Amazon’s latest smart speaker sale includes the Echo Studio for $160

Many of Amazon’s Echo smart speakers are on sale right now, including the biggest of the bunch, the Echo Studio. It’s down to $160, which is 20 percent off and just $5 more than it sold for during Prime Day last month. That discount was only for Prime members, but anyone can take advantage of this deal. The Echo Dot and the standard Echo are also on sale, for $35 and $65, respectively. Neither matches its Prime Day low, but these are still 30 to 35 percent discounts. 

We mention the Echo Studio in our guide to the best smart speakers as an alternative to the Sonos Era 100 for those who already rely on Alexa. It’s the largest smart speaker Amazon makes, weighing in at 7.7 pounds, and it uses that heft to deliver better audio quality than any other Echo. We gave it an 88 in our review, and noted the quality, hi-res sound that does justice to HD and lossless music — but also makes regular old Spotify tracks sound pretty good. 

The second best deal in the sale is on Amazon’s flagship Echo, which is $65 instead of its usual $100 after a 35 percent discount. That’s about $10 more than it went for during Prime Day, but again, this price is open to anyone, not just people who pay for a Prime membership. We should note that it went for even less during Black Friday last year, and may do so again. But if you need another (or your first) Alexa speaker right now, this is a decent savings. 

Amazon’s most popular speaker, the Echo Dot is currently $35, which we named our favorite smart speaker under $50. The price is $12 more than during July’s sale, when it was half price. The diminutive sphere puts out better audio than you’d think for its size and, like every Echo device, gives you access to Alexa’s skills, jokes and smart home controls. 

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

This article originally appeared on Engadget at https://www.engadget.com/amazons-latest-smart-speaker-sale-includes-the-echo-studio-for-160-151937377.html?src=rss 

Xiaomi’s third foldable phone adds a zoom camera but keeps the slim frame

Summer season is also foldable phone season, it seems. Following on the heels of the Samsung Galaxy Z Fold 5 and the impressively slim Honor Magic V2 (along with smaller models from Samsung and Motorola), it’s now Xiaomi’s turn to unveil its annual refresh. The aptly named Mix Fold 3 offers several expected improvements in terms of folded thickness (5.26mm), unfolded thickness (10.86mm) and weight (255 grams). Honor still has nothing to worry about when it comes to thinness and lightness, but Xiaomi’s latest contender has gained a 5x periscopic zoom camera and, at last, a selfie camera, all of which would seem to address some of the last-gen model’s more obvious pain points. 

Another notable addition is 50W wireless charging alongside the original 67W wired option. Depending on which charging method you use, the company says it takes 55 minutes or 40 minutes, respectively, to fully charge the slightly denser 4,800mAh battery. (If you’re comparison shopping, Honor forfeited wireless charging on the Magic V2 to meet its aggressive thickness target.) The Mix Fold 3’s wireless charging should pair well with Qualcomm’s latest Snapdragon 8 Gen 2 “Leading Version” processor, with its primary core capable of up to 3.36GHz of clock speed — handy for video editing on the larger screen.

Xiaomi

Thanks to its beefed-up camera setup, the Mix Fold 3 packs a total of four Leica-enhanced on the rear: a 50-megapixel f/1.77 main camera (Sony IMX800, 23mm equivalent) with optical stabilization, a 12-megapixel f/2.2 ultra-wide camera (15mm equivalent), a 10-megapixel telephoto camera (75mm equivalent) and the handy new 10-megapixel f/2.92 periscope camera (115mm equivalent). 

Like before, you can always toggle the external screen to leverage any of these rear-facing cameras for better selfies, but for general video conferencing, you now have the option to toggle between the 20-megapixel front cameras on both the 6.56-inch external screen (2,520 x 1,080, 120Hz) and 8.025-inch flexible screen (2,160 x 1,916, 120Hz). 

Xiaomi

The screen sizes here are practically identical to the last-gen model, except both are now upgraded with Samsung’s E6 OLED display technology for improved efficiency and outdoor visibility; you get up to 2,600 nits of peak brightness on the external panel. 

Meanwhile, with Xiaomi’s improved hinge, the company can finally disclose a durability figure of 500,000 folds (certified by TÜV Rheinland). As a bonus, the Mix Fold 3 finally supports hover mode from 45 degrees to 135 degrees, meaning you can prop up the rear cameras to attempt more artistic angles or timelapse shots — just make sure you don’t accidentally scratch the external screen. 

Xiaomi is taking pre-orders for the Mix Fold 3, with prices ranging from 8,999 yuan or about $1,240 (12GB LPDDR5X with 256GB UFS 4.0 storage) to 10,999 yuan or around $1,515 (16GB RAM and 1TB storage). You’ll be able to choose between a 5-layer composite material body (black only) and a more classic glass finish (black or gold). Like last year, all versions include a familiar-looking kickstand back cover in the box, but now with a bonus protection frame for the upper part of your foldable. However, Engadget understands that Xiaomi will once again be limiting its latest device to the Chinese market, which is probably a relief for the likes of Samsung and potentially Honor in the rest of the world.

This article originally appeared on Engadget at https://www.engadget.com/xiaomi-mix-fold-3-announced-available-in-china-only-135738419.html?src=rss 

Sony’s WH-CH720N headphones are back on sale for $98

Sony makes some of the best wireless headphones around, but perhaps you don’t quite need a high-end set with all the bells and whistles. Maybe a mid-range set with active noise cancellation (ANC) that more than gets the job done is what you’re looking for. In that case, it’s definitely worth considering Sony’s WH-CH720N headphones, which are once again on sale for $98. That’s $51 off the regular price and it matches a record low we saw during Prime Day.

We gave the WH-CH720N a score of 79 in our review earlier this year. Along with great audio quality, the headphones offer a lightweight and comfortable fit. On the downside, the ANC struggled in some environments (particularly when it comes to blocking out human voices), the cans lack an automatic pausing feature and the over-reliance on plastic makes them look less elegant.

The headphones use the same chip as Sony’s WH-1000XM5 (our pick for the best wireless headphones overall) to power the ANC and the sound in general. There’s support for 360 Reality Audio and multipoint Bluetooth to connect to two devices at the same time. You should be able to use the headphones for up to 35 hours with ANC on before having to recharge them.

If your budget can’t quite stretch far enough for the WH-CH720N, take a gander at Sony’s WH-CH520 headphones, which have dropped by $22 to $38. These headphones are also compatible with 360 Reality Audio and Sony says they’ll run for up to 50 hours on a single charge. A three-minute charge will add 1.5 hours of listening time. There’s no ANC here, though these headphones are otherwise a solid, budget-friendly pick.

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

This article originally appeared on Engadget at https://www.engadget.com/sonys-wh-ch720n-headphones-are-back-on-sale-for-98-142823349.html?src=rss 

Amazon’s Kindle Scribe is $60 off right now

There is something so great about when a device you really want — but don’t want to fork up the money for — goes on sale. If you’ve been eyeing an Amazon Kindle Scribe, then, for you, that time is now. Currently, the 16GB Kindle Scribe is 18 percent off, with its price dropping from $340 to $280 — the best deal for it we’ve seen outside of Prime Day. 

Amazon’s Kindle Scribe is the most premium option of the series, providing the benefits of its counterparts while also allowing you to read and write on a 10.2-inch screen with 35 front-light LEDs. It includes a basic pen for note-taking or marking up one of the millions of books available on Kindle. Plus, you can send notes to friends or yourself through email or text. 

Adults aren’t the only ones who can benefit from Amazon’s current Kindle sales. The Kindle Kids is 29 percent off right now, dropping from $120 to $85, and comes with one year of Amazon Kids+, a two-year warranty and parental control. It features a 6-inch screen, 300 ppi resolution, four front-light LEDs and Audible via Bluetooth. Plus, it comes with a cover and 16GB of storage. 

If you’re looking for a few more features for the child in your life, the 16GB Kindle Paperwhite Kids is also 29 percent off, in this case dropping from $170 to $120. It has many of the same features as the Kindle Kids but with a 6.8-inch screen, 17 front light LEDs, an adjustable warm light and — potentially most importantly — a waterproof design. 

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

This article originally appeared on Engadget at https://www.engadget.com/amazons-kindle-scribe-is-60-off-right-now-105552727.html?src=rss 

The Morning After: The music industry battles the Internet Archive

The big music labels, led by Sony and Universal, are filing a lawsuit against the Internet Archive to stop the non-profit’s Great 78 Project. It’s an effort to digitize and preserve recordings on old 78 RPM records, a format discontinued in 1959. The labels feel the Archive, the closest thing the web has to a public library, is infringing its copyrights after digitizing tracks from big names like Ella Fitzgerald and Billie Holiday. And the labels are asking for damages of $150,000 per still-copyrighted recording – the better part of $372 million in total.

The project’s aim is to preserve “underrepresented artists and genres” that might otherwise languish in obscurity. For all the songs of yore that still linger in the public’s consciousness, there are countless more now consigned to the dustbin of history. For them, the best-case scenario is their publisher properly stores the masters in case there’s ever a need to reproduce them. But given how easy it is for a company to junk material for a tax write-off, like in the recent case of Warner Bros., we can no longer rely on companies to treat their own history with the proper respect.

It doesn’t help that 78s are notoriously fragile, and if work to digitize them isn’t handled properly, their material could be lost forever. If we’re being honest, most of it is probably now only of interest to historians as a snapshot of what culture was really like. But, as weird as listening to Conrad Veidt’s When the Lighthouse Shines Across the Bay is to our modern ears, we all deserve a chance to listen to what was pop music in 1933.

– Dan Cooper

You can get these reports delivered daily, direct to your inbox. Subscribe right here!​​​​

The biggest stories you might have missed

The best 60 percent keyboards in 2023

The best iPhone accessories for 2023

Rockstar recruits the team behind the biggest GTA V roleplay community

Bose QuietComfort Ultra headphones and earbuds are reportedly on the way

Zoom now says it won’t use any customer content for AI training

Instagram’s musical photo carousels are a lot like TikTok’s Photo Mode

Jabra is reportedly readying new Elite 8 earbuds with premium ANC

Biden administration earmarks $1.2 billion for two large-scale carbon capture projects

America’s original hacking supergroup creates a free framework to improve app security

California deploys AI to detect wildfires before they spread

Baldur’s Gate III localization studio apologizes for omitting contract workers from credits

Sam Bankman-Fried sent to jail for witness tampering

Pro tip: Don’t use a paper of record to harass witnesses. People might notice.

Sam Bankman-Fried had his bail revoked after a court accused the disgraced FTX founder of tampering with witnesses. Last month, Bankman-Fried showed a New York Times reporter a selection of personal writings from his former partner, Caroline Ellison. Ellison pleaded guilty to criminal charges in December and has since been cooperating with the FTX investigation. Prosecutors said Fried’s sharing of those materials was a fairly blatant attempt to undermine her reputation with prospective jurors.

Continue Reading.

Chip implants get under your skin, so you can leave your keys at home

And, you know, it makes you look like you can do magic.

There’s a small subset of techie types who love nothing more than to get an RFID implant to make their life easier. A small chip inserted into the skin of their hand can help them access buildings, pay for the subway or share their contact details. If you’re curious, you should check out Katie Malone’s new story covering the benefits and burdens of getting one.

Continue Reading.

Scientists genetically engineer bacteria to detect cancer cells

It’s the first step on a long road for easier detection.

CATCH is a new experimental technique using genetically modified bacteria to detect cancer cells in otherwise hard-to-reach areas. An international coalition of researchers found positive results while testing for colorectal cancer tumors in mice, but it’s early days. There’s still much more testing required before we can talk about using this for detection in human subjects, and plenty more work to see if the same technique could be used for treatment.

Continue Reading.

Apple TV’s MLS Season Pass subscriptions have doubled since Messi’s arrival in the US

Shock: People will pay to see the world’s biggest footballer.

Apple’s decision to go all in on Major League Soccer and Lionel Messi has already started to pay off. Inter Miami co-owner Jorge Mas tweeted that, since the World Cup winner came to the US, Apple has seen MLS Season Pass subscriptions more than double. That his missive was retweeted by Apple CEO Tim Cook suggests the otherwise notoriously secretive company is happy to brag about the virtuous cycle Messi has had on football’s impact in the US and Apple’s bottom line.

Continue Reading.

This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-the-music-industry-battles-the-internet-archive-111517932.html?src=rss 

‘Apple Watch X’ will reportedly feature a thinner casing and magnetic bands

Since its 2015 release, a new model of the Apple Watch has made its way into stores every year — often with minimal upgrades. Well, that might change when the Apple Watch X rolls around as the company is reportedly working on more substantial changes for its tenth-anniversary model, according to Bloomberg‘s Mark Gurman.

The Apple Watch X upgrades could include a magnetic band attachment, replacing the slide-in design currently in use and allowing space for a larger battery. It might also have a thinner watch case and a microLED display, providing a better picture than current OLED screens. On the health front, the Apple Watch X will reportedly include a blood pressure sensor alongside the heart rate monitor, sleep tracking and blood oxygen detection already present in current models.

This updated Apple Watch won’t likely hit the market for another year if it follows the annual release schedule or two if Apple wants to wait a whole decade after its first release. The Apple Watch Series 9 is on its way first (and expected to be unveiled at an event this September), bringing with it a faster processor for the first time since the Series 6 and some new colors. It’s expected to stay the same size as the Series 8 across its models and, overall, will be a limited upgrade.

This article originally appeared on Engadget at https://www.engadget.com/apple-watch-x-will-reportedly-feature-a-thinner-casing-and-magnetic-bands-092419190.html?src=rss 

Hitting the Books: The thirty-year quest to make WiFi a connectivity reality

The modern world of consumer tech wouldn’t exist as we know it if not for the near-ubiquitous connectivity that Wi-Fi internet provides. It serves as the wireless link bridging our mobile devices and smart home appliances, enabling our streaming entertainment and connecting us to the global internet. 

In his new book, Beyond Everywhere: How Wi-Fi Became the World’s Most Beloved Technology, Greg Ennis, who co-authored the proposal that became the technical basis for WiFi technology before founding the Wi-Fi Alliance and serving as its VP of Technology for a quarter century, guides readers on the fascinating (and sometimes frustrating) genesis of this now everyday technology. In the excerpt below, Ennis recounts the harrowing final days of pitching and presentations before ultimately convincing the IEEE 802.11 Wireless LAN standards committee to adopt their candidate protocol as well as examine the outside influence that Bob Metcalf — inventor of both Ethernet, the standard, and 3Com, the tech company — had on Wi-Fi’s eventual emergence.

Post Hill Press

Excerpted from Beyond Everywhere: How Wi-Fi Became the World’s Most Beloved Technology (c) 2023 by Greg Ennis. Published by Post Hill Press. Used with permission.

With our DFWMAC foundation now chosen, the work for the IEEE committee calmed down into a deliberate process for approving the actual text language for the standard. There were still some big gaps that needed to be filled in—most important being an encryption scheme—but the committee settled into a routine of developing draft versions of the MAC sections of the ultimate standard document. At the January 1994 meeting in San Jose, I was selected to be Technical Editor of the entire (MAC+PHY) standard along with Bob O’Hara, and the two of us would continue to serve as editors through the first publication of the final standard in 1997. 

The first draft of the MAC sections was basically our DFWMAC specification reformatted into the IEEE template. The development of the text was a well-established process within IEEE standards committees: as Bob and I would complete a draft, the members of the committee would submit comments, and at the subsequent meeting, there would be debates and decisions on improvements to the text. There were changes made to the packet formats, and detailed algorithmic language was developed for the operations of the protocol, but by and large, the conceptual framework of DFWMAC was left intact. In fact, nearly thirty years after DFWMAC was first proposed, its core ideas continue to form the foundation for Wi-Fi.

 While this text-finalization process was going on, the technology refused to stand still. Advances in both radio communications theory and circuit design meant that higher speeds might be possible beyond the 2-megabit maximum in the draft standard. Many companies within the industry were starting to look at higher speeds even before the original standard was finally formally adopted in 1997. Achieving a speed greater than 10 megabits — comparable to standard Ethernet — had become the wireless LAN industry’s Holy Grail. The challenge was to do this while staying within the FCC’s requirements — something that would require both science and art. 

Faster is always better, of course, but what was driving the push for 10 megabits? What wireless applications were really going to require 10-megabit speeds? The dominant applications for wireless LANs in the 1990s were the so-called “verticals” — for example, Symbol’s installations that involved handheld barcode scanners for inventory management. Such specialized wireless networks were installed by vertically integrated system providers offering a complete service package, including hardware, software, applications, training, and support, hence the “vertical” nomenclature. While 10-megabit speeds would be nice for these vertical applications, it probably wasn’t necessary, and if the cost were to go up, such speeds wouldn’t be justifiable. So instead, it would be the so-called “horizontal” market — wireless connectivity for general purpose computers — that drove this need for speed. In particular, the predominantly Ethernet-based office automation market, with PCs connected to shared printers and file servers, was seen as requiring faster speeds than the IEEE standard’s 2 megabits.

Bob Metcalfe is famous in the computer industry for three things: Ethernet, Metcalfe’s Law, and 3Com. He co-invented Ethernet; that’s simple enough and would be grounds for his fame all by itself. Metcalfe’s Law— which, of course, is not actually a law of physics but nonetheless seems to have real explanatory power— states that the value of a communication technology is proportional to the square of the number of connected devices. This intuitively plausible “law” explains the viral snowball effect that can result from the growing popularity of a network technology. But it would be Metcalfe’s 3Com that enters into our Wi-Fi story at this moment. 

Metcalfe invented Ethernet while working at PARC, the Xerox Palo Alto Research Center. PARC played a key role in developing many of the most important technologies of today, including window-based graphic computer interfaces and laser printing, in addition to Ethernet. But Xerox is famous for “Fumbling the Future,” also the title of a 1999 book documenting how “Xerox invented, then ignored, the first personal computer,” since the innovations developed at PARC generally ended up being commercialized not by Xerox but by Apple and others. Not surprisingly, Metcalfe decided he needed a different company to take his Ethernet invention to the market, and in 1979, he formed 3Com with some partners.

This was the same year I joined Sytek, which had been founded just a couple of months prior. Like 3Com, Sytek focused on LAN products, although based on broadband cable television technology in contrast to 3Com’s Ethernet. But whereas Sytek concentrated on hardware, 3Com decided to also develop their own software supporting new LAN-based office applications for shared PC access to data files and printers. With these software products in combination with their Ethernet technology, 3Com became a dominant player in the booming office automation market during the nineties that followed the introduction of personal computers. Bob Metcalfe was famously skeptical about wireless LANs. In the August 16, 1993, issue of InfoWorld, he wrote up his opinion in a piece entitled “Wireless computing will flop — permanently”:

This isn’t to say there won’t be any wireless computing. Wireless mobile computers will eventually be as common as today’s pipeless mobile bathrooms. Porta-potties are found on planes and boats, on construction sites, at rock concerts, and other places where it is very inconvenient to run pipes. But bathrooms are still predominantly plumbed. For more or less the same reasons, computers will stay wired.

Was his comparison of wireless to porta-potties just sour grapes? After all, this is coming from the inventor of Ethernet, the very archetype of a wired network. In any event, we were fortunate that Metcalfe was no longer involved with 3Com management in 1996 — because 3Com now enters our story as a major catalyst for the development of Wi-Fi. 

3Com’s strategy for wireless LANs was naturally a subject of great interest, as whatever direction they decided to take was going to be a significant factor in the market. As the premier Ethernet company with a customer base that was accustomed to 10-megabit speeds, it was clear that they wouldn’t take any steps unless the wireless speeds increased beyond the 2 megabits of the draft IEEE standard. But might they decide to stay out of wireless completely, like Bob Metcalfe counselled, to focus on their strong market position with wired Ethernet? And if they did decide to join the wireless world, would they develop their own technology to accomplish this? Or would they partner with an existing wireless developer? The task of navigating 3Com through this twisted path would fall to a disarmingly boyish business development whiz named Jeff Abramowitz, who approached me one afternoon quite unexpectedly. 

Jeff tapped me on the shoulder at an IEEE meeting. “Hey, Greg, can I talk with you for a sec?” he whispered, and we both snuck quietly out of the meeting room. “Just wondering if you have any time available to take on a new project.” He didn’t even give me a chance to respond before continuing with a smile: “10 megabits. Wireless Ethernet.” The idea of working with the foremost Ethernet company on a high-speed version of 802.11 obviously enticed me, and I quickly said, “Let’s get together next week.”

He told me that they had already made some progress towards an internally developed implementation, but that in his opinion, it was more promising for them to partner with one of the major active players. 3Com wanted to procure a complete system of  wireless LAN products that they could offer to their customer base, comprising access points and plug-in adapters (“client devices”) for both laptops and desktops. There would need to be a Request for Proposal developed, which would, of course, include both technical and business requirements, and Jeff looked to me to help formulate the technical requirements. The potential partners included Symbol, Lucent, Aironet, InTalk, and Harris Semiconductor, among others, and our first task was to develop this RFP to send out to these companies. 

Symbol should need no introduction, having been my client and having played a major role in the development of the DFWMAC protocol that was selected as the foundation for the 802.11 standard. Lucent may sound like a new player, but in fact, this is simply our NCR Dutch colleagues from Utrecht — including Wim, Cees, Vic, and Bruce — under a new corporate name, NCR having been first bought by AT&T and then spun off into Lucent. Aironet is similarly an old friend under a new name — back at the start of our story, we saw that the very first wireless LAN product approved by the FCC was from a Canadian company called Telesystems, which eventually was merged into Telxon, with Aironet then being the result of a 1994 spinoff focusing on the wireless LAN business. And in another sign of the small-world nature of the wireless LAN industry at this time, my DFWMAC co-author, Phil Belanger, had moved from Xircom to Aironet in early 1996. 

The two companies here who are truly new to our story are InTalk and Harris. InTalk was a small startup founded in 1996 in Cambridge, England (and then subsequently acquired by Nokia), whose engineers were significant contributors to the development of the final text within the 802.11 standard. Harris Corporation was a major defense contractor headquartered in Melbourne, Florida, who leveraged their radio system design experience into an early wireless LAN chip development project. Since they were focused on being a chip supplier rather than an equipment manufacturer, we didn’t expect them to submit their own proposal, but it was likely that other responders would incorporate their chips, so we certainly viewed them as an important player. 

Over the first couple of months in 1997, Jeff and I worked up a Request for Proposal for 3Com to send out, along with a 3Com engineer named David Fisher, and by March we were able to provide the final version to various candidate partners. Given 3Com’s position in the general LAN market, the level of interest was high, and we indeed got a good set of proposals back from the companies we expected, including Symbol, Lucent, InTalk, and Aironet. These companies, along with Harris, quickly became our focus, and we began a process of intense engagement with all of them over the next several months, building relationships in the process that a year later would ultimately lead to the formation of the Wi-Fi Alliance. 

Bob Metcalfe’s wireless skepticism had been soundly rejected by the very company he founded, with 3Com instead adopting the mantle of wireless evangelism. And Wireless Ethernet, soon to be christened Wi-Fi, was destined to outshine its wired LAN ancestor.

This article originally appeared on Engadget at https://www.engadget.com/hitting-the-books-beyond-everywhere-greg-ennis-post-hill-press-143010153.html?src=rss 

iRobot’s poop-detecting Roomba j7+ is at an all-time low price right now

Some of the most advanced Roomba robot vacuums are on sale right now. Wellbots has the poop-detecting iRobot Roomba j7+ for an all-time low price of $549. Or, you can opt for our favorite vacuum / mop hybrid, the upgraded Roomba j7+ Combo, for $799. In both cases, you can enter the coupon code ENGROOMBA200 to receive the $200 discount exclusively for Engadget readers.

The Roomba j7+ includes a bundled cleaning station and iRobot’s poop detection tech. The company says the vacuum’s advanced sensors will avoid pet feces — and its “Pet Owner Official Promise” (P.O.O.P.) policy assures you it will replace the device for free if it runs over pet waste within its first year. The self-emptying vacuum also includes an intelligent mapping feature that lets you choose which rooms it covers, and you can schedule multiple cleanings per day in advance. The Roomba j7+ is usually $800, so its $549 discounted price (with code ENGROOMBA200) is worth noting if you’ve been on the lookout for a cleaning machine.

Wellbots’ coupon also applies to that model’s upgraded sibling, one of Engadget’s picks for the best robot vacuums. The Roomba j7+ Combo takes the j7+’s base features (including self-emptying tech and poop detection) and adds wet mopping, letting you transition seamlessly between carpet and floor cleaning. (It can do both simultaneously on hard floors.) It also includes a feature that can help keep your rugs dry by lifting the mop out of reach when it detects it’s on a carpet. The j7+ Combo typically costs $1,100.

Both devices work with the iRobot mobile app. It lets you manage the devices’ smart mapping capabilities, remote startup and scheduling. We find the app to be simple, intuitive and a significant selling point for Roomba robot cleaners.

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

This article originally appeared on Engadget at https://www.engadget.com/irobots-poop-detecting-roomba-j7-is-at-an-all-time-low-price-right-now-130007090.html?src=rss 

Sony and other music labels sue Internet Archive for digitizing old records

The Internet Archive is facing another lawsuit over one of its conservation projects. Sony Music Entertainment, Universal Music Group and a handful of other music labels have filed a lawsuit against the nonprofit organization, accusing it of copyright infringement for digitizing, “willfully upload[ing], distribut[ing] and digitally transmitt[ing]” pre-1972 sound recordings. In particular, the labels are suing Internet Archive for the Great 78 Project, which seeks to preserve music recorded on 78rpm discs. 

The labels call Internet Archive’s efforts “blatant infringement,” involving music by artists that include Frank Sinatra, Ella Fitzgerald, Billie Holiday, Miles Davis and Louis Armstrong. They also listed a few examples of “iconic recordings” available through the Great 78 Project, such as White Christmas, Sing, Sing, Sing, and The Christmas Song

The companies said the the songs preserved on the project website are already available through streaming and other music services, so they “face no danger of being lost, forgotten, or destroyed.” But the organization explained on the project portal that there’s “still research value in the artifacts and usage evidence in the often rare 78rpm discs and recordings.” 

The plaintiffs disagree, writing in their complaint that Internet Archive’s activities “far exceed” the limited purposes of preservation and research. “Internet Archive unabashedly seeks to provide free and unlimited access to music for everyone, regardless of copyright,” they added. The labels are asking statutory damages of up to $150,000 for each protected sound recording, and that could add up to $372 million for the listed recordings, according to Bloomberg.

Internet Archive is also embroiled in a legal battle with a group of US publishers led by Hachette Book Group over the National Emergency Library. The organization lent out digitally scanned copies of books through the program during the height of the pandemic, which the publishers described as “willful mass copyright infringement.” A federal judge ruled against Internet Archive for that particular case, though the organization is planning to appeal that decision.

This article originally appeared on Engadget at https://www.engadget.com/sony-and-other-music-labels-sue-internet-archive-for-digitizing-old-records-110108988.html?src=rss 

Baldur’s Gate III localization studio apologizes for omitting contract workers from credits

A studio that handled Baldur’s Gate III translations has apologized after outsourced workers were omitted from the game’s credits. “We take full responsibility for this omission of our freelancers’ names and apologize for the effects that it had,” Altagram Group founder and CEO Marie Amigues said in a statement. “We would like to thank Larian for allowing us to quickly fix that error and update the credits section. The names of the Brazilian Portuguese translators will be included in an upcoming patch to the game.”

Although the credits did not feature the translators Altagram worked with, they included the names of the company’s executives and department leads. Contractors who translated Baldur’s Gate III into languages other than Brazilian Portuguese were credited, though different companies handled those localizations.

A Statement from Altagram Group (1/2) pic.twitter.com/jeUYb9bSlc

— Altagram (@Altagram_Group) August 10, 2023

Baldur’s Gate III developer and publisher Larian Studios said Altagram was to blame for the oversight. It asked the company to rectify the situation, and it seems Altagram swiftly obliged.

Unfortunately, outsourced workers who contribute to games are not always fully credited for their work. That can impact their future prospects, as it makes it slightly more difficult to prove to potential employers that they worked on a given game.

Crediting workers may not be a concern for some localization studios in the coming years, though. We’ll surely see certain developers attempting to use artificial intelligence to translate games into different languages in the hopes of reducing costs. However, localization is skilled work that requires people who can not just mechanically translate text from one language to another, but can take into account factors like idiomatic quirks and cultural references that may not make sense to a certain audience.

This article originally appeared on Engadget at https://www.engadget.com/baldurs-gate-iii-localization-studio-apologizes-for-omitting-contract-workers-from-credits-195936678.html?src=rss 

Generated by Feedzy
Exit mobile version