Category: Technology

Apple is adding a new iPhone feature called Stolen Device Protection that limits what thieves can do with a stolen phone and passcode. Created following a report earlier this year by the Wall Street Journal’s Joanna Stern, the opt-in feature is included in the iOS 17.3 beta, now available for developers. It works using a combination of location, biometric scans, and time delays, allowing victims to lock out the perpetrator and safeguard their data.

Stolen Device Protection aims to snuff out a common practice among iPhone thieves in public places, who watch users enter their passcode before snatching the device and bolting. In such cases, the perpetrator could reset the owner’s Apple ID password, turn off Find My, add a recovery key and factory reset the phone for resale before the victim can do anything about it.

For example, without Stolen Device Protection turned on, an iPhone thief with your passcode can use that to change your Apple ID password, locking you out of your device. This allows the pickpocket to turn off Find My, crucial to wiping the device for a new user. The thief can then sell the device at full used value, rather than trying to pass off an iCloud-locked brick for much less.

But with the feature turned on, the phone will ask for a Face ID or Touch ID scan if the user is away from a familiar location like home or work. It will also require a one-hour delay before changing the Apple ID password on the device. After the hour, it will still ask for a Face ID or Touch ID Scan before changing the Apple ID password from the iPhone. This makes life much harder for the thief and gives the owner time to report the iPhone as stolen, locking out the perp.

Stolen Device Protection works similarly with Apple security settings. Adding recovery keys or updating the account’s trusted phone number is another way iPhone thieves lock out the original owner. Like in other areas, with the new feature activated, the phone will ask for two biometric scans an hour apart if away from trusted locations.

Similarly, iCloud Keychain passwords, Apple’s built-in password manager, will require a Face ID or Touch ID scan. The passcode won’t serve as a backup for failed biometric scans when the Stolen Device Protection is turned on.

The Wall Street Journal reports that Apple plans to prompt users to turn on the feature in iOS 17.3. Since Apple only launched the update’s first beta today, the general public may need to wait at least several weeks before trying it out.

This article originally appeared on Engadget at https://www.engadget.com/ios-173s-stolen-device-protection-will-make-life-harder-for-iphone-thieves-201633214.html?src=rss 

In a story ripped from the opening scenes of a sci-fi horror movie, scientists have bridged a critical gap between the biological and electronic. The study, published in Nature Electronics (summarized in Nature), details a “hybrid biocomputer” combining lab-grown human brain tissue with conventional circuits and AI. Dubbed Brainoware, the system learned to identify voices with 78 percent accuracy. It could one day lead to silicon microchips fused with neurons.

Brainoware combines brain organoids — stem-cell-derived clusters of human cells morphed into neuron-filled “mini-brains” — with conventional electronic circuits. To make it, researchers placed “a single organoid onto a plate containing thousands of electrodes to connect the brain to electric circuits.” The circuits, speaking to the brain organoid, “translate the information they want to input into a pattern of electric pulses.”

The brain tissue then learns and communicates with the technology. A sensor in the electronic array detects the mini-brain’s response, which a trained machine-learning algorithm decodes. In other words, with the help of AI, the neurons and electronics merge into a single (extremely basic, for now) problem-solving biomachine.

The researchers taught the computer-brain system to recognize human voices. They trained Brainoware on 240 recordings of eight people speaking, “translating the audio into electric to deliver to the organoid.” The organic part reacted differently to each voice while generating a pattern of neural activity AI learned to understand. Brainoware learned to identify the voices with 78 percent accuracy.

Human brain organoids

The team views the work as more proof of concept than something with near-term practical use. Although previous studies showed two-dimensional neuron cell cultures could do similar things, this is the first trial run using a trained three-dimensional lump of human brain cells. It could point to a future of biological computing, where the “speed and efficiency of human brains” spark a superpowered AI. (What could go wrong?)

Arti Ahluwalia, a biomedical engineer at Italy’s University of Pisa, sees the technology shedding more light on the human brain. Since brain organoids can duplicate the nervous system’s control center in ways simple cell cultures can’t, the researcher views Brainoware (and the further advances it could spawn) as helping model and study neurological disorders like Alzheimer’s. “That’s where the promise is; using these to one day hopefully replace animal models of the brain,” Ahluwalia told Nature.

Challenges for the bizarre proto-cyborg tech include keeping the organoids alive, especially when moving to the more complex areas where scientists eventually want to deploy them. The brain cells must grow in an incubator, which could become more challenging with bigger organoids. The next steps include working to learn how brain organoids adapt to more complex tasks and engineering them for greater stability and reliability.

This article originally appeared on Engadget at https://www.engadget.com/researchers-fuse-lab-grown-human-brain-tissue-with-electronics-175507932.html?src=rss 

Apple’s AI-powered Journal app is finally here. The new diary entry writing tool was first teased for iOS 17 back in June, but it only became available on Monday with the new iPhone update — nearly three months after iOS 17 itself came out. After Apple released iOS 17.2, iPhone users can now access to the Journal app, which allows users to jot down their thoughts in a digital diary. Journaling is a practice that can improve mental wellbeing and it can also be used to fuel creative projects.

You can create traditional text entries, add voice recordings to your notes, or include recent videos or pictures. If you need inspiration, AI-derived text prompts can offer suggestions for what to write or create an entry for next. The app also predicts and proposes times for you to create a new entry based on your recent iPhone activity, which can include newer photos and videos, location history, recently listened-to playlists, and workout habits. This guide will walk you through how to get started with the Journal app and personalize your experience.

How to create a new entry in the Journal app on iPhone

When you open the Journal app, tap the + button at the bottom of the page to create a new entry. If you want to start with a blank slate, when you tap ‘New Entry’ an empty page will appear and from there you can start typing text. You can add in recent photos from your library when you tap the photos icon below the text space, take a photo in the moment and add it to your entry or include a recorded voice memo when you tap the voice icon. You can also add locations to your entry when you tap the arrow icon at the bottom right of an entry page. This feature might be helpful for travel bloggers looking back at their trips abroad. You can edit the date of an entry at the top of the page.

Alternatively, you can create a post based on recent or recommended activities that your phone compiled — say, pictures, locations from events you attended, or contacts you recently interacted with. The recent tab will show you, in chronological order, people, photos and addresses that can inspire entries based on recent activities. The recommended tab pulls from highlighted images automatically selected from your photo memories. For example, a selection of portraits from 2022 can appear as a recommendation to inspire your next written entry. Some suggestions underneath the recommendation tab may appear within the app with ‘Writing prompts.’ For example, a block of text may appear with a question like, “What was the highlight of your trip?”

Scheduling, bookmarking and filtering

If you’re not free to write when a suggestion is made, you can also save specific moments you want to journal about and write at a later time. Using the journaling schedule feature, you can set a specific time to be notified to create an entry, which will help a user make journaling a consistent practice. Go to the Settings app on your iPhone and search for the Journal app. Turn on the ‘Journaling schedule’ feature and personalize the days and times you would like to be reminded to write entries. As a side note, in Settings, you can also opt to lock your journal using your device passcode or Face ID.

You can also organize your entries within the app using the bookmarking feature, so you can filter and find them at your own convenience. After creating an entry, tap the three dots at the bottom of your page and scroll down to tap the bookmark tab. This is the same place where you can delete or edit a journal entry.

Later on, if you want to revisit a bookmarked entry, tap the three-line icon at the corner of the main journal page to select the filter you would like applied to your entries. You can select to only view bookmarked entries, entries with photos, entries with recorded audio and see entries with places or locations. This might be helpful when your journal starts to fill up with recordings.

Adding music, workouts and other off-platform entries into your journal app

Using your streaming app of choice, (Apple Music, Spotify or Amazon Music), you can integrate specific tracks or podcast episodes into your entries by tapping three buttons at the bottom of your screen that opens up the option to ‘share your music.’ The option to share a track to the Journal app should appear and it will sit at the top of a blank entry when you open the app.

You can use the same method with other applications, like Apple’s Fitness app. You can share and export a logged workout into your journal and start writing about that experience.

This article originally appeared on Engadget at https://www.engadget.com/how-to-use-apples-new-journal-app-with-the-ios-172-update-164518403.html?src=rss 

Arturia V Collection X is one of the biggest updates to the virtual synth library in quite some time. Six new instruments have been added (though, most have been available separately before) and two have been rebuilt from the ground up. That brings the grand total number of instruments in V Collection to 38, and over the last few years at least six of those have been completely revamped with dramatic improvements.

MiniFreak V, Acid V, Augmented Brass and Augmented Grand Piano were all available previously as standalone instruments, but now they are joining the V Collection proper. Two completely new instruments are also entering the fold. Augmented Woodwinds and CP-70 V. Augmented Woodwinds is, as you might have guessed, a take on Arturia’s Augmented series, except here the synths are paired with woodwind samples. CP-70 V is an emulation of Yamaha’s electric piano from the late ‘70s and early ‘80s used most notably by The Grateful Dead and Genesis.

Augmented Woodwinds, Brass and Grand Piano

I’ll admit to being somewhat skeptical of Augmented Woodwinds at first. I think Augmented Strings and Grand Piano are excellent, but have found little use for Brass and Voices so far, and woodwinds often feel like some of the most difficult acoustic instruments to get right in a sample library. Yet, Arturia pulls it off, largely by leaning into the synth side of things pretty strongly. You’re never going to convince anyone that the sounds coming out of it are from a flesh-and-blood woodwind ensemble, but the soft cinematic pads and leads you can coax out of it are compelling, especially when paired with an MPE controller like the Push or Seaboard Rise 2. (With the exception of a few presets that seem to come undone when faced with MPE input, at least.)

Like the rest of the Augmented series, Woodwinds, Brass and Grand Piano feel built especially with scoring in mind. That’s not to say you can’t find a use for them in a pop song or jazz arrangement, but these are all about atmosphere and texture, and there’s a healthy dose of sounds that would only be appropriate in the tensest moments of a cosmic horror film.

They all have a suite of advanced controls where you can build almost any sound you want from its four layer engine (two samples and two synths). You can even completely disable the sample layers and go woodwind-less, though, you might as well use one of the other plugins at that point.

CP-70 V

The other completely new instrument, CP-70 V, is a lot more straightforward. It’s an electric piano. A very specific one that hasn’t enjoyed the same level of reverence as the Rhodes or Wurlitzer, but isn’t without its merits. The CP-70 used strings like a real piano, instead of the metal reeds and tines found in Rhodes in Wurlitzers. It also used piezo pickups instead of magnetic ones, resulting in a sound that is significantly closer to an actual acoustic piano. That was definitely a huge selling point for touring acts in the ‘70s and ‘80s that wanted the sound of a grand piano, but didn’t want to lug one on the road. 

The result though, is less characterful than those other electric pianos. It’s brighter and there’s less room for shaping the sound without adding effects. Arturia seems to do an admirable job of capturing the spirit of the CP-70, but it comes close enough to sounding like a real piano, I’d be far more likely to reach for the regular ol’ Piano V plugin in most cases.

MiniFreak V

Acid V and MiniFreak V both launched earlier this year. And frankly, nothing has changed with Acid V in the roughly four months since I wrote about it, so I won’t say much beyond, it’s an excellent TB-303 emulator. It does what you expect it to and not much else, but with about one-tenth of the headaches of the real thing.

MiniFreak V, on the other hand, got a major update yesterday with a new wavetable engine, new super unison effect and some improvements to the LFO. The 32 wavetables are pretty solid and modern sounding. And perhaps, best of all, they seem to be able to handle bass better than some of the other oscillators — an area the Freak line has always felt a little weak in. There are 64 new presets designed to show off the strength of the wavetable engine and there’s some real winners in there. Yes, there are plenty of weirdo sound effects and dubstep bass wubs, but there are also some lovely chilly pads and delicate keys.

Additionally, Arturia is finally adding preset packs for the MiniFreak and MiniFreak V to its store. There are two paid soundpacks, but also three free ones and, well, I can’t recommend that you download Deserted Lands from Oscillator Sink enough. It’s basically just one gorgeous broken patch after another. This was sort of a running theme, though. With MiniFreak 2.0, Augmented Woodwinds and the rebuilt Mini V4, Arturia really improved the quality of its presets. Whether they were designed in house or by an artist they worked with, most felt designed to show off what the plugins were capable of musically, as opposed to technically. That wasn’t necessarily the case with the MiniFreak, the MicroFreak or even Pigments.

Mini V4

This was the single biggest shock of the lot, honestly. Mini V was also a decent enough Minimoog Model D emulation, but the world is filled with those. It was never the reason to seek out V Collection specifically, but it was good enough that you didn’t need to go find an alternative. Mini V4, however, is incredible. The difference is subtle, but definitely noticeable if you load up the default template in both Mini V3 and V4 and play them side by side. For one, the V4 is a touch louder, but it’s also fuller. Part of that, I think, is there’s more inherent instability in the new oscillator model. As you start playing at the lower reaches of the keyboard you can hear it more clearly.

You can also play lower notes. Where V3 simply doesn’t work below A-1, V4 will let you get all the way down to C-2, though, there’s very little musical reason for you to go down that far.

The differences become more apparent when you start messing with the filter. More bass is retained as you start turning up the resonance in the new version, and it remains usable even with it pinned. The frequency cutoff is also smoother with a bit more of a guttural growl as you start isolating those lower frequencies.

While the Minimoog obviously excels at bass, and Arturia makes sure to showcase that, there are also a lot of presets that push the sound in different directions. The benefit of a plugin over the actual vintage synth is that you can have eight notes of polyphony here. That gives this virtual Model D the freedom to play unstable pads and electric-piano style keys.

The addition of a “vintage” knob is also quite welcome here. While I love things being ever-so-slightly out of tune and for there to be a gentle whisper of white noise in the background, others might want a more buttoned up sound.

It’s also worth pointing out that Arturia didn’t go too overboard with the features here. There’s no modulation matrix or sequencer or motion recording. There’s a handful of useful effects, an arpeggiator and MPE controls, and not much else beyond what you’d find on the original.

Wurli V3

Similar to the Mini V, Arturia took its Wurlitzer plugin and decided to start over agin. The results are excellent, if a touch less dramatic than with the Moog emulation. The general tone is brighter and it sings a bit more in the lower registers. There also seems to be a wider stereo field than before as well. The cumulative effect is something a bit more inviting.

The new mic and amp simulations help it feel more alive and like you’re actually in a room with a Wurli instead of just playing one through your computer. And the age parameter adds instability to the sound, allowing you to get that “just found this keyboard in my uncle’s basement where it’s been sitting untouched for 30 years” sound. Not to mention it absolutely nails the sound of Supertramp’s “The Logical Song.”

The Wurli isn’t a plugin I reach for terribly often, but I appreciated the improved tone that should help it cut through a mix a bit better. It’s also far more versatile than the CP-70 V, though even with the improvements I’m far more likely to reach for a Rhodes.

Arturia V Collection X is available now and existing Arturia customers will get a discount, depending on what software they already own. If you’re new, the full price of $599 might be a bit tough to swallow, but it still represents one of the better deals in soft syths.

This article originally appeared on Engadget at https://www.engadget.com/arturia-v-collection-x-is-its-biggest-upgrade-in-years-160015345.html?src=rss