Category: Technology

Formovie’s Theater took the projector world by storm when it first arrived, offering a triple laser, 150-inch ultra short throw (UST) image and Dolby Vision for $3,000. That was a relatively unheard of price for such a feature set, especially from a brand that hardly anyone knew about.

That model helped make Formovie’s name, but $3,000 is still pretty expensive for a projector. To appeal to more buyers, the company recently unveiled the $1,800 Cinema Edge, a far more affordable option that still offers a laser light engine, sharp 4K image, Google TV for streaming and 15-watt stereo speakers.

There are some fairly serious trade offs, though, particularly the absence of a triple laser engine and Dolby Vision, plus mediocre color accuracy and brightness. The new model also has some heavy competition from the likes of Hisense, Epson and Optoma. All of that adds up to a projector that’s not quite as exciting as Formovie’s first attempt.

The Formovie Cinema Edge’s main features

As a reminder, Formovie is a joint venture between Xiaomi and Appotronics (the latter makes laser engines for high-end brands like Barco). Formovie now offers three projector models: the Cinema Edge, $2,400 Theater and $3,000 Theater Premium. It also sells the cheap and cheerful $199 Episode One Google TV projector, a 120-inch floor rising screen and a 100-inch wall-mounted ALR screen.

The Cinema Edge is more compact than the Theater in all dimensions and has a square design and subtle, dark grey exterior. You can project to a wall, or preferably a dedicated glare-reducing ALR screen, at a distance of about 13 inches for a 120-inch picture. All of that makes it discreet and lets you install it in relatively tight spaces.

The Cinema Edge comes with a pair of 15W speakers, but projector purists will no doubt want a 5.1 audio system to best use the built-in Dolby Atmos and DTS-HD. The Google TV system includes Netflix (unlike the Theater at launch) but the processor is a bit laggy. That can make navigation and settings adjustments a chore, though it’s par for the course on other projectors I’ve seen, particularly Optoma and HiSense models. As a result, some users may still prefer to use a Google TV or other streaming device.

Similar to the Theater, the Cinema Edge sits on three rubber feet rather than four, which can make it tricky to level when setting up. While it supports digital keystone fine-tuning to square the image, that should be used as little as possible, as it reduces picture resolution slightly and increases latency for gaming. Because of that, along with the configuration for various apps, setup took longer than I expected.

Fortunately, there are plenty of inputs to add accessories like Blu-Ray players, including three HDMI 2.1 ports (one with eArc for a high-quality return to your audio system), 3.5mm and optical audio connectors, two USB-C ports for media/streaming stick power and an ethernet port (plus Wi-FI support, of course).

The included remote is required to change most settings, control playback and more, plus it uses standard batteries with no charging port. Like most ultra short throw projectors, the Cinema Edge has a sensor that detects if someone gets too close and automatically dims the output so you don’t get a laser blast in your eyeballs.

Picture quality

Like most modern projectors (Epson aside), the Formovie Cinema Edge uses Texas Instruments’ DLP tech that projects a 1080p image twice to create a sharp 4K image using so-called fast-switch pixel shifting. It combines that with an RGB+ single color laser to keep the price down compared to triple laser setups like the Formovie Theater or Hisense’s $3,500 PX3-Pro.

The Cinema Edge delivers sharp 4K video at up to 2,100 lumens, which is decent, but falls short of rivals like the 2,400-lumen Hisense PX2-Pro or Epson’s EpiQVision Ultra LS650. That latter model pumps out 3,600 lumens. Still, the Cinema Edge’s level of brightness was just enough to watch some content in daylight, like Netflix’s Drive to Survive or live sports on Amazon Prime.

The 4K detail is excellent, and something I appreciated when watching sci-fi series like Silo, The Expanse and 3 Body Problem. Contrast is also strong, allowing for better viewing of films with dimly lit scenes like those in Joker and The Batman.

Where the Formovie Cinema Edge struggles compared to the Theater model is in color rendering. With its single laser light source, it lacks the incredible 100-percent-plus BT.2020 color gamut found on the Formovie Theater or Hisense PX2-Pro. It’s also limited to HDR10 support, rather than superior modes like Dolby Vision found on the slightly more expensive Hisense PX2-Pro.

As a result, visuals are a bit more drab in films like Transformers: Rise of the Beasts and Air, with primary colors failing to pop off the screen as I’ve seen on those other models. That said, colors are accurate by default, and there are extensive picture quality settings if you want to fine-tune everything. I noticed other issues related to the lack of good HDR performance, namely blown out highlights and some artifacts in the shadows or dark parts of images, particularly in The Batman.

Motion smoothing (called MJC on the Cinema Edge) is enabled by default, unfortunately, but it’s relatively easy to disable. Without it, though, the projector occasionally suffers from some motion artifacts during fast action sequences, something that’s common on DLP projectors. For those types of films, I found the low motion smoothing setting to be a good compromise, limiting the soap opera effect while removing any choppiness from energetic action scenes.

The Cinema Edge isn’t bad for light gaming, but with a refresh rate limited to 60Hz and input latency around 40 milliseconds, you can’t play anything too demanding like fast-moving FPS shooters. For instance, I played Resident Evil Village from my Mac through the projector, and the lag, tearing and artifacting made gameplay a challenge.

The speakers offer decent audio quality, with clear voices, music and sound effects. However, the bass is a bit thin and there’s little to no soundstage to add realism. Given the projector’s Dolby Atmos and HDMI 2.1 eArc support, anyone serious about audio would want to add external speakers or at least a soundbar.

Wrap-up

Considering how good Formovie’s Theater is, the Cinema Edge is a disappointment. Performance is only so-so for the price, with relatively low brightness and mediocre color rendering. The built-in Google TV is a bit laggy, and setup is more difficult than it needs to be due to the lack of a fourth foot. The speaker setup is also just okay, with better sound quality available on some Optoma and LG projectors.

The Cinema Edge is still a decent mid-range UST projector, but the problem for Formovie is that there’s a lot of competition in this price range. For just $200 more, you can get the Hisense PX2-Pro triple laser UST projector, which offers higher brightness (2,400 lumens), along with Dolby Vision and over 100 percent BT.2020 coverage. Another option for the same $1,800 price is the Epson LS650, which offers similar specs but nearly double the brightness at 3600 lumens. The Cinema Edge is a good choice if you want a versatile projector with a small and subtle design, but if brightness and picture quality are paramount, look elsewhere.

This article originally appeared on Engadget at https://www.engadget.com/home/home-theater/formovie-cinema-edge-review-a-midrange-ust-projector-that-lags-behind-its-rivals-150025407.html?src=rss 

It’s been a few years since Samsung took a crack at making a premium Chromebook. In 2020, the company released the first Galaxy Chromebook, a $999 laptop with a gorgeous 4K OLED screen that barely lasted five hours away from a charger. The company fixed some issues with its 2021 model, which had a more pedestrian screen and a thicker design while costing $300 less — a fair compromise given that battery life was significantly better.

Since then, Google has also launched the Chromebook Plus initiative, which aims to standardize Chromebook specs to give people a more consistent experience. And now, Samsung has released its first entry to that lineup: the Galaxy Chromebook Plus. It’s a bit different than most of the other laptops in that space, though, with a large 15.6-inch OLED screen and a design that’s extremely thin and light for its size. It reminds me a little bit of the 15-inch MacBook Air, though its appearance is unmistakably Samsung. The Galaxy Chromebook Plus also has more of Google’s AI capabilities baked into it than any Chromebook thus far, thanks to a new “Quick Insert” key that grants fast access to Gemini.

Finally, it’s one of the most expensive Chromebook Plus options out there at $699. That puts it directly in competition with Acer’s Chromebook Spin Plus 714, my current favorite in the premium Chromebook space. And while it’s refreshingly different from the Acer and Lenovo models I usually use, there are a few quirks here you should know about.

Hardware and design: Not your typical Chromebook

First, though, the good stuff. The Galaxy Chromebook Plus’ 1080p, 15.6-inch screen is crisp and bright, with excellent viewing angles. Somewhat surprisingly, though, it doesn’t have a touchscreen. Lots of Chromebooks do, as it makes interacting with some Android apps easier. But once I got used to the fact that poking the screen did nothing, I didn’t really miss it. Samsung says it’s the only Chromebook Plus with an AMOLED display, and while I wouldn’t mind a higher resolution, I know that would lead to worse battery life. All told, I think Samsung made the right choice not to go for 4K, especially considering that a computer this thin doesn’t have as much room for a bigger battery.

Speaking of: this laptop is seriously thin. It’s less than half an inch thick (0.46 inches to be precise) and weighs only 2.58 pounds. That’s essentially the same thickness as the 13- and 15-inch MacBook Air, and the Galaxy Chromebook Plus is lighter than both. It’s well-suited to going anywhere without being too much of a burden, not something you get often on a laptop with a large screen. Despite its thin-and-light design, Samsung didn’t skimp on ports here: it has HDMI, two USB-C ports (one of which you’ll need for charging), a microSDXC slot (that I wish was standard microSD), a headphone jack and an old-school USB-A port.

As part of the Chromebook Plus line, this laptop exceeds the minimum spec requirements. It pairs an Intel Core 3 100U processor released earlier this year with 8GB of RAM and 256GB of storage. That’s more than enough power for a Chromebook in this day and age, and I had no qualms with its performance across the board.

While the Galaxy Chromebook Plus is quite svelte, its 15.6-inch screen makes transporting it a little awkward. Thanks to its 16:9 aspect ratio, the laptop has serious surfboard vibes – it’s just very wide, and it’s a tight fit in my bag. Furthermore, the 16:9 aspect ratio makes the screen feel smaller than it really is. The 1080p panel defaults to a scaled resolution that works out to 1,600 x 900, almost 100 fewer vertical pixels than my 14-inch MacBook Pro. I’ve been yelling into the void for years now that the 16:9 aspect ratio is just not ideal for modern computing, given the verticality of basically every web site. I’d be much happier with a smaller panel that offered more vertical pixels, but that’s just me.

I have mixed feelings about the keyboard and trackpad. Since the Galaxy Chromebook Plus is so thin, the keys don’t feel quite as comfortable as those on most other Chromebooks I use, to say nothing of my MacBook Pro. But, they’re not bad at all; nothing like the terrible butterfly keyboards on the MacBooks of the prior decade. They have less travel and are a little clickier than I’d like but still easy enough to acclimate to.

My real issue is that Samsung chose to include a number pad on the keyboard. This might be my own personal quirk, but I generally can’t stand number pads because I’d much rather have my hands centered below the display. I always feel slightly off-kilter and unbalanced using a laptop with a number pad, and it led to me making far more typos than I usually do. I’m sure if it was my only computer, I’d adjust and get used to it — but I don’t think I’d ever really like it. For me, the tradeoff just isn’t worth the number pad. I also found myself activating the trackpad by grazing it with the side of my palms while typing more often than I’d like. I eventually acclimated to how to type comfortably and avoid the touchpad, but between that and the number pad I found the Galaxy Chromebook Plus’s typing experience isn’t as good as some other Chromebooks I’ve used.

Perhaps the most notable thing about the keyboard, though, is the new Quick Insert key that goes where the traditional search key is. (Chromebooks have always had this instead of a caps lock key.) Quick Insert pulls up a small menu similar in size to what you see if you right-click something. But it gives contextual suggestions based on what you’re doing rather than showing the same options every time. In the very Google Doc where I wrote this review, it suggested various emoji (which would definitely be useful when using a chat app), links to a few Google Drive files it thought were relevant and a “help me write” prompt using Google Gemini. The menu also shows quick links to your Files folder, Google Drive, browsing history and a few other potentially helpful options.

Samsung moved the traditional launcher key to the bottom row, nestled between Fn and Alt. That key still brings up the app launcher and a traditional search field for things on your computer; you can also easily search Google from here. The trickiest thing about this placement is that some shortcuts I was used to now require me to use the launcher in a new spot instead of Quick Insert. It’s a bit of a learning curve, and the benefit of Quick Insert doesn’t quite outweigh having to retrain my brain on new shortcuts. Hopefully the Quick Insert gets smarter and more useful over time, but right now it’s mostly a shortcut to grabbing emoji quickly. I have zero interest in having Google’s AI help me write anything, so for now its utility is limited.

ChromeOS and Gemini

That’s the good and bad of the hardware, but that’s only part of the equation. By now, the usual caveats of ChromeOS are well-known: it’s still a primarily web-based system, but Android applications can extend its features. There are also plenty of web apps that are well optimized for ChromeOS, and Google Docs has a comprehensive offline mode at this point. And if you have a recent Android phone, ChromeOS has a pretty robust feature set when you pair it to your Chromebook, including shared notifications and streaming of some apps directly to your laptop.

Google has also added a lot of smart and useful features to ChromeOS over the last year or so that make it more useful. For example, clicking the date in the taskbar brings up your full Google calendar and anything in the Tasks app, making it a quick place to see what you have planned for the day without having to dive into the full Calendar or Tasks experience. There’s also a new “focus” mode for when you want to sit down and concentrate. It turns on Do Not Disturb, sets a timer and lets you pick a YouTube Music playlist or some “focus sounds” like ambient or classical music, or even the sounds of nature. It’s a small thing, but there are a lot of thoughtful tools like that now in ChromeOS that make it feel like much more than just a browser.

The new Quick Insert menu in ChromeOS.

Naturally, AI is a bigger part of ChromeOS than ever. In addition to the “help me write” tools and suggestions that show up when you tap the Quick Insert key, Gemini is a click away with an app shortcut in the toolbar by default. There are also a few frivolous AI features thrown in, like a wallpaper generator with eight different categories to choose from (landscape, surreal, dreamscape, classic art and so on). Once you pick one, you’ll get a few more fields you can edit to get a handful of AI creations you can set as your wallpaper. You don’t get full creative control here; generally there are two things you can edit in each prompt. They’re hit or miss, but I did like the “classic art” avant-garde beach scene I created.

There’s also a beta test of the “help me read” feature that’ll summarize documents, PDFs and web pages. I made a PDF of this review from Google Docs and had the AI summarize it, which it did with no errors but also with very little detail. I asked it questions about the content of the document and it answered them accurately, as well. And the Magic Editor built into Google Photos on Pixel phones is also available on Chromebook Plus models, letting you alter the reality of your snapshots to your heart’s content. None of this stuff is essential to me, but it’s clearly the way we’re headed, like it or not. One good thing is that Google includes a full year of its $20/month Google One with AI plan to Chromebook Plus buyers, this Samsung model included. That gets you 2TB of Drive storage and access to Gemini Advanced, Gemini in Google Docs and Gmail, as well as a few other AI perks. I don’t think it’s necessary at this point, but getting to try it for a full year is a pretty nice offer.

Finally, there’s the ever-present question of battery life. I’m getting between six and a half and eight hours off the charger, depending on what I’m doing; as usual, video calls really put a hurt on things. That’s not bad, but it’s still pretty far from the 13 hours Samsung claims. I don’t know what I’d have to do to come close to that mark. One day, with concentrated use, I burned through two-thirds of the battery in less than four hours. That’s pretty common for basically all Chromebooks I’ve tested in recent years, and my guess is that with Intel silicon we’re not going to see things improve in any meaningful way.

Wrap-up

Despite some misgivings, I actually enjoyed my time with the Galaxy Chromebook Plus. I probably wouldn’t pick it as my own personal computer, because the number pad I won’t use simply makes things too awkward. But there’s also a lot to like here – it’s so much lighter and thinner than other Chromebooks I usually use that it is a delight to travel with, despite the fact that its width is a bit cumbersome. And while I wish there was more vertical screen resolution, I did enjoy having such a large display combined in a very portable device.

For the right kind of buyer, the Galaxy Chromebook Plus might be just what you’re looking for (especially if the idea of a number pad on the keyboard excites you). For me, though, the slightly more boring but reliable Acer Chromebook Spin 714 Plus remains my favorite premium Chromebook. But Samsung has put forward a solid effort here, and I hope they continue on this path with future Chromebooks – Acer and Lenovo could use the competition.

This article originally appeared on Engadget at https://www.engadget.com/computing/laptops/samsung-galaxy-chromebook-plus-review-quirky-in-ways-both-good-and-bad-140036965.html?src=rss 

With over 60 million PS5s sold, Sony is so far dominating this generation of game consoles. Four years since the PlayStation 5 debuted, the company has rounded out its gaming lineup with the refined PS5 Slim (both with and without a disc drive) and the more powerful (and expensive) PS5 Pro.

At possibly the console’s midlife, up against the Xbox Series S and X, ever-increasingly powerful gaming PCs, and Nintendo’s Switch, it’s a good time to reassess what the PS5, in pole position, is doing to hold gamers’ attention spans and why the PS5 Slim is probably the right way to dive into Sony’s rich gaming selection.

Hardware

The PS5 Slim looks very similar to the original design but it’s noticeably (thankfully!) smaller. In fact, it’s 30 percent smaller by volume. Let’s be honest, it’s still big, but the PS5 Slim fits into the shelf in my home entertainment sideboard – the original PS5 did not.

Sony has kept the weird finned design of the original here, so there’s a shared aesthetic across all the PS5 consoles. In the box, there are also two transparent feet to mount the console horizontally. It’s a simpler, more subtle way to lift the console than the original’s awkward plinth with plastic hooks. The PS5 Slim can stand vertically on its own, but it might be worth getting a vertical stand for peace of mind, which unfortunately means laying down an extra $30.

Inside, it’s largely the same technical specs of the launch console: an AMD Zen 2 CPU, RDNA 2 GPU, 16GB of GDDR6 RAM, and both Wi-Fi 6 and gigabit ethernet. (Technically, the Xbox Series X packs more power and if you want more power, please see the PS5 Pro). The PS5 Slim, however, comes with a 1TB SSD, offering 25 percent more usable storage than the 825GB SSD inside the original PS5.

Having said that, at a time when a AAA game install can circle 150GB, we’d advise preparing yourself to add further storage, especially if you get the majority of your games through the online store. Fortunately, it’s easy to install an extra SSD (most of the best options have a preinstalled heatsink) and the prices for bigger storage have tumbled since 2020.

If you’re a disc-based gamer, the PS5 Slim has both a digital-only ($450) and disc model ($500), but you can ‘upgrade’ to a disc drive for an $80 premium. (It’s the same drive that PS5 Pro users will have to pick up, if you’re wondering why it’s been recently sold out everywhere.)

Even if you decide to add the disc drive, it’s been designed to keep within the smooth lines of the console, if leaving it a little lop-sided. Curiously, Sony demands you connect the console to activate the drive, something to be aware of if you’re planning to gift the console and want less stress.

Sony also swapped around the port options, shifting to a USB-C duo, instead of a single USB-C port and a USB-A port. Given that the latter maxed out at 480Mbps speeds, it’s another upgrade. (There are still two USB-A ports available on the back for older accessories.)

Beyond any physical changes, since its launch, Sony has fed through some notable technical upgrades to PS5 through software updates. For one, catching up to the Xbox with support for TVs with variable refresh rates, dynamically syncing the (HDMI 2.1) display’s refresh rate to the PS5 console’s graphical output. This means games should output more smoothly and reduce the chances of screen tearing when your TV and PS5 aren’t entirely in sync. The PS5 Slim also supports 1440p resolution screens, a middle option between 1080p and 4K.

Sony added more features like personalized 3D audio profiles for gamers using headphones and Party Share, where you can transmit gameplay in real time. There’s also Remote Play, available on iOS and Android, as well as the company’s standalone streaming device, the PlayStation Portal. When it comes to Remote Play, there haven’t been any major changes since the PS4 iteration, but it does seem like the service is more stable in recent years.

There have been changes to how PlayStation’s separated out its subscription service. Starting with PlayStation Plus Essentials, $10 a month, this opens up access to online multiplayer, at least two free games each month, discounts, cloud storage and Share Play.

PlayStation Plus Extra ($15 per month), adds a bigger library of PS5 and PS4 games for free, while PlayStation Plus Premium ($18 per month) adds cloud streaming functionality, so you can play PS5 games without having to use your PS5. You can also play a collection of PS4 games (and even older games from the OG PlayStation onwards) without having to download the game. 

Having said that, Xbox’s Game Pass offers a bigger selection of games, and often includes first-party Microsoft games available to play on release day. PlayStation, unfortunately, doesn’t do the same, and its biggest exclusive releases often only arrive free on PS Plus years later. Which tier is right for you will depend on how much you play, and whether you’re regularly trying to game away from wherever your PS5 is. It’s worth getting into PS Plus Essentials just for the dripfeed of free games.

Since launch, the PS5 has picked up plenty of other small improvements too, like dimmable power indicators for the PS5’s glow, and adaptive controller charging which should extend the battery life of your DualSense by optimizing charge time. A quick note to say that the DualSense remains the most comfortable, innovative controller that Sony has ever made – but the battery life is pretty appalling. Expect to plug it in pretty regularly.

Software

The PS5’s interface has also evolved since launch, with increased priority given to the customizable Welcome Hub, where you can choose the background, widgets and prioritze the games and features you’re using most. It’s also worth noting that the UI itself is far snappier and more responsive than it was at launch.

While you won’t get the back catalogue sharpening of the Pro console, the PS5 Slim will happily play most PS4 games, too. It’s a double-edged sword, however, with both PS4 and PS5 versions of games clogging up PlayStation’s online store.

And the games! It indicates a great problem to have: so many strong titles, both internally and from third-party publishers. God of War Ragnarok, Spider-Man 2, and Astro Bot have all been platform exclusives, while long-running series like Final Fantasy have landed on PS5 first, with other platforms getting the game much later. Then, there’s the likes of Elden Ring, Baldur’s Gate 3 and anything on PSVR2 – not that there’s all that much for the headset.

Sony is now drip-feeding its games to PC, but it detracted from the console’s exclusive grasp on its flagship games. So far, there have been lengthy multi-year gaps between a game launching on PlayStation consoles and its arrival on PCs. God of War took four years to move from PS4 to PC, while Horizon: Zero Dawn took three years. That could change in the next few years, however. Earlier this year, Sony launched Helldivers 2 on PS5 and Windows at the same time, and Lego Horizon Adventures was released on PS5, Windows and Switch simultaneously last month.

Wrap-up

The PS5 Slim is the new normal for PlayStation gamers. It’s smaller without being small and packs in many small improvements in specs and software-based features. Anyone craving more power (or bragging rights over their Xbox Series X-owning friends) can go for the PS5 Pro, but that demands a $200 premium. For most of us, this is the PlayStation we’ll be playing for however many years it takes for the PlayStation 6 to appear.

This article originally appeared on Engadget at https://www.engadget.com/gaming/playstation-5-slim-review-131542271.html?src=rss 

The Game Awards delivered. While the games I thought deserved to win did so (Astro Bot! Balatro! Metaphor!), we got some wildcard trailers, like an entirely new game from Last of Us studio Naughty Dog. Intergalactic: The Heretic Prophet takes place thousands of years in the future, and it stars bounty hunter Jordan A. Mun, played by Chilling Adventures of Sabrina actor Tati Gabrielle. Note: This is the first game from Naughty Dog since 2005 that isn’t Uncharted or Last of Us .

There was also, many years on, another Witcher game. Witcher 4 will feature Ciri kicking magical ass, but there’s no gameplay footage yet. Elsewhere, Virtua Fighter is getting a revival (part of Sega’s push to mine and relaunch its biggest hits) and a new brawler game from the makers of the Like A Dragon series.

Capcom too taps its gaming past, reviving the wolf god Okami and its magical ink strokes nearly two decades after the original, with the original game’s director, Hideki Kamiya, still at the helm.

And we have a new co-op game from the studio behind It Takes Two. Split Fiction is a co-op adventure where players leap between sci-fi and fantasy worlds. There is also a new sci-fi game from the creator of The Last Guardian, an Elden Ring co-op spin-off and, well, read on for even more.

— Mat Smith

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This article originally appeared on Engadget at https://www.engadget.com/general/the-morning-after-engadget-newsletter-121552052.html?src=rss