, founder of the Digital Rights Foundation, and Ronaldo Lemos, a Rio De Janiero State University’s Law School professor.
Meta has served as a home for right-wing conspiracy theorists and organizers, with at least 650,000 posts arguing against Joe Biden’s victory shared on Facebook between Election Day 2020 in the US and the January 6th, 2021 insurrection. The social media platform had enacted some safety features after misinformation spread had spread across it around the 2016 Election, but it continued to do so, and ahead of the 2022 midterms and Brazil’s general election, Meta quietly rolled back many of its safeguards.
This article originally appeared on Engadget at https://www.engadget.com/oversight-board-criticizes-meta-for-refusing-to-take-down-brazilian-pro-insurrection-video-124533251.html?src=rss
The following article contains spoilers for “Ad Astra per Aspera.”
Prequels, especially for well-known properties, are straightjackets which limit their own storytelling possibilities. Dramatic license is hampered by the fact the audience often knows where these characters (and storylines) end up. And any violence to the extant narrative can jar viewers who likely know what’s going on now contradicts what they’ve already seen. Until now, Strange New Worlds has navigated this issue well, making a virtue of its well-known conclusion.
“A Quality of Mercy” deftly played with the fact Pike will eventually get his near-fatal dose of radiation. The episode served to make the tragic nature of his character both a benefit and a burden, making it compelling in the process. In comparison, “Ad Astra per Aspera,” serves as an indictment of prequels, exposing the limits of what it can say, and do. Much as it presents a world that’s hopeful of change, long-term viewers know that optimism is misplaced.
That’s not to say the episode is bad, because it’s another confidently told, if lightweight, tale in a series that knows it works in that register. It helps that Star Trek wears the tropes of courtroom drama so well, since they’re both prone to a melodramatic exploration of The Big Issues(™). The subtext here is sufficiently broad that there’s a multitude of readings it’ll accept without too much stretching. And there’s at least one actually funny comedy moment where we, once again, see how much more fun Spock is when he’s played as a goofball.
Number One is preparing to stand trial for fraudulently entering Starfleet despite its ban on genetic modification. She’s thinking about her childhood, where her parents worry about taking her to a doctor and therefore exposing her status. Captain Batel (Melanie Scrofano) – who for some reason is now a member of Starfleet’s legal corps – offers a plea bargain with a dishonorable discharge, something Number One recoils at.
Pike, refusing to passively accept his friend’s fate, jets off to meet Neera (Yetide Badaki), an Illyrian lawyer and former friend of Number One, who has until now refused their pleas for help. His refusal to take no for an answer, and the lure of a high-profile case with which to stick it to the Federation, is enough to convince her to sign up. What follows is the usual courtroom drama, focusing on what prompted Number One to sign up to an organization that hates her.
We learn Number One was inspired to sign up to Starfleet because of the visible diversity of its crews. But that isn’t enough to win until Neera finds the contradiction between the Federation’s fine words, its goals, and its laws. It’s a subtle, pointed, critique of what Darren Franich dubbed the “California liberal paradox” in his essay on Star Trek: Insurrection. (And Star Trek is nothing if not a creature of Californian values.) He says that those people may wish “everyone to live comfortably, but would secretly prefer that most people live comfortably someplace else.”
But the court finds Number One not guilty, and she’s allowed to return to active duty on the Enterprise. At the happy ever after reunion in the transporter room, Neera says that while the case affected just one person, it’s a “start.” She adds that Number One’s visibility as an Illyrian (second) in command of a starship will help turn people’s hearts and minds toward her cause. It’s a hopeful ending, and one that suggests Number One’s story will kickstart a process of change and growth that will eventually see these prejudices and legal blocks go away.
The issue with that ending, and how hopefully it’s portrayed, is that long-time Star Trek viewers know it doesn’t happen. Any hearts and minds that would be changed in this process would be a minority given that – from this point in Trek history – things won’t change. Chronologically, we have “Space Seed,” The Wrath of Khan, “Dr. Bashir, I Presume” and “Statistical Probabilities” as affirmations of the status quo. At least a century later, people with genetic modifications remain – in Trek’s narrative – unable to serve in its premier military, scientific and exploratory branch.
It lends the episode a tragic quality that isn’t reflected in its presentation, but one that adds a layer of depth for dedicated viewers. Perhaps what I’m describing as a limit of its storytelling is really a smart commentary on how hard it is to bend the arc of history toward justice. In fact, I think I’ve just talked myself around, this is a wonderfully pointed exploration of this stuff, bravo Dana Horgan and Valerie Weiss.
This article originally appeared on Engadget at https://www.engadget.com/star-trek-strange-new-worlds-finds-the-limit-of-what-a-prequel-can-say-130027427.html?src=rss
UK broadcaster Sky has unveiled a webcam device called Sky Live designed to add features like watch parties with friends, fitness and gaming features, the company announced. It attaches magnetically to the top of the company’s Sky Glass smart TVs via USB-C and HDMI, and supports motion tracking for games and workouts, along with video calls, group chats and more.
“Sky Live makes your TV much more than just a TV, by introducing new entertainment experiences for the heart of your home,” said Sky global chief product officer Fraser Stirling in a statement. “Get active with motion control games, work out with body tracking technology, video call on the big screen and watch TV with loved ones – even from afar. And [with] our powerful Entertainment OS ecosystem, it will keep getting better with every update.”
The 12-megapixel webcam looks a bit like a mini Xbox One Kinect, with a rectangular design and lens on the right. Video is captured at up to 4K with an ultrawide 106-degree field of view (equivalent to a 14mm lens in 35mm camera terms). It has a white status LED, four microphones on top and a privacy button that turns it off (but no privacy shutter). There’s an auto-framing feature to keep you in the center of the shot, along with background noise suppression to ensure you’re heard during noisy broadcasts.
A key feature pitched by Sky (owned by Comcast since 2018) is called “Watch Together,” letting you do watch parties with up to 11 other households remotely. Friends’ video feeds appear to the right of the main feed and it works with all live channels and Sky’s own on-demand programs — but not Netflix or other third-party streaming services. Playback is supposed to be synchronized among all call participants, so you shouldn’t hear your friends cheering before you actually see a goal scored.
On top of looking like one, Sky Live also acts like a Kinect. It comes with a Mvmnt fitness app offering 130 interactive workouts, with the motion control tech tracking and your form, reps and more. It also supports motion-controlled games like Fruit Ninja and an multiplayer version of Monopoly controlled with the TV’s remote. You can make Zoom calls, with participants shown in full HD and centered in the frame thanks to the auto-tracking feature.
Sky Live requires a Sky Glass smart TV to work and costs £290 ($370) as a standalone purchase, £6 per month over 48 months, or £12 per month on a 24-month contract. Sky is also offering introductory discounts if purchased with a Smart Glass TV. Th latter, launched back in 2021, comes in 43-, 55- and 65-inch version and starts at around £14 per month.
This article originally appeared on Engadget at https://www.engadget.com/sky-uk-releases-a-motion-tracking-webcam-for-tv-watch-parties-131458526.html?src=rss
