Category: Technology

After its history-making trip around the Moon, NASA’s Artemis II mission is set to return to Earth later today. The Orion spacecraft carrying astronauts Reid Wiseman, Christina Koch, Victor Glover and Jeremy Hansen is scheduled to splash down off the coast of San Diego at approximately 8:07PM ET. NASA will stream the landing on YouTube and its NASA+ website, as will Netflix and HBO Max. The official broadcast will begin at 6:30PM ET.  

After leaving Earth on NASA’s super heavy-lift SLS rocket and spending nine days in space, the most dangerous part of the Artemis II mission still lies ahead. It will take approximately 13 minutes for the Orion spacecraft to complete re-entry. During that time, it will be subject to temperatures of up to 5,000 degrees Fahrenheit (2,760 degrees Celsius). 

Reentry is dangerous for any crewed spacecraft, but is of particular concern here because of a “skip reentry” during the Artemis 1 mission. At that time, the Orion crew vessel briefly used its own lift to “skip” back out of Earth’s upper atmosphere before re-entering for the final descent, suffering excess charring in the process. NASA spent months investigating and determined the craft was safe to fly, but Artemis II will take a more gradual approach back to Earth in hopes of reducing its exposure to excess heat. 

Still, this is the first time in 53 years that NASA will need to guide a human crew back from the Moon. Once all is said and done, however, the Artemis II crew will have traveled 695,081 miles (1,118,624 km), captured amazing images along the way and reminded the world what’s possible when nations work together. 

This article originally appeared on Engadget at https://www.engadget.com/science/space/how-to-watch-the-artemis-ii-landing-145344873.html?src=rss 

Not everyone needs a $1,000 soundbar. It’s easy to argue the sonic superiority of those flagship models from Samsung, Sonos and Sony, but for some people a simple boost to their TV speakers can provide a world of difference. As part of its 2026 soundbar lineup, Sony debuted the Bravia Theater Bar 5: a $350 entry-level model that covers the basics and comes with a wireless subwoofer in the box. The real question here is how many features are you willing to live without. 

The good: Sound quality, bass performance and setup

The Theater Bar 5 is the most compact soundbar among Sony’s new models, measuring just 35.5 inches wide. For comparison, that’s still about 10 inches wider than the second-gen Sonos Beam, but nearly 16 inches smaller than Sony’s flagship Theater Bar 9. This stature makes the Bar 5 well-suited for smaller spaces with smaller TVs. In fact, Sony says the soundbar will fit between the legs of Bravia TVs with multi-position stands. Plus, the Bar 5 is just over 2.5 inches tall, slightly shorter than the Beam, so it won’t block the bottom edge of most TVs. 

Despite its small size, the Bar 5 cranks out some excellent sound. There’s plenty of crisp, clear audio from the 3.1-channel configuration, and the included subwoofer provides an ample amount of booming bass. The Bar 5 supports Dolby Atmos and DTS:X, but it doesn’t have up-firing drivers. Instead, the soundbar relies on Sony’s Vertical Surround Engine and S-Force Pro Front Surround tech to virtualize much of the directional and overhead audio. More on that in a bit. 

While watching Netflix’s Drive to Survive, I experienced the excitement of F1 cars zooming around various circuits as the Bar 5 does well with general movement. The soundbar’s wide soundstage, excellent detail and booming bass provide some degree of immersion that doesn’t rely on audio projected overhead. That overall clarity and powerful bass are also great for listening to music, as the Bar 5 can handle a range of genres with ease. 

The Bravia Theater Bar 5 has a basic, compact design

From Kieran Behden & William Tyler’s acoustic/electronic 41 Longfield Street Late ‘80s to Thursday’s screamo masterpiece Full Collapse, the soundbar performs admirably. Although with heavier genres, I preferred to dial down the bass slightly. Tucker Rule’s kick drum on Full Collapse, for example, was a bit much for the standard tuning here. 

After struggling with the setup on LG’s Sound Suite, I was thankful that configuring the Bar 5 was super easy. It’s very much a plug-and-play situation, and the Bravia Connect app guides you through the initial steps. It takes about five minutes to get up and running and I’d wager even the least tech-savvy person in your life can probably figure this out. You can also opt for Night mode (less bass), Sound Field (enhanced audio) and Voice mode (louder dialogue) in the Bravia Connect app. 

All of this certainly makes the Bar 5 a solid option for someone who doesn’t need a lot of features, but stands to benefit from augmenting the sound from their TV alone. 

The not so good: Constrained Dolby Atmos and limited features 

While the Bar 5 supports Dolby Atmos and DTS:X immersive audio, Sony’s virtualization tech was a disappointment. There’s some side-to-side directional sound, but I noticed almost no simulated overhead noise. The Bar 5’s sonic clarity makes it a solid option for boosting living room audio, just don’t expect the enveloping effects that more robust (and more expensive) soundbars would offer. 

There are several features you won’t find on the Theater Bar 5, starting with the lack of onboard controls. I’m well aware that those buttons on top of soundbars don’t get used much, but if you’re like me, you still reach for them occasionally. There were several times during my testing when I tried to blindly tap the non-existent volume controls on the Bar 5. Other than a power button on the right side, your options for controlling this soundbar are a remote and the Bravia Connect app. 

The power button on the right side

You also won’t find a Wi-Fi connection on the Bar 5. This means that AirPlay and Google Cast aren’t available to easily beam audio from your devices to the soundbar. There is Bluetooth 5.3, so you do have an option for music and podcasts from your phone or laptop if you need it. However, pairing your devices to the soundbar via Bluetooth isn’t as quick as selecting the soundbar in your streaming app when AirPlay or Cast are on the spec sheet. 

Lastly, Sony doesn’t offer any type of room calibration on Theater Bar 5. Sure, a smaller soundbar like this is better in smaller spaces, but it would still be nice to have the system dial in the audio for the aspects of the room. After all, not every living room is a perfect rectangle. I can understand why the company left this feature out of a $350 model, since the tool would require extra components like microphones. This is certainly one of the more noticeable trade-offs for saving some money.  

Wrap-up

Sometimes the basics are all you need. Sony’s Bravia Theater Bar 5 provides an entry-level boost to TV audio that will be fine for people looking for just that. While there is support for immersive audio, the soundbar’s 3.1-channel setup isn’t the best for Dolby Atmos and DTS:X performance, and that’s really the biggest knock against the Bar 5. However, this model’s excellent audio quality, especially the powerful bass, will suffice for customers just looking to hear their TVs better. 

The Bravia Theater Bar 5’s included subwoofer

If you want a compact soundbar that provides respectable Atmos performance, the second-gen Sonos Beam is your best bet. Sure, it’s more expensive at $499 and it doesn’t come with a subwoofer, but its additional drivers, tweeter and passive radiators offer more robust audio from the soundbar alone. You also get Trueplay room calibration and Wi-Fi connectivity there. 

The Theater Bar 5 will certainly improve your living room audio compared to your TV speakers alone, but with a few more features and improved Atmos virtualization, Sony could’ve had a real winner.

This article originally appeared on Engadget at https://www.engadget.com/audio/speakers/sony-bravia-theater-bar-5-review-a-basic-tv-sound-booster-140000192.html?src=rss 

Amazon’s satellite-based internet service, Leo, will enter service by mid-2026, so says company CEO Andy Jassy. Writing in his annual letter, Jassy claimed Leo would offer download speeds of up to 1Gbps, far more than what Starlink presently offers. Sadly, Amazon declined to offer any more details about what that mid-2026 service would look like. But given select partners have already been kicking Leo’s tyres for a while, we can only hope.

The mega-retailer is making some grand promises, including faster up and download speeds, cheaper cost and direct integration with Amazon’s other products. Of course, the company can also sell itself on the fact it’s a satellite internet provider not owned by Elon Musk. But it will have to buck its ideas up fast, given how far behind in its deployment of satellites it is.

— Daniel Cooper

The other big stories this morning

Dyson just announced its first-ever handheld fan, with a motor that spins up to 65,000 RPM
Don’t put your finger in it.

JBL Live 780NC and 680NC review: Great leaps, greater missteps
As the youth say, ‘mid.’

Sony teases its next-gen True RGB Mini LED TV technology
Yet another brand name to sully the Mini LED waters.

ASUS ZenBook A16 review: A surprisingly light and powerful 16-inch ultraportable

It’s a showcase for the Snapdragon X2 Elite.

ASUS’ ZenBook A16 is a 16-inch ultraportable designed to go toe-to-toe with LG’s Gram Pro 16. It’s equipped with Qualcomm’s Snapdragon X2 Elite and designed to address the flaws Devindra Hardawar found in last year’s ZenBook A14. Did it succeed? You’ll have to read his review to get the full story, but he’s certainly happy to have spent the last week using this thing.

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Greece will ban all kids under 15 from using social media

It will begin at the start of 2027.

Greece will ban under 15s from accessing social media, Prime Minister Kyriakos Mitsotakis has announced. Like many nations both in Europe and beyond, officials are concerned about the effect social media is having on children’s mental and physical health. The big platforms will be in charge of enforcing the ban, backed up by the hefty punishments enabled by the Digital Services Act.

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Amazon is cutting off support for older Kindles

Know what doesn’t lose support after a few years? Books.

If you’re still using a Kindle or Fire tablet made in 2012 or before, then it’s going to get a little less useful on May 20. Amazon is discontinuing support for those earlier models on that date, removing the ability to purchase, borrow or download new titles. Thankfully, whatever is on the hardware already will remain, so don’t fret if you’re only a third of the way through Remembrance of Things Past.

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Fender Elie review: Handsome speaker/amp hybrids with excellent clarity

Fancy, but heavy.

Billy Steele has been putting Fender Audio’s new speakers through their paces to find what can only be described as a mixed bag. Excellent audio quality and a wide variety of inputs get high praise, but the heavy weight, exposed wood and limited battery life all dent the paintwork.

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WhatsApp adds a better native interface for CarPlay

About time too.

WhatsApp’s CarPlay interface isn’t the most elegant or easy way to keep in touch with your friends while driving. Meta has, however, given the UI a little polish to help make it a little easier to get something useful done without pulling your attention from the road.

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This article originally appeared on Engadget at https://www.engadget.com/general/the-morning-after-engadget-newsletter-111524236.html?src=rss 

Google has removed popular psychological horror game Doki Doki Literature Club! from the Play Store. According to Dan Salvato, who led its development team, and publisher Serenity Forge, Google told them the visual novel was removed because it violated its Terms of Service in its depiction of sensitive themes. The game is “widely celebrated for portraying mental health in a way that meaningfully connects deeply with players around the world,” they said in their announcement. Its free version, which came out first, has been downloaded at least 30 million times, while the paid “Plus” version has had at least one million downloads. The visual novel has repeatedly made Engadget’s lists of favorite games over the years.

Doki Doki Literature Club! has the drawing style and the makings of a typical dating sim, but players find themselves confronted with serious themes, including depression and suicide, soon after starting. Its Play listing was appropriately marked as “Mature 17+,” which means that children won’t be able to download it if their devices have parental controls. In addition, the developers clearly communicate that the game tackles serious issues. “This game is not suitable for children or those who are easily disturbed” is the first line of the game. “In-game content warnings for such material can be enabled in the Settings menu at any time,” it also warns players. In settings, there’s link to a page that lists content warnings that apply to the visual novel.

We’ve asked Google for a statement on why the game was removed, and we’ll update this post when we hear back. Salvator and Serenity Forge said they’re doing everything they can to “find a path forward for getting DDLC reinstated on the Google Play Store.” They’re also looking at other methods of distribution for Android devices. At the moment, the game’s Play listing shows that it’s still not available, but it’s still out on Steam, PlayStation, Switch eshop and iOS.

This article originally appeared on Engadget at https://www.engadget.com/gaming/google-removes-doki-doki-literature-club-from-the-play-store-080615951.html?src=rss 

A film adaptation of Metal Gear Solid is in the works again, this time from filmmakers Zach Lipovsky and Adam B. Stein, the directors of Final Destination: Bloodlines, according to The Hollywood Reporter. The duo are reviving the project at Columbia Pictures as part of a new first-look deal with Sony, the latest attempt in what’s been multiple decades of work to turn the blockbuster stealth game into a blockbuster film.

“Metal Gear Solid was nothing short of a groundbreaking cinematic masterpiece that forever revolutionized video games,” Lipovsky and Stein said in a statement. “We are thrilled and honored to bring Hideo Kojima’s iconic characters and unforgettable world to life.”

Lipovsky and Stein’s horror bona fides helped make Bloodlines a critical and commercial hit when it came out in 2025, and the directors have a variety of other IP-focused genre films in the works, including a sequel to Gremlins for Warner Bros. and an animated Venom movie for Sony. It remains to be seen how exactly the duo will translate Metal Gear Solid‘s unique quirks to film, though.

Metal Gear Solid is heavily indebted to director Hideo Kojima’s own taste in action and spy cinema, while also being in conversation with video games themselves in a way that wouldn’t naturally translate to film. And even if you removed those metatextual rough edges, can it really be Metal Gear Solid without Kojima’s equal parts charming and awkward writing? 

Attempts to create a film version of the game date back to 2006, when Kojima first shared that an adaptation was in the works. Columbia Pictures announced a new version of the film in 2012, with Avi Arad, former head of Marvel Studios, producing. In 2014, Jordan Vogt-Roberts, the director of Kong: Skull Island, was attached to direct that adaptation. And six years after that, Oscar Isaac was reportedly cast as Solid Snake. Arad and his son Ari Arad are still producing this latest take on the game, but with Lipovsky and Stein in charge, that older version of Metal Gear Solid is likely dead. Still, hope springs eternal that we’ll get to see a man hide in a cardboard box on the big screen someday.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/the-metal-gear-solid-movie-is-back-on-with-final-destination-bloodlines-directors-in-charge-214914374.html?src=rss 

Meta is giving users the ability to edit Instagram comments they leave on posts, though only within a 15 minute window after they’re posted. The setup is similar to how the social app handles editing messages, an option it first added in 2024, 11 years after direct messaging was introduced to Instagram in 2013.

You’re only able to edit comments you left with your own account, and the process of actually doing so is easy. Just tap on the word “Edit” under your comment to pull up a text box where you can tweak, rework or embellish what you’ve written, and then press the blue check mark to save it. Meta says comments can be edited as many times as you want in that 15 minute window, so if you need to make more changes, you have that option.

Comments can show up in multiple ways across Instagram — including Stories, as of 2024 — so offering a way to edit them is a welcome addition. The new option is just the latest in a series of changes Meta has introduced to the social app in the last month. Earlier in March, the company announced that it was removing end-to-end encryption from Instagram DMs. At the end of the month, Meta also began testing Instagram Plus, a subscription service that unlocks new features for the app’s Stories feature.

This article originally appeared on Engadget at https://www.engadget.com/social-media/instagram-comments-can-now-be-edited-within-15-minutes-195000640.html?src=rss