Toya Johnson and Reginae Carter are taking viewers inside their private lives in the all-new series ‘Toya & Reginae.’ Watch the explosive trailer now.
Toya Johnson and Reginae Carter are taking viewers inside their private lives in the all-new series ‘Toya & Reginae.’ Watch the explosive trailer now.
Amazon’s Prime Day sale on Lexar storage is still going on, with deals now available to non-Prime members as well. One of the best is on Lexar’s Play 1TB microSD V30 card, ideal for gamers, smartphone users and others for just $63, or 52 percent off the regular price. There are other bargains as well, like a pair of 128GB V60 1667x SD cards ideal for mirrorless cameras priced at $58 (34 percent off) and a CFexpress Type B USB 3.2 Gen 2×2 reader for $35 (50 percent off).
Those who want to top up their Nintendo Switch, smartphone or other device with extra space should check out the Lexar Play microSD cards on sale: you can get the 1TB card at an all-time low price of $63 (52 percent off) or grab the 512GB model for $45 or 256GB for $30. The V30 designation allows read speeds up to 150MB/s, with write speeds at around 80MB/s — a lot of throughput for the price.
Camera lovers may want to look at Lexar’s V60 UHS-II SD cards, which are recommended in our latest camera gift guide thanks to a good balance between speed and value. The 120MB/s write speeds are enough for most H.264/H.265 4K video modes, and you can then transfer files to your computer at up to 250MB/s. A pair of the 128GB cards are available for $58 (34 percent off), two 256GB models are priced at $108 (38 percent off) and two 64GB cards are just $40. Those are just some of the deals, as you’ll also find discounts on CFexpress Type A cards, NVMe SSDs, JumpDrive memory sticks and more.
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This article originally appeared on Engadget at https://www.engadget.com/lexars-sd-cards-and-storage-gear-are-up-to-52-percent-off-right-now-135053875.html?src=rss
After almost six years, Beats is back with new over-ear, noise-canceling headphones. A significant update from the Studio 3 Wireless, the new Studio Pro is a familiar formula that’s been reconfigured from the inside out. A second-generation version of Beats’ own audio chip powers this new model, delivering improvements to active noise cancellation (ANC), spatial audio with dynamic head tracking and wired audio modes via USB-C connection. Small design tweaks and slightly better battery life are also on the spec sheet, while the price remains $350 for Beats’ flagship headphones.
To refresh the aesthetics, Beats enlisted the help of Samuel Ross, a fashion and product designer who has worked with Hublot, Nike, Oakley and others. The result is an updated look with new colors, materials, packaging and branding. While the tweaks are subtle and the folding design remains the same overall, there are a few notable changes to point out. First, Studio Pro is available in four new colors and even the black option now has a matte finish. Where the headband hinge used to have a contrasting color for most of the variants, that’s now a tone-on-tone finish and the model name has been removed. The iconic lowercase “b” logo remains on both sides, though.
Another key change is to the earpads. Beats and Ross opted for a seamless design here, with cushions made of a new UltraPlush memory foam, though they’re still wrapped in leather. Beats is clear the clamping force from previous Beats models remains the same, unfortunately and the weight hasn’t changed. Indeed, the new ear pads help to a degree, but after about an hour of use, I start to feel the pressure that’s been an issue with Beats headphones for years.
Since Beats headphones first debuted, the company’s models have become mainstays for gym goers and pro athletes. You won’t catch warm-ups for many professional sports events without at least one person wearing Beats headphones. Still, the company hasn’t issued a proper IP rating for sweat and water resistance. Beats says it’s confident the Studio Pro will be just fine for workouts, but it’s also clear that earpad replacements won’t be available through the company. You’ll need to find a third-party supplier should they get too grimey.
Physical on-board controls are back on the Studio Pro. On the outside of the left ear cup, a multi-function button in the center handles single, double and triple taps to control music and calls. A long press here will activate your voice assistant, even though the headphones support hands-free Siri on Apple devices. Above and below this center button are the volume controls, while the noise modes are toggled with a double press of the power button on the right ear cup. If you’re in USB-C audio mode, two taps of that button will cycle between three EQ presets specifically designed for wired use (Signature, Entertainment and Conversation). A line of five LEDs below the power control blinks when you’re in pairing mode and gives you a battery life estimate with a single press when the headphones are powered on.
Beats continues its move away from Apple’s audio chips with the Studio Pro. These headphones contain the company’s own second-gen platform instead, but a lot of the features that Apple silicon offers are still here. Hands-free Siri, one-touch pairing, iCloud pairing, Apple Watch hand-off and Find My compatibility are all baked into iOS. Multipoint pairing and automatic switching between devices isn’t available on iOS, iPad and Mac right now, but Beats says it may arrive later. There’s no need to download a separate app on iOS to access the settings though, they’re also available in the Control Center. For Android users, the Beats app offers one-touch pairing via Google Fast Pair, automatic connection to Android or Chrome devices through your Google account, seamless device transitions, Find My Device, customization and widgets.
Beats has added Transparency Mode to the Studio Pro, giving its over-ear headphones a very useful tool that was missing from the Studio 3. The company’s audio chip also powers Spatial Audio with dynamic head tracking. While the previous model supported immersive sound, it didn’t offer head tracking or the ability to personalize audio, the latter of which Apple debuted last year.
For the first time, Beats has enabled USB-C wired audio on the Studio Pro. In addition to listening to high-resolution and lossless tunes, you can also take calls while the headphones are actively charging. The Studio Pro has a built-in digital-to-analog converter (DAC) that can accommodate sample rates up to 24-bit/48kHz. That’s enough to handle the high-res streaming from Apple Music, Amazon Music HD and Tidal. Beats has also included three USB-C sounds profiles for wired listening: Signature, Entertainment and Conversation. As the names suggest, each one is tailored to music, movies/TV shows and calls, adjusting the frequency curve for what the company thinks is the best in each scenario. And yes, there’s still 3.5mm playback, which can be used with ANC and Transparency Mode as needed.
Inside, Beats swapped out the drivers for new 40mm units. A two-layer diaphragm combines with micro vents and fine acoustic mesh to streamline the airflow and minimize distortion. The company says the new drivers can provide “near-zero” distortion even at high volumes, which is an up to 80 percent improvement from the Studio 3. That claim holds true as the Studio Pro doesn’t distort when you crank it up to the eye-watering full volume. However, what the new components have done to improve clarity while providing a more balanced sound profile is more impressive.
In its early days, Beats had a reputation for being too heavy-handed with the bass. While that hasn’t been the case for a while, the company still has a propensity to highlight low-end. For the Studio Pro, there’s still ample bass when a track calls for it, but that boom doesn’t come at the sacrifice of mids and highs – or more importantly detail. Even the driving thump of the kick drum on TesseracT’s “War of Being” has noticeable texture throughout the song. It’s not just a repetitive boom.
Overall, the attention to clarity and the even-handed tuning across the EQ curve gives the Studio Pro quite immersive sound out of the box. Everything seems open and airy, with even the instruments in chaotic metal tracks remaining perfectly discernible. Turn on something softer like Charles Wesley Godwin’s Live From The Church or Nickel Creek’s Celebrants (country and bluegrass, respectively), and you immediately hear the layers of acoustic instruments and finer detail unique to each. Those records can sound like you’re in the room while they’re being recorded on the best-sounding headphones, and there’s a sense of that on the Studio Pro. As you might expect, this latest Beats model excels with hip-hop tracks. The droning bass lines on albums like Killer Mike’s MICHAEL lay a thick foundation for the rest of the song to be built.
While Spatial Audio returns, chances are it won’t sway your buying decision. The integration is similar to previous Beats and Apple earbuds and headphones, with Personalized Spatial Audio added in this time around. The technology still simulates the sound of 64 speakers, capable of moving with you if you have head tracking enabled. If you’ve experienced Spatial Audio before, you know exactly what to expect: slightly louder, more airy tunes where the technology’s immersive nature can vary from album to album and genre to genre. When it hits though, like on Pearl Jam’s “Even Flow,” older tracks have new life. With boygenius’ The Record though, I can’t tell the difference when Spatial Audio is on. I’m also less sold on the dynamic head tracking Beats added on the Studio Pro.
Then there are the new USB-C EQ profiles. When you’re connected to a computer or other compatible device, ANC and Transparency mode are disabled. Instead, the power button on the Studio Pro cycles through wired presets for music, entertainment and calls. That 5-LED array below the power control indicates which profile you’re on and will be essential until you memorize the audible tones for each one. Signature and Conversation work best for music and calls respectively, while I’m less impressed by the Entertainment setting. All three are fine, but those two are the ones I found myself coming back to in wired mode. Like Spatial Audio content in Dolby Atmos, mileage can vary listening to lossless tunes via Apple Music. Some albums are noticeably better with wired USB-C, while others sound nearly identical to streaming over Bluetooth.
Although Beats doesn’t quantify with a number, it says ANC performance is improved on the Studio Pro when compared to the Studio 3. Fully adaptive active noise cancellation uses outward facing mics to monitor your environment while inward pointing units catch any sounds that might sneak through due to fit. The company explains that the ANC boost is also partially due to updated microphones all around as they have higher sensitivity and a better signal-to-noise ratio. While the Studio Pro doesn’t beat the noise-blocking powers of Bose or Sony, the ANC on the Studio Pro is noticeably better than the Studio 3 – especially for things like television noise and human voices. And similar to the previous model, the latest Beats headphones analyze audio up to 48,000 times per second to maintain pristine clarity.
Lastly, let’s discuss Transparency Mode. While I welcome the inclusion here over not offering ambient sound at all, I did have higher hopes. It works fine, but lacks the natural clarity of Apple’s AirPods Max or AirPods Pro. I thought Beats might come close since it works closely with Apple on several aspects of its products, but that’s not the case. Apple remains truly unmatched when it comes to Transparency Mode. It often sounds like you’re not even wearing headphones at all, mostly due to how natural your own voice sounds fed back through those devices.
Beats says you can expect up to 27 percent better voice clarity than the Studio 3 Wireless, thanks to voice-targeting microphones and a machine-learning algorithm. The company explains that it trained the system on over 7,000 hours of “real-world environments” in order to create a setup that can “precisely hone in” on your voice. Those are lofty claims for sure, and part of them hold true.
The Studio Pro is great at cutting out constant background noise, like a fan or A/C unit. Neither of those came through on calls when I was sitting right underneath one or the other. It’s better than the speakerphone-like quality most headphones and earbuds offer, but it isn’t pristine.
When it comes to battery life, Beats says you can expect up to 40 hours with ANC off. That’s the same figure it promised on the Studio 3. However, with noise cancellation or Transparency Mode enabled, the company offers two hours more than the previous model at 24 hours. There’s still a quick-charge feature here, dubbed Fast Fuel, that gives you up to four hours of use in just 10 minutes.
During my tests with the Studio Pro, I still had 23 percent battery left after 25 hours of use with either ANC or ambient sound active. That’s also doing a mix of music, podcasts, streaming TV and taking calls. I powered the headphones completely off several times during that span as well and I plugged them in via USB-C for a few minutes to test those modes.
When it comes to flagship headphones at this price, Beats’ biggest competition remains Sony and Bose. Sony’s 1000X line has been our top pick for best wireless headphones for years, as the company’s mix of stellar sound, powerful noise cancellation and a literal truckload of handy features is unmatched. With the latest version, the $400 WH-1000XM5, the company simply packs so much into their headphones that many others can’t compete. The Bose 700 is that company’s best option, which is currently available for about $10 less than Sony’s 1000XM5. Bose doesn’t come close to Sony in terms of features, but it does do slightly better when it comes to ANC performance. If blocking out distractions is your primary goal, the 700 is worth a look.
While Beats didn’t completely redesign its over-ear headphones for the Studio Pro, its latest model is a significant update. The company did well to incorporate features and technology other companies have introduced over the last five years, and its relationship with Apple continues to enhance its products. The improvements to ANC and sound quality alone are good, but the fact that the company was also able to add in a wired USB-C audio, upgrades to Spatial Audio and better voice performance while keeping the price the same is notable. There’s no doubt these are still premium headphones, but the Studio Pro positions Beats to better compete with the likes of Sony and Bose in a number of areas where it used to fall short.
Beats Studio Pro is available to order today in black, brown, navy and Sandstone color options for $350. The headphones will be available at Apple retail stores and other resellers starting tomorrow, July 20th.
This article originally appeared on Engadget at https://www.engadget.com/beats-studio-pro-review-upgraded-sound-makes-all-the-difference-140058369.html?src=rss
Mobile gaming is serious business now. The biggest titles out there are games like Fortnite and Genshin Impact, helped along by legions of kids getting their first smartphone. Lots of game publishers are putting out console-quality experiences on mobile, and it’s taken time for gaming accessories to catch up. But they have, and now mobile gamers have a number of controller options to suit their play style. We’ve sorted through the leading options to highlight the pros and cons of each controller, so you can decide which one is the best one for your needs.
8BitDo has built itself a reputation for versatile gamepads that can work with multiple systems, from the Nintendo Switch to the Raspberry Pi. And while the Pro 2 is one of our top controllers for the Switch, it’s also a pretty great option for Android and iOS as well. The advantage to using these with your phone is also the free 8BitDo software that gives you extensive customization options for the buttons; it even has more options than you’ll find on Nintendo’s system. Of course, being a Bluetooth gamepad means it’s easy enough to jump back and forth, making this a good investment for people who own multiple portable devices (like a Switch).
Pros: PlayStation-like design is comfortable; configuration software is robust; controller is available in multiple colors
Cons: Not small and would be best carried around in a case
While the PlayStation’s DualShock design has gained its share of devotees over the years, the Xbox gamepad is the stereotypical image of the gamepad in many people’s minds (as well as the Discord logo). So it makes sense that there are a lot more mobile gaming options with that shape, and the best ones come from SteelSeries: the Nimbus+ for Apple-made devices and the Stratus+ for Google-based devices (Android and Chromebook).
The two controllers are, for the most part, identical. They have shoulder buttons and triggers, the d-pad is the same, and they both include sturdy phone mounts for attaching your device at the top — the type that clamps in place automatically. Unlike a clamp from a more generic company, the one SteelSeries provides with both controllers won’t fight you during the process of mounting your phone.
Pros: More players are likely to be familiar with Xbox-style controllers; both models include sturdy clamps for clipping your phone to the controller.
Cons: You have to buy a different controller based on what OS you’re using; the controller with the clamp attached is unwieldy
Let’s be honest, the form factor is a big reason that devices like the Switch are so popular. They’re comfortable to hold, well-balanced and really put the screen front and center. You don’t really get that with a phone clamp or table stand. Luckily, Razer’s Kishi is a super affordable option that’s easy to slide your phone into — though the setup admittedly wasn’t as quick for me as the SteelSeries options. But at least the direct connection it forms with the phone using USB-C (or Lightning if you’re on an iPhone) is faster than Bluetooth.
The Kishi’s biggest advantages — besides Razer’s high-end build quality — are its passthrough charging, so you never need to detach it to charge your phone, and the size it folds down to when you do take it off your device. It’s smaller than the SteelSeries controllers, making it ideal for throwing into a small bag.
Pros: Provides a direct connection to a phone instead of relying on Bluetooth; folds up compactly when not in use
Cons: Phone with Kishi attached may feel bulky
The new Backbone One is similar to Razer’s Kishi and made specifically for Apple devices, though at a higher cost (due to being newer and from a smaller company). My colleague Mat Smith was a big fan of the One when he tried it, and in my own use it has a few advantages over the Razer device, namely a cleaner design and a more sweat-friendly matte texture. It also features Apple-specific buttons, ones that are much bigger and thus easier to hit than the ones on the Kishi.
Pros: Nice matte finish; specifically made for iPhone users
Cons: Expensive; only works with iPhones
If you have big hands, the 8BitDo Zero 2 is definitely not for you, and your hands will likely cramp if you spend too long playing with this diminutive Bluetooth controller. But for everyone else, it’s definitely worth a look, if only because it’s so small there’s no reason to keep it on you at all times in case of an emergency. Not that we could tell you what constitutes a gaming emergency, but if one does come up you’ll be glad to have this on hand. It truly is keychain-sized, so you can clip it on your backpack or slide it into a Switch carrying case with ease. And we love the bright colors, which are based on the Switch Lite design and should blend in with your spring and summertime apparel.
Pros: Cute and tiny; comes with a strap for attaching to a bag
Cons: Too small for gamers with big hands
This article originally appeared on Engadget at https://www.engadget.com/best-mobile-game-controllers-140023505.html?src=rss
Whomp, whomp! Ant Anstead and Renee Zellweger are not getting hitched as many reports suggested — yet!
Whomp, whomp! Ant Anstead and Renee Zellweger are not getting hitched as many reports suggested — yet!
In a look at Paramount+’s ‘I Wanna Rock’ docuseries, Twisted Sister’s Dee Snider recalls how he testified in front of the Senate over music’s 1st Amendment rights.
In a look at Paramount+’s ‘I Wanna Rock’ docuseries, Twisted Sister’s Dee Snider recalls how he testified in front of the Senate over music’s 1st Amendment rights.
Your college years can be some of the best of your life, but we know it can be tough to enjoy them when you’re scrounging every dollar for textbooks, food and (if you’re lucky) the occasional outing with friends. Money is tight when you’re a student, and that financial stress can be compounded by the reality of having to stay on top of your studies.
If there’s a silver lining, it’s student discounts. Many companies offer their products and apps for less to those struggling through lectures, writing term papers and studying for finals. We’ve compiled a list of the best deals you can get on useful services, along with some things you’ll enjoy in your down time. Just keep in mind that most of these offers require you to prove your status as a student either by signing up with your .edu email address or providing some form of student identification.
If you’re not piggybacking off of your parents’ Amazon Prime account, you can have the subscription for less while you’re in school. College students can get Prime Student for free for six months, then it costs only $7.49 per month after that. That comes out to about $90 per year, and the membership includes the same perks as regular Prime does, including free two-day shipping, free same-day delivery in select areas, and access to the entire Prime Video library.
While it doesn’t offer a specific student discount, Best Buy has a student deal hub page where you can find gadgets on sale. You’ll find discounts on a bunch of gear that students would need, including laptops, headphones, monitors, software and more. Best Buy also has a tool that will help students find the right computer for their needs that only requires them to answer a few questions before providing them a number of options.
Apple offers some deals to students and educators in the form of knocking down the prices of its most popular laptops and tablets. There isn’t a flat percentage rate across all products; the discounts vary by device. For example, right now students can get a MacBook Air M1 starting at $899, which is $100 less than the normal starting price, and the iPad Pros start at $749, which represents a $50 discount. These are decent savings if you must have a brand new Apple product, but those with tighter budgets should also consider Apple’s refurb program. Also for 2023, students can get up to a $150 gift card and 20 percent off AppleCare when they purchase a qualifying Mac or iPad, and they’ll get one month free of Apple Music and Apple TV+ as well.
Shop Apple’s back-to-school promos
Much like Apple, Samsung doesn’t offer a blanket discount across all of its products for students. But you can save depending on what you’re looking to buy. For example, you can save hundreds on the latest Galaxy S23 and foldable smartphones, up to $300 on Samsung Galaxy Book laptops and an extra 15 percent off Samsung wireless earbuds,
Shop Samsung’s back-to-school promos
Microsoft also provides students and educators with up to and additional 10 percent off its gadgets, including most of its Surface family. And the online store doesn’t only sell Microsoft-made devices: You can also find Windows PCs from Lenovo, HP, Acer and others there at discounted prices.
Shop Microsoft’s back-to-school promos
Spotify Premium’s student plan gives you full, ad-free access to the music streaming service plus a subscription to the ad-supported Hulu plan for only $5 per month. This is a great discount considering you’d pay roughly $18 per month if you were to buy each service separately.
Pandora also offers students its Premium membership for $5 per month. Pandora’s offering doesn’t include any additional services, but you do get an ad-free experience, personalized music, unlimited skips and unlimited offline play. Plus, you’ll get 60 days of free use before your payments kick in.
Apple also slashes 50 percent off its Apple Music subscription for students, bringing it down to $5 per month. The offer is available for up to 48 months so you can enjoy the rate for the entirety of your college experience. What’s more, the company bundles Apple TV+ in this student offer, so you can watch Apple originals like Ted Lasso and Severance.
Buy Apple Music Student membership
Paramount+’s student discount knocks 25 percent off the Essentials monthly plan, so you’ll end up paying around $3.75 per month for access to the service’s content with limited commercials. With this subscription, you can watch shows like Star Trek: Strange New Worlds, South Park, RuPaul’s Drag Race and more, but just keep in mind that this particular plan doesn’t include access to your local CBS station.
Tidal provides student discounts on all of its services — eligible high school and college students can get up to 50 percent off its subscription plans. Tidal is still often overshadowed by Spotify and Apple Music, but these discounts are a good way to give it a try without spending too much money.
College students can sign up for Hulu’s ad-supported plan for only $2 per month. That’s $6 less than the normal price and a great deal considering all of the content that Hulu has to offer (think: The Handmaid’s Tale, Grey’s Anatomy, Rick & Morty and more). Yes, you have to deal with commercials, but it’s a small price to pay to binge-watch shows like Brooklyn Nine Nine, which can provide a much-needed laugh when you’re drowning in coursework.
Buy Hulu (ad-supported) for students
Being a student is stressful even in the best of times, but now it’s even more difficult to concentrate and find peace. Headspace is just one of many meditation and mindfulness apps available that can help with that, but it stands apart with an excellent student discount: $10 for the entire year, or $60 less than a normal annual membership. In addition to a large library of meditation lessons and routines to follow, Headspace recently added SleepCasts, a collection of soothing voices reading bedtime stories to help you fall asleep, as well as “mindful” workout routines.
You’re probably using Adobe products if you’re studying anything related to digital art or design. Adobe Creative Cloud is the industry standard in this space but the entire suite of programs is quite expensive at $53 per month. Thankfully, Adobe has education pricing for students that drops the entire creative suite to $20 per month for the first year. That includes the big programs like Photoshop CC and Illustrator CC along with Lightroom CC, Premiere Pro CC, Adobe XD and more.
After your first year, the monthly cost increases to $30 per month. While not ideal, it’s still more affordable for students than it is for industry professionals. If you’re not tied to Adobe programs, you might also consider Affinity Photo, Designer and Publisher apps from Serif ($70 each for the Mac or Windows versions), which compete with Photoshop, Illustrator and InDesign, respectively.
Regardless of whether you’re studying music production, students can get 40 percent off Ableton Live Standard or Suite for as long as they are enrolled full-time. That brings Live 11 Standard down to $269 and Suite down to $449 — great discounts on some of the best music software available right now.
Many students have to use Microsoft 365 tools on the regular. If your college or university doesn’t provide you with an account, you can still get Microsoft 365 for free by taking advantage of the company’s student and educator discount. This gives you access to Word, Excel, PowerPoint, OneNote and even Microsoft Teams free of charge, which is a solid deal considering an annual subscription costs $100.
Spending all day and night writing papers is even more frustrating when you don’t have all your writing organized in one place. Ulysses is a popular writing app for mac/iOS that can be used for note taking as well as thesis writing, with features like auto-save and auto-backup, word-count writing goals, markup, plain text support and DropBox integration. Normally, Ulysses costs $40 per year but students can get it for only $11 every six months, or $22 per year. There isn’t a direct alternative for Windows users, but you do have options including Scrivener, IA Writer and FocusWriter.
Evernote can be an indispensable tool if you like to keep all of your thoughts in one place — everything from class notes to web clippings to to-do lists. Students can get 40 percent off Professional, which is the way to go because it syncs your notes across unlimited devices, gives you offline access, lets you annotate PDFs and search saved documents.
Aspiring developers can sign up for Github’s Student Developer Pack, which includes discounts and resources that developers can use to learn, create projects and more. Github partnered with a bunch of companies including Educative, Canva, Namecheap, Bootstrap Studio and others to offer students access to many of the services they’ll need as the expand their skills.
Get Github Student Developer Pack
Whether you’re itching to get a jump-start on your portfolio or just want an online space to show off your work, Squarespace is a good option as it gives students a 50 percent discount on any of its annual plans for the first year. Squarespace is one of many website builders out there, but it’s particularly popular with creative professionals. Its customizable templates make it easy to build a website and make it look exactly how you want it. Plus, you can upgrade down the line to add things like website analytics, custom JavaScript and CSS and e-commerce.
One of our favorite VPNs, Surfshark offers 83 percent off for students plus two months free when you sign up for a two-year plan. You can connect an unlimited number of devices to one Surfshark account, which will be good for students who want access across their phone, laptop, smart TV, and other gadgets. It also has more than 3,200 servers that you can access across 100 countries, giving you plenty of connection options.
NordVPN’s student discount gives you two years of the service for less than $80. Like most of the top picks in our VPN guide, NordVPN offers access to thousands of servers in a number of countries, and you can connect from almost any device you could imagine. It also has a kill-switch feature that will prevent you from making unprotected connections should the VPN accidentally drop.
Dashlane offers one year of its Premium plan for free to all students with a valid university email address. It’s one of our top picks in our best password managers guide thanks to its easy to use apps and its focus on secure sharing. The latter could be particularly useful for students if they have friends and roommates with which they need to share account credentials.
Another one of our favorite password managers, NordPass offers students a two-year Premium plan for just over $40, plus an extra month for free. Its wide platform compatibility makes it a great pick if you’re always logging in from different devices. You can stay logged in on up to six devices simultaneously, and it has browser extensions for Chrome, Firefox, Edge and Opera.
You shouldn’t rely on Twitter to be your sole source of news. With foreign wars, new viruses, Supreme Court decisions and upcoming elections making headlines daily, it’s important to get your news from reliable sources. Yes, it’s daunting to get into the news on a regular basis, but it’s crucial to know what’s going on in the country and the world as a whole. Here are some reputable news organizations that offer student discounts on their monthly or annual subscription plans.
The Atlantic: Starts at $45 per year for digital-only access.
The New York Times: $6 every four weeks for a base subscription.
The Washington Post: $1 every four weeks for digital-only access.
The Wall Street Journal: Starting at $4 every four weeks for the WSJ Digital pack.
This article originally appeared on Engadget at https://www.engadget.com/best-student-discounts-140038070.html?src=rss
After 18 months of battling their way through regulatory red tape, Microsoft and Activision Blizzard are closer than ever to making their merger happen. However, with some issues still to smooth out in the UK, the companies weren’t able to neatly tie things up in time for their initial July 18th deadline. As such, they’ve agreed to extend their merger agreement by three months to get the $68.7 billion acquisition over the line.
“Microsoft and Activision Blizzard have jointly agreed to extend the merger agreement deadline from July 18th, 2023 to October 18th, 2023, to allow for additional time to resolve remaining regulatory concerns,” Microsoft said in a statement.
If they hadn’t agreed on new terms and either side walked away (which they could have done as of today), Microsoft would have been on the hook for a $3 billion breakup fee. That termination fee will increase to $3.5 billion if the merger hasn’t closed by August 29th and $4.5 billion if it’s not a done deal by September 15th. The fee will only be paid if the acquisition doesn’t close. In addition, they agreed that Activision can give its shareholders a dividend of $0.99 per share.
“Microsoft and Activision Blizzard remain optimistic that we will get our acquisition over the finish line, so we have jointly agreed to extend the merger agreement to October 18th, 2023,” Microsoft Gaming CEO Phil Spencer wrote in a note to employees. “While we can technically close in the United States due to recent legal developments, this extension gives us additional time to resolve the remaining regulatory concerns in the UK.”
Microsoft and Activision Blizzard have extended the merger agreement deadline to 10/18. We’re optimistic about getting this done, and excited about bringing more games to more players everywhere.
— Phil Spencer (@XboxP3) July 19, 2023
The Competition and Markets Authority, the UK’s antitrust regulator, initially blocked the deal in April based on concerns over its impact on the cloud gaming market (deals Microsoft signed with third-party cloud gaming platforms were enough of a remedy for the European Union to approve the merger). Microsoft appealed the CMA’s decision but with just days to go before the deadline, the CMA said it would be willing to review a modified merger proposal.
The CMA, Microsoft and Activision submitted a joint proposal to an appeals tribunal to delay their litigation by two months in an attempt to resolve the regulator’s concerns amicably. The appeals tribunal granted that request on Monday. The CMA has also given itself an extra six weeks, until the end of August, to review Microsoft’s new proposal. However, it hopes to do so as quickly as possible.
It’s not quite clear when this might all be wrapped up one way or the other, but the CMA and both companies are aiming to do so very soon and certainly well before October 18th. One key date to look out for is August 2nd. That’s when an evidentiary hearing in the Federal Trade Commission’s administrative proceeding in an attempt to block the deal is scheduled to start. The FTC was unsuccessful in its efforts to obtain an injunction to stop the merger from happening in the meantime. However, if the deal hasn’t closed by August 2nd and the FTC’s administrative trial begins, things could get more complicated for Microsoft and Activision.
This article originally appeared on Engadget at https://www.engadget.com/microsoft-and-activision-extend-the-deadline-for-their-687-billion-merger-to-october-18th-132138900.html?src=rss
In the 1990 fantasy drama – Truly, Madly, Deeply, lead character Nina, (Juliet Stevenson), is grieving the recent death of her boyfriend Jamie (Alan Rickman). Sensing her profound sadness, Jamie returns as a ghost to help her process her loss. If you’ve seen the film, you’ll know that his reappearance forces her to question her memory of him and, in turn, accept that maybe he wasn’t as perfect as she’d remembered. Here in 2023, a new wave of AI-based “grief tech” offers us all the chance to spend time with loved ones after their death — in varying forms. But unlike Jamie (who benevolently misleads Nina), we’re being asked to let artificial intelligence serve up a version of those we survive. What could possibly go wrong?
While generative tools like ChatGPT and Midjourney are dominating the AI conversation, we’re broadly ignoring the larger ethical questions around topics like grief and mourning. The Pope in a puffa is cool, after all, but thinking about your loved ones after death? Not so much. If you believe generative AI avatars for the dead are still a way out, you’d be wrong. At least one company is offering digital immortality already – and it’s as costly as it is eerie.
Re;memory, for example, is a service offered by Deepbrain AI – a company whose main business includes those “virtual assistant” type interactive screens along with AI news anchors. The Korean firm took its experience with marrying chatbots and generative AI video to its ultimate, macabre conclusion. For just $10,000 dollars and a few hours in a studio, you can create an avatar of yourself that your family can visit (an additional cost) at an offsite facility. Deepbrain is based in Korea, and Korean mourning traditions include “Jesa”, an annual visit to the departed’s resting place.
Right now, even by the company’s own admission, the service doesn’t claim to replicate their personality with too much depth – the training set only really affords the avatar to have one “mood.” Michael Jung, Business Development and Strategy Lead at Deepbrain told Engadget, “If I want to be a very entertaining Michael, then I have to read very hyper voices or entertaining voices for 300 lines. Then every time when I input the text [to the avatar] I’m going to have a very exciting Michael”. Re;memory isn’t currently trying to create a true facsimile of the subject – it’s something you can visit occasionally and have basic interactions with – but one hopes there’s a little more character to them than a virtual hotel receptionis.
While Re;memory has the added benefit of being a video avatar that can respond to your questions, audio-based HereAfter AI tries to capture a little more of your personality with a series of questions.The result is an audio chatbot that friends and family can interact with, receiving verbal answers and even stories and anecdotes from the past. By all accounts, the pre-trained chatbots provide convincing answers in their owners’ voices – until the illusion is unceremoniously broken when it robotically responds “Sorry, I didn’t understand that. You can try asking another way, or move onto another topic.” to any query it doesn’t have an answer for.
Whether these technologies create a realistic avatar or not isn’t the primary concern – AI is moving at such a clip that it’ll certainly improve. The trickier questions revolve around who owns this avatar once you’re gone? Or are your memories and data safe and secure? And what impact can all this have on those we leave behind anyway?
Joanna Bryson, Professor of Ethics and Technology at Hertie School of Governance likens the current wave of grief tech to when Facebook was more popular with young people. Back then, it was a common destination to memorialize friends that had passed and the emotional impact of this was striking. “It was such a new, immediate form of communication, that kids couldn’t believe they were gone. And they seriously believe that they’re dead friends were reading it. And they’re like, ‘I know, you’re seeing this.’”
The inherent extra dimension that AI avatars bring only adds fuel to the concern about the impact these creations might have on our grieving brains. “What does it do to your life, that you’re spending your time remembering … maybe it’s good to have some time to process it for a while. But it can turn into an unhealthy obsession.”
Bryson also thinks this same technology could start being used in ways it wasn’t originally intended. “What if you’re a teenager or preteen and you spend all your time on the phone with your best friend. And then you figure out you prefer, like a [AI] synthesis of your best friend and Justin Bieber or something. And you stop talking to your actual best friend,” she said.
Of course, that scenario is beyond current capabilities. Not least because to create an AI version of our best, living friend we’d need so much data that we’d need their participation/consent in the process. But this might not be the case for much longer. The recent spate of fake AI songs in the style of famous artists is already possible, and it won’t be long before you won’t need to be a celebrity for there to be enough publicly available input to feed a generative AI. Microsoft’s VALL-E, for example, can already do a decent job of cloning a voice with just three seconds of source material.
If you have ever had the misfortune of sorting through the possessions of a dead relative, you often learn things about them you never knew. Maybe it was their fondness for a certain type of poetry via their underlinings in a book. Or maybe something more sinister, like bank statements that showed crippling debt. We all have details that make us complex, complete human beings. Details that, often intentionally, remain hidden from our public persona. This throws up another time-honored ethical conundrum.
The internet is awash with stories of parents and loved ones seeking access to their deceased’s email or messaging accounts to remember them by. For better or worse we may not feel comfortable telling our immediate family about our sexuality or our politics, or that our spouse was having an affair – all things that our private digital messages might reveal. And if we’re not careful, this could be data we inadvertently give over to AI for training, only for it to burp that secret out posthumously.
Even with the consent of the person being recreated in AI there are no assurances someone else can’t get their hands on the digital version of you and abuse it. And right now, that broadly falls into the same crime bucket as someone stealing your credit card details. Until they do something public with it, at which point other laws, such as right to publicity may apply – but usually, these protections are only for the living.
Bryson suggests that the logical answer for data protection might be something we’re already familiar with – like the locally stored biometric data we use to unlock our phones. “Apple has never trusted anyone. So they really are very privacy oriented. So I tend to think that, that’s the kind of organization that will come up with stuff, because they want it themselves.” (The main issue this way, as Bryson points out, is that if your house burns down you risk losing “grandma” forever.)
Data will always be at risk, no matter where or how it’s stored. It’s a peril of modern day living. And all those concerns about privacy might feel like a tomorrow problem (in the same way we tend to worry about online fraud only once it’s happened to us). The cost, accuracy and just general creepiness that AI and our future digital avatars create might be scary, but it’s also a crushing inevitability. But that doesn’t mean our future is doomed to be an ocean of Max Headroom’s spouting our innermost secrets to any hacker that will listen.
“It will be a problem in the immediate, there probably is a problem already,” Bryson said. “But I would hope that a good high quality version would have transparency, and you’d be able to check it. And I’m sure that Bing and Google are working on this now, for being able to verify where chat programmes get their ideas from.” Until that time though, we’re at risk of finding out the hard way.
Bryson is keen to point out that there are some positive takeaways, and they’re available to the living. “If you make it too much about death, you aren’t thinking correctly about it,” she said. This technology forces us to confront our mortality in a new, albeit curious way and that can only help us think about the relationships we have right here in the world of the living. An AI version of someone will always be a poor facsimile, so, as Bryson suggests, why not get to know the real person better while you can. “I wish people would rehearse conversations with a chatbot and then talk to a real person and find out what the differences are.”
This article originally appeared on Engadget at https://www.engadget.com/digital-immortality-is-coming-and-were-not-ready-for-it-133022423.html?src=rss
Following a recent pancreatic cancer battle, Maria welcomed her first child via surrogacy with husband Keven Undergaro.
Following a recent pancreatic cancer battle, Maria welcomed her first child via surrogacy with husband Keven Undergaro.
