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Google announced today that all Chromebook owners can claim three free months of GeForce Now. Most Chromebook users will get a (usually $10 per month) GeForce Now Priority subscription, while owners of Cloud Gaming Chromebooks will receive access to the Ultimate tier (typically $20 per month). The company is tying the promotion to Baldur’s Gate 3 launch on Nvidia’s cloud gaming service.

Standard Chromebook owners can claim three months of GeForce Now Priority, which uses a “premium rig” in the cloud that maxes out at 1080p / 60 FPS streaming and six-hour gaming sessions. Meanwhile, folks who bought a Cloud Gaming Chromebook can claim three months of GeForce Now Ultimate, which boosts performance to an RTX 4080, 4K resolution, 120 FPS and eight-hour sessions.

GeForce Now, launched publicly in 2020 after nearly five years in beta, offers instant access to a computer with much greater horsepower than a Chromebook — without worrying about updates, patches or graphic settings. But, of course, you’ll need at least a decently fast and low-latency internet connection to stream the games from Nvidia’s servers.

Building and accessing your library on Nvidia’s service can be a bit clunky compared to rivals like Xbox Game Pass Ultimate and the now-defunct Stadia: You’ll need to link your Steam, Epic Games Store, the Microsoft Store or Ubisoft Connect store accounts (among others) to see which of your purchased titles are eligible. Then, you can stream the games you already own and find out which storefronts are supported for those you still want to add. Nvidia’s GeForce Now library webpage is a solid place to start: It simplifies the process by letting you search the service’s catalog of over 1,500 support titles.

Google hasn’t announced how long the promotion will be available, except to say it’s for a limited time only. Chromebook owners can claim the offer on this “special perks” webpage.

This article originally appeared on Engadget at https://www.engadget.com/google-gives-chromebook-owners-three-months-of-geforce-now-cloud-gaming-182734681.html?src=rss 

YouTube Music’s latest redesign of the Now Playing page is making its way to iOS and Android devices everywhere. There’s a new feature that brings an extra social element to the app. You’ll now be able to read and post comments on the Now Playing page. That option was limited to playlists until now.

According to screenshots that 9to5 Google shared, some of the comments on the page may date back several years. As such, it seems like Google is populating the section with comments from related YouTube videos, for better or worse (probably worse).

The updated design is rolling out gradually, so you may not see it right away, but there are some other changes in store. The cover art is bigger and song titles and artist names now hug the left side of the screen. One other key thing to note is that there’s now a carousel with buttons for comments, giving a track a thumbs up or down, saving songs to a playlist, sharing, downloading and the radio. Most of the previously available actions required an extra tap to access until now. The buttons look very similar to the ones you’ll see below the YouTube video player. In addition, more of the controls should be easier to access as they’re at the bottom of the screen.

This article originally appeared on Engadget at https://www.engadget.com/youtube-musics-now-playing-tab-adds-everyones-least-favorite-feature-youtube-comments-164521304.html?src=rss 

The US Copyright Office (USCO) wants your thoughts on generative AI and who can theoretically be declared to own its outputs. The technology has increasingly commanded the legal system’s attention, and as such office began seeking public comments on Wednesday about some of AI’s thorniest issues (viaArs Technica). These include questions about companies training AI models on copyrighted works, the copyright eligibility of AI-generated content (along with liability for infringing on it) and how to handle machine-made outputs mimicking human artists’ work.

“The adoption and use of generative AI systems by millions of Americans — and the resulting volume of AI-generated material — have sparked widespread public debate about what these systems may mean for the future of creative industries and raise significant questions for the copyright system,” the USCO wrote in a notice published on Wednesday.

One issue the office hopes to address is the required degree of human authorship to register a copyright on (otherwise AI-driven) content, citing the rising number of attempts to copyright material that names AI as an author or co-author. “The crucial question appears to be whether the ‘work’ is basically one of human authorship, with the computer merely being an assisting instrument, or whether the traditional elements of authorship in the work (literary, artistic, or musical expression or elements of selection, arrangement, etc.) were actually conceived and executed not by man but by a machine,” the USCO wrote.

Although the issue is far from resolved, several cases have hinted at where the boundaries may fall. For example, the office said in February that the (human-made) text and layout arrangement from a partially AI-generated graphic novel were copyrightable, but the work’s Midjourney-generated images weren’t. On the other hand, a Federal judge recently rejected an attempt to register AI-generated art which had no human intervention other than its inciting text prompt. “Copyright has never stretched so far […] as to protect works generated by new forms of technology operating absent any guiding human hand, as plaintiff urges here,” US District Judge Beryl Howell wrote in that ruling.

The USCO also seeks input on increasing infringement claims from copyright owners against AI companies for training on their published works. Sarah Silverman is among the high-profile plaintiffs suing OpenAI and Meta for allegedly training ChatGPT and LLaMA (respectively) on their written work — in her case, her 2010 memoir The Bedwetter. OpenAI also faces a class-action lawsuit over using scraped web data to train its viral chatbot.

The USPO says the public comment period will be open until November 15th. You can share your thoughts until then.

This article originally appeared on Engadget at https://www.engadget.com/us-copyright-office-opens-public-comments-on-ai-and-content-ownership-170225911.html?src=rss 

The first trailer for the Five Nights at Freddy’s movie was pretty nifty, but suspiciously light on the game franchise’s renowned murderous animatronics. That issue has been rectified with the latest trailer, as it features prominent appearances from Foxy, Bonnie, Chica and of course, Freddy himself. The homicidal puppets are doing what they do best, murdering people.

You also get a bit more of the plot, which seems to mirror the game. It zeroes in on a character played by Josh Hutcherson, from the criminally underrated Future Man, as he starts a new overnight gig as a security guard at a family entertainment center. However, Freddy and his animatronic gang of thugs pose a terrifying threat to anyone in the building after dark.

As expected, the animatronics look great, nearly matching the game’s original aesthetic. This is no surprise given they were designed by Jim Henson’s Creature Shop. This is a far leap from Kermit and Miss Piggy, however, as the movie contains plenty of “strong violent content, bloody images and language.”

Despite that warning, it’s rated PG-13, so the gore will likely be kept to a minimum. Five Nights at Freddy’s premieres in theaters and on the streaming service Peacock just in time for Halloween, on October 27th.

This article originally appeared on Engadget at https://www.engadget.com/new-five-nights-at-freddys-movie-trailer-shows-the-murderous-animatronics-in-action-171506472.html?src=rss 

Bumble is trying to make its apps safe spaces for meeting new people, and that extends to real-life meetups. The latest community guidelines (which also apply to Badoo and Bumble For Friends) take aim at ghosting or people failing to turn up for pre-arranged meetups.

The guidelines “discourage no-show behavior through disallowing the act of not turning up to an in-person meet up despite clear plans agreed by both parties,” Bumble said. It claims its the first dating platform to “take a stance” on users over the issue, noting that according to experts, being stood up or ghosted can “sometimes have a profound impact on a person’s mental health, leading to feelings of depression, anxiety and deflated self-esteem.” 

Ghosting and no-showing IRL meets are now classed as bullying and abusive conduct under the updated policies, but it’s not clear how Bumble plans to enforce rules around the topic outside of users reporting such behavior. Engadget has asked Bumble for clarification.

Victim blaming (such as shaming someone for being a survivor of sexual assault) is outlawed across the three apps as well. Bumble says this is an industry-first measure that’s part of its efforts to foster “a community that is safe and promotes mutual respect.” The updated Violence and Bullying Policy includes clarified language related to the platform’s ban on doxxing. 

Many services take action against illicit off-platform activity — Bumble’s no-show policy is one of those — so it may be the case that Bumble will take action against those who victim-blame or doxx users outside of its apps. If someone posts Bumble screenshots on X/Twitter to attack a victim and Bumble finds out, it might take action against the offender’s account on its platforms.

One other problem Bumble is targeting with the latest community guidelines is the use of bots. From now on, Bumble, Badoo and Bumble For Friends “prohibit any attempts to artificially influence connections, matching, conversations or engagement through the use of automation or scripting.” So, anyone caught using ChatGPT to try and seem interesting after making a match might not stay on Bumble for very long.

The same goes for those who use any of the company’s apps to promote an OnlyFans page or profiles on similar services. There’s now “a blanket ban on the promotion of adult content in profiles, including attempts to sell, advertise, or buy adult sexual content.” The goal is to try and crack down on this kind of spam, which appears all too often in dating apps.

Bumble said it will continue to update the guidelines to deal with “emerging risks and potential harms that may occur from new behaviors.” The company notes that it uses automated safeguards to tackle guideline violations before users report them, including instances of “harassment, identity-based hate and other inappropriate content.” So far this year, Bumble has blocked more than 8.2 million accounts across its apps, most of which were detected and removed by its automated systems.

This article originally appeared on Engadget at https://www.engadget.com/bumble-tackles-no-shows-for-irl-dates-with-its-updated-community-guidelines-173027784.html?src=rss 

Shure may not have changed much of the design of its Aonic 50 headphones for the second-generation version, but it did a lot of work on the inside to massively upgrade all-around performance. The company announced the new model today, a set of $349 premium noise-canceling wireless headphones that now offer spatial audio, improved active noise cancellation (ANC) and twice the battery life of the previous version. 

In terms of sound quality, Shure says the new Aonic 50 has its spatial audio tech onboard that leverages an “acoustical modeling and critical listening” algorithm to offer immersion without compromising the original audio. There are three modes here — Music, Cinema and Podcast — which the company explains are tailored to each use case. Music mode offers the experience of listening with “high-end speakers” while Cinema mode adds more low-end tone to give the effect of being in a theater, maintains clarity and offers “natural sounding” dialog. Podcast mode positions the host’s voice closer to the user’s ears. This is all powered by 50mm dynamic drivers and Snapdragon Sound with aptX Adaptive, allowing you to stream music in AAC, SBC and LDAC codecs. 

Rather than keep the ANC setup from the previous version, tech simply described as “adjustable,” Shure opted for a new hybrid active noise cancellation system. Like hybrid ANC on other headphones, the company uses microphones on the inside and the outside of the ear cup to monitor environmental clamor. Shure also allows you to control the amount of noise blocking and ambient sound with four modes: Light, Moderate, Max and MaxAware. The last of which is a new option the company describes as “perfect balance between blocking unwanted noise and maintaining awareness of your surroundings.” There’s also an Enhanced Environment mode that allows you to adjust those levels with a slider rather than relying on presets.

Shure has more than doubled the battery life for the second-gen Aonic 50. It now offers up to 45 hours of listening time on a charge, up from the 20 hours on the previous version. There’s also a quick-charge feature on the new model that gives you five hours of use in 15 minutes. The company is also touting “superior” call quality thanks to beamforming mics with automatic gain control. Shure says the six built-in microphones adjust automatically to combat ambient noise, which it claims provides “unmatched” clarity. Companies make lofty promises about voice performance all the time, and since mileage varies greatly on those, we’ll have to reserve judgement here until we can complete our own testing. 

The Aonic 50 (2nd gen) will be available in September.

This article originally appeared on Engadget at https://www.engadget.com/shures-new-aonic-50-headphones-have-spatial-audio-and-double-the-battery-life-160025565.html?src=rss