Intel’s CEO has successfully wooed President Trump

It sounds like President Trump no longer thinks Intel’s CEO should resign. Trump has revealed on Truth Social that he met with Lip-Bu Tan, Howard Lutnick, the Secretary of Commerce, and Howard Lutnick, the Secretary of the Treasury. He didn’t discuss the details of their meeting, but he described it as “a very interesting one.” Trump added: “His success and rise is an amazing story.” If you’ll recall, Trump alleged that Tan was “highly conflicted” due to his investments in hundreds of Chinese firms and should resign. Reuters had previously reported that some of those companies had links to the Chinese military. “Mr. Tan and my Cabinet members are going to spend time together, and bring suggestions to me during the next week,” Trump said in his post.

According to a report by the Financial Times, Tan wrote a letter to Intel employees about the issue, telling that there had been a lot of misinformation about the roles he’d held. “I wanted to be absolutely clear… I have always operated within the highest legal and ethical standards,” he reportedly wrote in the letter. He also said that Intel was communicating with the White House “to address the matters that have been raised and ensure they have the facts.”

Trump’s call for Tan to resign reportedly came about due a letter from Tom Cotton, the Republican head of the Senate Intelligence Committee, to the Intel CEO. Cotton apparently expressed concerns aout the “security and integrity of Intel’s operations” due to Tan’s ties with China. Tan was named the CEO of Intel in March, taking over a company that was losing money due to its foundry business being unable to secure big customers and lagging behind rivals like Taiwan Semiconductor. Since taking over, Tan has enforced several cost-cutting measures, including cutting jobs with the goal of reducing its workforce by 22 percent by the end of the year. He also recently told investors that Intel could abandon the development of its next-gen manufacturing technology if it fails to secure a large client. 

This article originally appeared on Engadget at https://www.engadget.com/big-tech/intels-ceo-has-successfully-wooed-president-trump-035339132.html?src=rss 

Claude can now reference past chats, if you want it to

Claude is getting a better, if selective, memory. Rather than acting as perfect catalog of everything you’ve talked about or shared, Anthropic says the AI chatbot now has the ability to reference past chats when asked, so you don’t have to re-explain yourself.

The feature seems like it could help you pick up a work project after time away, or query Claude for the details of a past research session that you don’t quite remember. The key point is that Claude has to be prompted: It doesn’t call on past chats unless you specifically ask it to. Anthropic also says that Claude’s ability to reference chats is specific to the workspace and project you’re working in.

Anthropic’s implementation is much more limited in scope compared to how ChatGPT’s memory feature works. OpenAI updated ChatGPT in April to save all conversations you have with it, and rely on those records to personalize answers to any new question or prompt you send. The basic idea is that every conversation could improve the chatbot’s responses. Google lets Gemini similarly recall past conversations and has also tested using Google Search history to further personalize AI responses.

In contrast to both, Claude is really only performing a search of past conversations when asked, not referencing a profile of past chats. It’s more privacy-minded by default and you can disable Claude’s ability to do it at all via a settings toggle. 

If you’re subscribed to the Max, Team or Enterprise plans, Claude’s new ability should be rolling out now, according to Anthropic. The company says the feature will expand to other plans soon.

This article originally appeared on Engadget at https://www.engadget.com/ai/claude-can-now-reference-past-chats-if-you-want-it-to-211806343.html?src=rss 

Trump delays China tariff increases by another 90 days

President Donald Trump has signed an executive order extending lower tariffs with China for another 90 days, CNBC reports. The new executive order was signed before the previous agreement was set to end on August 12 at midnight.

The extension will maintain the current 30 percent tariff on goods from China while representatives from both countries negotiate a new trade deal. The previous agreement lowered US tariffs down from 145 percent to 30 percent, and Chinese tariffs down from 145 percent to 10 percent.

At the time, it was unclear how the move would impact the price of electronics manufactured in China, but for at least some companies, it’s still led to higher costs. While the price of the Switch 2 is remaining the same, Nintendo announced at the beginning of August that the price of the Switch 1 would increase by $40 or more. Sonos has said that some of its products would increase in price, but hasn’t shared details. Both DJI and Microsoft announced price hikes on some of their products back in May, too.

For companies manufacturing products abroad, the sudden swerves in Trump administration trade policy seem almost as difficult to deal with as the tariffs themselves. That erratic protectionism is reshaping global trade, and it’s also won concessions from companies trying to do business as normal. Apple committed to spending an extra $100 billion on US manufacturing last week to avoid being subjected to tariffs. And early today, both AMD and NVIDIA reportedly agreed to pay the US 15 percent of their profits to be allowed to sell GPUs in China.

This article originally appeared on Engadget at https://www.engadget.com/big-tech/trump-delays-china-tariff-increases-by-another-90-days-201443024.html?src=rss 

AI summaries can downplay medical issues for female patients, UK research finds

The latest example of bias permeating artificial intelligence comes from the medical field. A new study surveyed real case notes from 617 adult social care workers in the UK and found that when large language models summarized the notes, they were more likely to omit language such as “disabled,” “unable” or “complex” when the patient was tagged as female, which could lead to women receiving insufficient or inaccurate medical care.

Research led by the London School of Economics and Political Science ran the same case notes through two LLMs — Meta’s Llama 3 and Google’s Gemma — and swapped the patient’s gender, and the AI tools often provided two very different patient snapshots. While Llama 3 showed no gender-based differences across the surveyed metrics, Gemma had significant examples of this bias. Google’s AI summaries produced disparities as drastic as “Mr Smith is an 84-year-old man who lives alone and has a complex medical history, no care package and poor mobility” for a male patient, while the same case notes with credited to a female patient provided: “Mrs Smith is an 84-year-old living alone. Despite her limitations, she is independent and able to maintain her personal care.” 

Recent research has uncovered biases against women in the medical sector, both in clinical research and in patient diagnosis. The stats also trend worse for racial and ethnic minorities and for the LGBTQ community. It’s the latest stark reminder that LLMs are only as good as the information they are trained on and the people deciding how they are trained. The particularly concerning takeaway from this research was that UK authorities have been using LLMs in care practices, but without always detailing which models are being introduced or in what capacity.

“We know these models are being used very widely and what’s concerning is that we found very meaningful differences between measures of bias in different models,” lead author Dr. Sam Rickman said, noting that the Google model was particularly likely to dismiss mental and physical health issues for women. “Because the amount of care you get is determined on the basis of perceived need, this could result in women receiving less care if biased models are used in practice. But we don’t actually know which models are being used at the moment.”

This article originally appeared on Engadget at https://www.engadget.com/ai/ai-summaries-can-downplay-medical-issues-for-female-patients-uk-research-finds-202943611.html?src=rss 

Revel is ending its ridesharing operation to focus on EV charging

Revel Transit is shutting down its rideshare operation in NYC, as reported by Bloomberg. The company will instead focus its efforts on EV charging. It’s also seeking buyers for its fleet, including the 165 for-hire vehicle license plates it owns.

“At the end of the day, rideshare is a very competitive market and asset-heavy. It’s low margin,” CEO Frank Reig said. “We have made the difficult decision that the best way we can keep the EV transition moving forward is by ending our rideshare service and focusing on building the fast-charging infrastructure our biggest cities need to keep going electric.”

Revel closing its rideshare business in NYC.
–it was great alternative to Uber focused on EVs. mostly tesla 3&Ys.
–paid salaries to their drivers. pic.twitter.com/MHsUuL0P3h

— Steven Spencer (@sspencer_smb) August 11, 2025

The company was the first in NYC to operate an all-electric ridehailing fleet, launching with just 50 vehicles but eventually growing to 500 vehicles. However, that’s a drip in the bucket compared to rivals like Uber and Lyft. Revel averages about 100,000 rides per month, but Uber and Lyft complete more than 20 million trips each month.

Revel did find success with its EV chargers, after unveiling the platform back in 2021. It operates more than 100 chargers across five stations in NYC, along with a dozen or so more chargers in San Francisco. These stations are primarily used by Uber and Lyft drivers. It hopes to have 400 charging stalls by the end of next year and 2,000 by 2030 in markets like NYC, Los Angeles and San Francisco. 

“Uber and Lyft are electrifying fast and they’re providing a ton of utilization for our chargers on a much larger scale than even two or three years ago,” Reig said.

This is just the latest pivot by Revel. The company once operated a moped rental service, but that was shuttered last year. It also laid off drivers to transition to a contractor-based model like Uber and Lyft.

This article originally appeared on Engadget at https://www.engadget.com/transportation/evs/revel-is-ending-its-ridesharing-operation-to-focus-on-ev-charging-181814989.html?src=rss 

YouTuber recreates a floppy disk from scratch

There’s nothing quite like the drive to build something just to see if you can. YouTuber polymatt set out to create a floppy disk drive, the favored storage medium of yesteryear, from scratch, because why not. For anyone born too late to have regularly used one, a floppy disk is a magnetically coated, flexible polyester disk encased in a protective shell. Insert it into a floppy drive, and a magnetic head reads or writes data on the disk. If you’ve ever wondered why the “save” icon looks the way it does, it’s based on the shape of a floppy disk.

To start, polymatt measured and recreated the disk enclosure and other pieces in Shapr3D and MakeraCAM, then cut the aluminum pieces on a Carvera Air CNC machine. The magnetic disk itself was made by laser-cutting a piece of PET film and coating it with a suspension of iron oxide powder. After assembling all the components and a few touch-and-go moments, he was actually able to magnetize the floppy disk and write to it, albeit at a very basic level.

We declared the floppy disk dead in 2010, and in the years since then even those that clung on the longest have abandoned it. The Japanese government finally said goodbye to the floppy disk in 2024, and the German Navy moved on from the format in the same year. The US government only just stopped using 8-inch floppy disks to coordinate the launch of nukes in 2019.

Polymatt’s project was a wonderful dive into nostalgic tech and engineering prowess. Maybe next time he can make a compact disc from scratch.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/youtube/youtuber-recreates-a-floppy-disk-from-scratch-183045582.html?src=rss 

Reddit is restricting its availability to the Internet Archive’s Wayback Machine

The Internet Archive’s Wayback Machine is the latest victim of Reddit’s crackdown on data access. The company has begun to place new restrictions on what the archive site will be able to access in a move that will significantly limit the Wayback Machine’s ability to preserve information from Reddit.

With the change, the Wayback Machine, a project run by the nonprofit Internet Archive, will only be able to crawl Reddit’s homepage. It will no longer be able to access comments, subreddit pages, post details, profiles and other data.

The move is the latest step Reddit has taken on its quest to limit AI companies’ ability to use its data to train large language models without paying licensing fees. It’s also a notably different stance than the company took last year, when it explicitly said that it would not limit “good faith actors,” including the Internet Archive. It’s not clear what exactly has changed since then. Reddit seems to believe that AI companies are circumventing its rules by scraping data via the Wayback Machine. We’ve reached out to the Internet Archive for comment.

Data licensing has become a significant business for Reddit. The company has struck multimillion-dollar deals with OpenAI and Google that allow them to use Reddit posts to help train their AI models. At the same time, Reddit has taken an increasingly hardline stance against companies that attempt to use its data without such arrangements. Earlier this year, the company sued Anthropic, alleging it scraped Reddit for years without permission. 

This article originally appeared on Engadget at https://www.engadget.com/social-media/reddit-is-restricting-its-availability-to-the-internet-archives-wayback-machine-170035482.html?src=rss 

Blippo+ arrives on Nintendo Switch and PC in color September 23

Blippo+, the zany cable TV simulator that debuted with Playdate’s Season Two, now has its release date for Nintendo Switch and PC. It lands on September 23 and will be in color, unlike on Playdate. Blippo+ is expected to come to Mac this fall too.

Blippo+ is kind of the perfect antidote to streaming fatigue if weird is your cup of tea. It has its own version of the endlessly scrolling TV Guide, The Electronic Program Guide (EPG), and a roster of peculiar programs to flip through. 

In the off-Playdate version, you’ll unlock new content as you make your way through the shows, with new “packets” of programming delivered once you’ve reached a certain point. There is quite a bit of material, too; on Playdate, Blippo+ dropped a new batch of episodes every week for almost three months. Blippo+ was created by Yacht, Telefantasy Studios, Noble Robot and Dustin Mierau, and published by Panic.

This article originally appeared on Engadget at https://www.engadget.com/gaming/blippo-arrives-on-nintendo-switch-and-pc-in-color-september-23-160014279.html?src=rss 

Paramount buys UFC rights for $7.7 billion, ending PPV events

Paramount just acquired the US rights to UFC for seven years in a deal worth $7.7 billion dollars, according to reporting by NBC News. This contract begins in 2026 and covers the organization’s full slate of 13 marquee bouts and 30 Fight Night events per year. All matches and events will stream in the US on Paramount+ and select fights will simulcast on CBS.

This ends the pay-per-view (PPV) model that ESPN+ has favored for premium UFC events. “What’s on pay-per-view anymore? Boxing? Movies on DirecTV? It’s an outdated, antiquated model,” said Mark Shapiro, president of UFC’s parent company TKO Group. Matches take place throughout the year, which isn’t true of other sports. This should keep the UFC’s massive fanbase tethered to that Paramount+ subscription.

This happened just a few days after Skydance Media officially acquired Paramount and its subsidiaries for $8 billion. It’s fairly wild that Skydance paid $8 billion to own Paramount and its various IPs in perpetuity and $7.7 billion to air UFC fights in one country for seven years.

“UFC is a unicorn asset that comes up about once a decade,” said TKO Group CEO David Ellison. Paramount is also interested in purchasing the international rights to air UFC matches and it’s being given an exclusive negotiation window with each country to do just that.

Breaking News 🚨UFC has a new home in 2026 only on @paramountplus pic.twitter.com/FUQjemPnBS

— danawhite (@danawhite) August 11, 2025

It’s been reported that Paramount likely placated Trump in several ways to ensure the FCC approved the acquisition. The company coughed up $16 million to settle a “frivolous and dangerous” lawsuit with Trump after 60 Minutes interviewed Kamala Harris and cut an answer for time, which is something televised interviews have always done. Paramount will allocate that money to Trump’s future presidential library and did not provide a “statement of apology or regret.”

CBS, which is owned by Paramount, also canceled The Late Show With Stephen Colbert, which was seen by many as a move to pacify Trump. The president denies this, saying the cancellation was due to a “pure lack of talent.”

Paramount has promised to end all US-based Diversity, Equity, and Inclusion (DEI) programs and to hire a bias monitor for CBS News to make sure that conservative voices aren’t drowned out by the constant drumbeat of reality. Trump has also publicly stated that CBS will be giving him $20 million worth of airtime for public service announcements consistent with his ideological beliefs.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/paramount-buys-ufc-rights-for-77-billion-ending-ppv-events-161512875.html?src=rss 

Sony Bravia Theater Bar 6 review: Great sound, greater frustration

Unlike two of its biggest rivals, Sony waited until April to unveil its latest soundbars rather than debut them at CES in January. And even then, the two most premium options in the company’s 2025 lineup remain untouched. Instead, Sony gave us the Bravia Theater Bar 6 ($650): a 3.1.2-channel Dolby Atmos soundbar that comes with a wireless subwoofer and a modest set of features. However, the caveats here are real headscratchers, especially on a soundbar launching this year.

What’s good about the Bravia Theater Bar 6?

Overall sound quality has never been an issue on the Sony soundbars I’ve tested, and the Theater Bar 6 continues with that trend. You can expect crisp, warm sound with excellent clarity and solid directional audio. Even over Bluetooth, this speaker-sub combo is great for music, doing justice to the subtle details of Miles Davis’ Mies ‘54: The Prestige Recordings. Classic jazz is a great way to judge a speaker’s merits, and on the Bar 6, this recently remastered album is dynamic and inviting throughout all 20 tracks.

The soundbar also delivered great audio in movies and TV. I was sucked into battle scenes during the second season of Andor, even though the limitations of the Theater Bar 6’s 3.1.2-channel configuration quickly became apparent. Its five-driver arrangement does well, thanks to three front-firing units and two angled up-firing speakers. Those latter two components really help with filling the overhead space during the action in shows like Andor, compensating for the limited number of drivers (and their positioning) as much as possible. And all of that makes the Theater Bar 6 a solid option for smaller spaces, especially if you have lower ceilings and won’t be sitting far from the TV.

The Theater Bar 6 won’t win any design awards, but that’s okay. There are plenty of people, myself included, who don’t really want their soundbar to stand out on the TV stand or mantle. The focus should be the display, not the speaker. This model is quite plain, but it also has a relatively low profile, so even if your TV has a short stand, the Theater Bar 6 won’t block the picture.

What’s not so great about the Bravia Theater Bar 6?

Billy Steele for Engadget

The first strike against the Bravia Theater Bar 6 is the lack of Wi-Fi connectivity. If you want a wireless connection to the soundbar, Bluetooth is your only option. What’s more, no Wi-Fi means no AirPlay, Chromecast or Spotify Connect — all of which should be standard on a $650 model in 2025. Sony did make it easy to switch from the HDMI input over to Bluetooth in the Bravia Connect app, and that change happens quickly after you’ve paired your phone with the soundbar once.

Speaking of the app, it doesn’t actually help you install firmware updates to the Theater Bar 6. Instead, it prompts you to transfer the files from a computer to a thumb drive to get them to the soundbar. Yes, really. Sony says the lack of Wi-Fi is why this workaround is required. No matter the reason, having to dig a thumb drive out of your junk drawer to install updates is a big inconvenience, and it shouldn’t really be a thing in the mid 2020s.

In the sound department, the only real knock against the Theater Bar 6 is more about the constraints of 3.1.2-channel audio. Even with Dolby Atmos and DTS:X content, this system will be limited in its abilities to deliver immersive sound. Sure, Sony’s S-Fore Pro and Vertical Surround Engine do well to virtualize a more robust living room setup, but that tech only goes so far.

You might think a pair of rear speakers would bolster the sound, and Sony does offer the Bravia Theater System 6 ($770) as a 5.1-channel all-in-one package. However, it doesn’t include the Theater Bar 6 and its subwoofer. Instead, that bundle comes with a different soundbar that doesn’t have up-firing drivers, which means it might lack overhead sound and dampen the impact of immersive content. Unfortunately, if you want to add rear speakers to the Theater Bar 6, you’re out of luck. None of Sony’s currently available options are compatible with this soundbar.

Lastly, and this isn’t a huge issue for most people, but the Theater Bar 6’s included subwoofer is big. Bigger than most of the competition? No, but it’s large nonetheless. I’ll admit I’ve been spoiled by the QS700F that I recently reviewed, thanks to its subwoofer’s compact design. But if speakers in this category start trending smaller, the one that accompanies the Bar 6 will definitely end up being one of the chunkier models.

Wrap-up

The up-firing speakers assist with Dolby Atmos. 

Billy Steele for Engadget

From a pure sound quality standpoint, the Theater Bar 6 excels at both its music and TV duties. Sure, it’s limited by its 3.1.2-channel configuration, but there’s a definite use case for that type of setup — especially if you’re short on living room space. The audio is crisp and clear, and it’s also warm and inviting, which makes this soundbar well-suited for all kinds of content.

Despite my heaping on all of that praise, the Bar 6 simply has too many drawbacks that I can’t overlook. The lack of Wi-Fi on a $650 soundbar is absurd, mostly because it strips users of the convenience of AirPlay, Chromecast and other wireless connection options. I also can’t get over the need to use a thumb drive for updates when OTA downloads for new firmware have been the norm on soundbars for years.

For those reasons, the Samsung QS700F is the better option in this price range since it combines great sound with an orientation feature that automatically recofigures the output direction based on placement. Sony and Samsung are in a tight race in regards to audio performance with the Theater Bar 6 and the QS700F, but only one of those 2025 soundbars will save you from some headaches.

This article originally appeared on Engadget at https://www.engadget.com/home/home-theater/sony-bravia-theater-bar-6-review-great-sound-greater-frustration-144512450.html?src=rss 

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