The price of nearly every type of gaming gadget has skyrocketed recently. RAMageddon has caused the cost of memory to double or triple in the last six months, with companies like HP saying that RAM now accounts for more than a third of a new PC’s bill of materials. Meanwhile, the Xbox Series S/X and the PS5 have gotten price hikes, and a similar bump for the Switch 2 is starting to look “inevitable.” Even mobile devices are not immune, with Samsung jacking up the cost of the Galaxy Z Fold 7 nine months after release. But with the $350 27-inch QD-OLED (AW2726DM), Alienware hasn’t just created a gaming display that’s an excellent value, it’s made a beacon of hope for anyone looking to upgrade their setup without emptying their bank account. 

Design

Unlike some of Alienware’s more expensive displays, the AW2726DM’s design couldn’t be simpler. It sits on a square 8.75-inch base that supports tilt, pivot and height adjustments. Though it does require a little assembly, everything you need comes in the box. Alienware’s monitor arm attaches via a captured thumb tab, while the monitor relies on four screws and a VESA mount that can be connected using the bundled Philips wrench. (Though if you have a proper screwdriver, that would be even better.) Setup only took me a few minutes and after arranging it properly on my desk, the monitor felt quite solid. The only potential drawback is that if you have limited desk space or you’re the kind of gamer that likes jamming your keyboard as close to your monitor as possible, Alienware’s stand might get in the way. 

The back of the monitor has an easy-to-use joystick for controlling its on-screen settings menu.

At around 4mm thick, the AW2726DM’s panel is exceedingly sleek, though naturally that expands a bit on the lower portion of the monitor where its ports are located. This brings us to one of the biggest differences between Alienware’s budget display and more premium options: limited connectivity. All you get here is two HDMI 2.1 jacks, one DisplayPort 1.4 slot and a 3.5mm plug for audio out. There’s no support for data transfer, power sharing or anything else. Heck, there isn’t even any RGB lighting, which feels weird on a product from Alienware. But given its price, I’m not upset. In fact, it’s actually kind of refreshing. Finally, there’s a handy control stick on the back of the display for navigating its on-screen menu. 

Visuals

As long as it’s not too sunny or bright, the AW2726DM delivers excellent visuals for the money.

The AW2726DM features a QD-OLED panel supplied by Samsung that comes with a QHD resolution (2,560 x 1,440) and up to a 240Hz refresh rate. Alienware supports VRR via AMD FreeSync Premium and VESA AdaptiveSync, though sadly there’s no native option for NVIDIA G-Sync. That means if you have a GPU from Team Green and want to take full advantage of the monitor’s potential, you’ll want to rely on that DisplayPort for optimal compatibility. 

Regardless, for a $350 gaming display, the AW2726DM checks all the most important boxes and it looks fantastic. Alienware’s budget monitor showcases the strengths of OLED panels versus LCD, even when compared to Sony’s Inzone M9, which was a much more expensive monitor when it debuted back in 2022. Alienware offers richer colors (it covers 99 percent of DCI-P3), and thanks to its deep inky blacks, contrast is significantly better as well. 

Here’s a direct comparison between the AW2726DM and the Sony Inzone M9, the latter of which cost $900 when it came out in 2022.

The one big drawback is that, with a typical brightness of 200 nits, the AW2726DM is dimmer than more expensive rivals. That means the monitor doesn’t have fancy certifications for stuff like VESA True Black and instead relies heavily on general HDR10. Furthermore, Alienware chose a glossy (and quite reflective) finish that makes colors look even more saturated while improving perceived brightness. The one thing you need to watch out for is glare, especially if your PC or console lives in a room that gets a lot of sunlight. But if you’re like a lot of gamers that prefer to frag at night or in the dark, this may not be an issue. 

Outside of gaming, there’s another shortcoming of the AW2726DM. Between its QHD resolution and the arrangement of Samsung’s QD-OLED subpixels, folks with good eyesight may notice a little fringing, especially when compared to higher-res 4K displays. This means some Word docs and web pages may not look quite as sharp as you’d like, but that’s a small price to pay for some of the best visuals you can get on a gaming monitor in this price range. 

Warranty and care

The stand for the AW2726DM supports tilt, height adjustment and even pivoting all the way into portrait mode.

One of the major concerns about OLED displays when they first hit the market was the potential for burn-in, resulting in permanent damage to the panel from things like static UI elements staying on the screen too long. Thankfully, the AW2726DM comes with a three-year warranty that includes a clause covering burn-in, along with a free panel replacement in case there’s even a single bright pixel. Furthermore, Alienware uses a graphite film heatsink and an AI algorithm to prevent any sort of ghosting from appearing in the first place. 

Wrap-up 

Alienware also conveniently includes both HDMI and DisplayPort cables in the box, along with the required screws for mounting the panel to the stand.

The AW2726DM might not have all the fancy features you get on more expensive monitors, but it’s an excellent example of a no frills gadget done right. You get just enough ports, a straightforward design and a beautiful QD-OLED panel with a solid resolution and refresh rate — all for just $350. It would certainly be nice if it was a little brighter or if text looked a touch sharper, but those shortcomings are pretty easy to live with. For anyone looking to upgrade what might be arguably the second most important part of your gaming setup (your screen is your window into new worlds after all), this display is budget gold. 

This article originally appeared on Engadget at https://www.engadget.com/gaming/pc/alienware-27-aw2726dm-qd-oled-monitor-review-a-budget-pc-gamers-new-best-friend-130000287.html?src=rss 

GoPro has seen its action camera market share diminish due to strong competition from rivals like Insta360 and DJI of late. Now, the company is fighting back with a new line of flagship cameras called Mission 1, designed to greatly improve the video quality offered by its current Hero 13 camera. The company also introduced a new Wireless Mic system similar to DJI’s Mic Mini, along with a point-and-shoot grip and other accessories. 

“The combination of our new 50 megapixel one-inch sensor and ultra-efficient GP3 processor sets a new performance bar for compact cinema cameras, enabling resolutions, frame rates, low-light performance, runtimes and thermal capabilities never seen before in cameras this small,” GoPro’s senior VP Pablo Lema said in a statement.

Sample Photo from GoPro Mission 1 Pro action camera

The new line includes three models: the Mission 1, Mission 1 Pro and Mission 1 Pro ILS. All have a one-inch 50-megapixel sensor, new GP3 processor and up to 8K video, but the Mission 1 Pro supports higher frame rates. The Mission 1 Pro ILS (interchangeable lens system) comes with a lens mount so you can use high-quality Micro Four Thirds lenses from the likes of Panasonic and OM System. 

The Mission 1 has an updated lens design with a 159 degree native field of view, the widest in its category. It also features a new OLED rear display that’s 14 percent larger than previous flagship GoPro cameras, along with bigger raised buttons for easier use with gloves and a removable lens hood to reduce glare and lens flare. 

The 50MP 1-inch sensor has large 1.6μm pixels at full resolution or 3.2μm fused pixels when it’s in operating at 4K in quad-bayer mode. That allows for higher dynamic range up to 14 stops and improved low-light performance with “exceptional detail in the darkest of shadows while protecting highlight details,” GoPro claims. That low-light performance is likely to be better in quad-bayer 4K mode than full resolution 8K, however. 

Meanwhile, the new GP3 Processor offers a power-efficient 5nm design that allows “best-in-class resolutions, frame rates and image quality,” the company says. Those resolutions include 8K at up to 60 fps for the Mission 1 Pro/Pro ILS models, 4K at up to 240 fps and 1080p at up to 960(!) fps. GoPro also offers 10-bit HLG/HDR and a 10-bit GP-Log2 mode to maximize dynamic range. 

The Pro models support 4:3 open gate capture so you can easily reframe shots or export video for different platforms. The Mission 1, meanwhile, captures up to 8K 30 fps, 4K 120 fps and 1080p 480 fps video, along with 4K 120 fps open gate video. You can capture 50MP RAW stills at up to 60 fps burst speeds on all Mission 1 models. 

The lineup promises excellent battery life thanks to the new Enduro 2 battery, with three-plus hours of 4K 30p recording on a charge. You can use the Hero 13 batteries as well albeit with shorter recording times. The company is also promising faster charging speeds. Thermal performance is solid despite the small size, with 8K 60p capture possible for 37 minutes straight with no airflow, or 74 minutes with airflow (when riding a bike for instance).

Like its DJI and Insta360 rivals, the Mission 1 cameras offer multiple intelligent capture modes, including subject tracking, Dive (underwater stabilization) and Low-Light, along with Slow-Mo, Lapse, Sport POV, Vlog and Open Gate. GoPro action cams generally have excellent stabilization, so it’ll be interesting to see if the Mission 1 series continues that trend, especially in low-light conditions. 

GoPro isn’t skimping on audio either, as the Mission 1 models offer a four-mic system with 32-bit float along with stereo recording and wind noise reduction. You can connect wirelessly to compatible devices via Bluetooth 5.3 or wired mics over USB-C audio.

The Mission 1 Pro ILS appears to be the first action camera with an interchangeable lens mount that’s compatible with any Micro Four Thirds lenses and adapters. GoPro’s HyperSmooth electronic video stabilization will work with any prime (non-fisheye) lens. It’s “the world’s smallest, most rugged and versatile high-speed cinema camera at a fraction of the cost and size of comparable cameras,” GoPro said. Most lenses will likely make the camera too heavy and awkward to attach to a helmet or body, but you could certainly mount it to a motorbike, car or other vehicle.  

Along with the Mission 1 cameras, GoPro is introducing some new accessories. Key among those is the new Wireless Mic System designed for easy pairing with the Mission 1 cameras, along with DSLRs and smartphones. With a charging case and magnetic clips, it looks a lot like DJI’s Mic Mini system and offers 24-bit/48kHz audio with Dynamic Noise Reduction, 150 meters of wireless range, 6.5 hours of run time, adjustable gain and a safety track mode. 

Other accessories include a Media Mod kit with a built-in multi-pattern mic and expanded I/O capability including 3.5mm mic and headphone ports, a micro HDMI port and a line-in port for timecode sync. GoPro is also offering a new Point-and-Shoot grip, M-Series ND Filters, a protective housing, a dual Enduro 2 battery charger, Volta battery grip and Light Mod 2 LED light. It’s compatible with a GoPro subscription and Quick App, along with GoPro Labs that lets you unlock higher data rates (up to 300Mbps) and over 1,000 complex settings.

The new models will be available individually or in kits, including the Mission 1 Pro Creator Edition bundled with the Media Mod, Wireless Mic System and Volta battery grip. The Mission 1 Pro Ultimate Creator Edition includes those while adding GoPro’s Fluid Pro AI gimbal and Light Mod 2. Pricing and availability will be announced at a later date. 

This article originally appeared on Engadget at https://www.engadget.com/cameras/gopros-mission-1-offers-8k-60p-video-and-interchangeable-lenses-130018643.html?src=rss 

If you love Pokémon and electronic dance music, the Pokémon Company made the perfect event for you. As part of Pokémon’s 30th anniversary festivities, the company is holding EDM concert experiences called “Pokémon Night Out” in Los Angeles and London. American DJ Marshmello, known for wearing a marshmallow-like mask on stage, will be headlining the events, with Australian DJ Alison Wonderland as a supporting act. The experiences will feature custom sets and Pokémon-inspired visual storytelling.

The events will be open to fans 16-years-old and up. It will be held at the Intuit Dome in Los Angeles on October 24, 2026, and at the O2 arena in London on November 10. You can get tickets for both concerts starting on April 18 at 10AM Pacific time for the Los Angeles concert and at 10AM British time for the London experience.

In addition to holding EDM concerts, Nintendo and the Pokémon Company re-released the Game Boy Advance remakes of Pokémon Red and Blue on Nintendo Switch Online for the franchise’s 30th anniversary. They also released a Game Boy-shaped portable Pokémon jukebox, little music players that can be loaded witha different melody or sound effect from the original games’ soundtracks.

This article originally appeared on Engadget at https://www.engadget.com/gaming/nintendo/you-can-attend-pokemon-edm-shows-in-los-angeles-and-london-120405128.html?src=rss 

An R-rated animated film adaptation of Bloodborne is currently being developed by Sony, according to Variety. Sony Pictures Entertainment Motion Picture Group held a presentation at CinemaCon, where the division’s president said that the adaptation will be “very true” to the violent and graphic nature of the game. Bloodborne was created by Japanese studio FromSoftware and was published by Sony back in 2015. The critically acclaimed title is an RPG in the style of Dark Souls, featuring heavy blood splatters during combat and other body horror elements. Its director, Hidetaka Miyazaki, said his biggest inspiration for the game was HP Lovecraft’s works.

Bloomberg had reported in February that Bluepoint Games, the now-defunct Sony studio behind many PlayStation remakes, wanted to work on a new version of the classic Gothic horror RPG for modern consoles. However, FromSoftware blocked the project. Miyazaki reportedly wanted to work on the remake himself. Despite being too busy to do it, he said during an interview that he “doesn’t want anyone else to touch it.”

The Bloodborne film adaptation will be co-produced by PlayStation Productions, Lyrical Animation and Seán McLoughlin, a gaming YouTube known by his pseudonym jacksepticeye. It seems to be early stages at this point, and Variety doesn’t have a target release date for it yet.

This article originally appeared on Engadget at https://www.engadget.com/gaming/sony-is-developing-a-bloodborne-animated-film-adaptation-110421866.html?src=rss 

If you were looking for the worst AI project announced so far this week, try Meta. According to a Financial Times report, the company is developing its own Mark Zuckerberg AI, training it on Zuckerberg’s mannerisms, tone and publicly available statements. AKA, the good stuff. (Will it smoke meats?)

The company has reportedly been working for some time on creating photorealistic, 3D-animated AI characters that can manage interactions. However, it now appears to be focusing on this Zuckerberg AI character, which would interact with employees in his stead. Yeesh. Remember when the Meta boss introduced legs to the metaverse? Hopefully, a backbone is in the works soon.

— Mat Smith

The other big stories this morning

How to de-Gemini your Google apps

YouTube Premium’s US pricing is going up

Games Workshop brings 7 classic Warhammer games to Steam

Meta warned that facial recognition on smart glasses would empower predators

Multiple organizations, including the ACLU, are wary of the tech.

Dozens of civil rights organizations have written a letter to Meta CEO Mark Zuckerberg warning of the dangers posed by adding facial recognition technology to the company’s smart glasses. More than 70 groups have urged Zuckerberg to abandon plans to incorporate the tech on the grounds that it would empower stalkers, sexual predators and other bad actors. They also want the company to disclose past or ongoing discussions with federal law enforcement agencies, including ICE, about the use of Meta smart glasses and other wearables, according to a report by Wired.

Adding to the grossness of all this, according to The New York Times, Meta issued an internal memo last year suggesting it could roll out this technology “during a dynamic political environment where many civil society groups that we would expect to attack us would have their resources focused on other concerns.” In short, attempting to add the feature when pushback would be limited or unfocused. The coalition called this “vile behavior” that looks to take advantage of “rising authoritarianism.”

Continue reading.

Xbox CEO called Game Pass ‘too expensive for players’ in a leaked memo

Microsoft is eyeing changes to its gaming sub.

Xbox’s new chief exec, Asha Sharma, reportedly wrote in a memo to employees that the current pricing of the Game Pass subscription service might be too high. According to the note, seen by The Verge: “Short term, Game Pass has become too expensive for players, so we need a better value equation.”

Microsoft raised the price of Game Pass twice in 15 months, and many Xbox exclusives have made their way to rival PlayStation. Game Pass continues to add games: the April update adds indies like Hades 2 and Double Fine-project Kiln alongside Call of Duty: Modern Warfare. The Verge reports the addition of the CoD franchise might have contributed to Game Pass price increases, as in the past, buying the game at retail value was less favorable than a one-month subscription.

Continue reading.

Apple may be testing up to four styles of smart glasses

And another one.

It’s a real connected-story edition of TMA today. Bloomberg reports Apple could reveal its smart glasses by the end of this year, and it’s already testing four eyewear styles. Apple is reportedly mulling over a large rectangular frame comparable to Ray-Ban Wayfarers, a slimmer rectangular design, like the one Apple CEO Tim Cook wears, as well as an oval or circular frame in large and small iterations. Apple is also working on a selection of colors.

Apple’s upcoming smart glasses will compete directly with the second-gen Ray-Ban Meta model. While similar, Apple might be differentiating its design with “vertically oriented oval lenses with surrounding lights,” according to the report. Apple’s upcoming product will capture photos and videos but is meant to play better with iPhones, so users can take advantage of Apple’s ecosystem for editing, sharing and more.

Continue reading.

This article originally appeared on Engadget at https://www.engadget.com/general/the-morning-after-engadget-newsletter-111528055.html?src=rss 

Many creators have already switched from Adobe Premiere to DaVinci Resolve, and now the developer, Blackmagic Design, is going after Lightroom and Photoshop. The Australian company just unveiled DaVinci Resolve 21 in beta at the NAB 2026 broadcast convention with a brand new page called Photo designed to let you do things like crop and color-correct still images. At the same time, the new version introduces video AI tools that can age a subject or reshape their facial features. 

DaVinci Resolve has always let you edit photos as clips on a video timeline, but now it’s greatly simplified with the Photo page. You can import and manage photographs, including RAW files, directly into the new page. Then, you adjust them using the node-based Color page that offers similar and arguably even more powerful tools than Adobe’s Lightroom.

Just as with video, the Color page includes primary color correction, curves, qualifiers and power windows (along with noise reduction, sharpening and more). However, where Resolve’s node-based workflow really shines for photo editing. You can add nodes in series or parallel to build complex grades, then save them to apply to other images or an entire photo album. You can also reframe and crop images at their original source resolution and aspect ratio, without affecting the original image quality. 

The LightBox view lets you see an entire album with grades applied. “Select any image and grade it live while seeing the results update across the whole collection in real time. Filter by graded, ungraded, star rating, flag and clip color,” Blackmagic Design explains in a press release. Albums, meanwhile, let you build collections like you do in Lightroom. Those also appear as timelines in the Color, Cut and Edit pages for easy access. 

For pro photographers, the Color page includes camera controls that let you tether a Sony or Canon camera to Resolve for live image capture, while adjusting settings like ISO, exposure and white balance. You can save capture presets to “lock in a consistent look before customers shoot,” according to Blackmagic. 

Other Resolve tools also work with the Photo page, like the AI Magic Mask that lets you make one click selections of an object or person. It’s also possible to do advanced VFX on still photos using Resolve’s Fusion page, or add OpenFX or FusionFX filters directly on the Photo page. Finally, you can collaborate with others using Blackmagic Cloud, thought that does require a paid subscription. 

I briefly tested the color tool and, as someone who’s admittedly familiar with DaVinci Resolve, I found it easy to grasp. It’s simple to import and organize images (easier than Lightroom in my opinion) and is as powerful as Lightroom’s Develop page for most adjustments, though I really missed the latter’s “Clarity” tool. The node based workflow is powerful, and Resolve makes it easier to apply adjustments to multiple images. When you’re ready to export, that’s done through a special photo-only version of the “Export” page and is relatively intuitive as well. Whether or not I’ll cancel my Photoshop/Lightroom subscription remains to be seen, however. 

On top of the Photo page, Blackmagic Design introduced a number of new tools for video and VFX as well. Among the most interesting ones are a series of AI tools for facial adjustments. The AI Face Age Transformer tools lets you analyze a face, enter the subject’s age and adjust the age offset slider to add things like wrinkles and facial fullness. You can also change the way a subject looks through the AI Face Reshaper tool that lets you adjust the eyes, nose, mouth, eyebrows and overall face shape. Plus, you get an AI Blemish Removal feature that reduces the appearance of superficial skin imperfections like acne, discoloration and large pores, while retaining the skin’s natural texture. 

Another tool that will no doubt get used a lot is AI UltraSharpen that can upscale video “to make previously unusable footage sharp in higher resolutions,” according to the company. It can also be used to improve slight focus errors. Meanwhile, the AI Motion Deblur fixes slightly blurred images, making it particularly useful for slow motion and freeze frame shots. 

Other key new upgrades, to name just a few, include the ability to edit Fusion effects from within the Cut and Edit pages, the addition of the Krokodove library of compositing tools and new immersive VR tools for delivery to platforms like Meta Quest and YouTube VR. Most of the new features are available in Blackmagic Design’s free version of DaVinci Resolve, though a couple of tools (AI Magic Mask and Film Look Creator) are only available with the paid, $295 DaVinci Resolve Studio version. A complete list of new features is here and you can download the free and paid versions here. 

This article originally appeared on Engadget at https://www.engadget.com/apps/blackmagics-davinci-resolve-21-takes-on-adobe-lightroom-with-a-new-photo-page-053034084.html?src=rss