Apple’s iPad refresh next year could bring OLED iPad Pros and a 12.9-inch iPad Air

Apple will introduce a new 12.9-inch iPad Air alongside the long-rumored OLED iPad Pro to kick off upgrades for its entire iPad lineup in 2024, according to analyst Ming-Chi Kuo. Updated versions of the iPad Air are expected to arrive in the beginning of the year, with the new iPad Pro models to follow by the second quarter.

Kuo predicts Apple will release a 10.9-inch iPad Air and, for the first time, a 12.9-inch model. While it’ll come in the Pro size, it isn’t likely to sport the Pro’s mini-LED display. But, Kuo says it will get the oxide backplane, which will make for better performance over the smaller model. As for the new iPad Pro, Kuo says there are two upcoming M3 models that will drop the mini-LED display for OLED and use the iPhone 15 Pro’s LTPO backplane.

The rest of the iPad lineup is due for upgrades as well, with both the 11th generation iPad and new iPad mini anticipated to arrive in the second half of 2024. It’s been over a year since Apple last released a new iPad.

This article originally appeared on Engadget at https://www.engadget.com/apples-ipad-refresh-next-year-could-bring-oled-ipad-pros-and-a-129-inch-ipad-air-193729591.html?src=rss 

Tesla fine print says it may sue Cybertruck resellers for $50K if they flip it too soon

A new “Cybertruck Only” clause in Tesla’s purchase agreement stipulates that buyers cannot sell their new vehicle within the first year unless they have explicit permission from the automaker, or they may be sued. The company just updated its Motor Vehicle Order Agreement ahead of the first Cybertruck deliveries, which it said last month are on track for November 30.

Under the terms, which have been making the rounds on social media this weekend, Tesla states that it “may seek injunctive relief to prevent the transfer of title of the Vehicle” if buyers breach its resale provision, or it may “demand liquidated damages from you in the amount of $50,000 or the value received as consideration for the sale or transfer, whichever is greater.” The terms also warn that offending resellers could be barred from buying vehicles from Tesla in the future.

Tesla says it may grant exceptions to some people wishing to sell their Cybertruck within the first year, but they must get written consent. If the company does agree, it will either buy the car back at a reduced price — deducting $0.25 per mile driven, plus wear and tear, and the cost of any necessary repairs — or allow the owner to resell the truck to a third-party buyer. Tesla’s Cybertruck is only being released to a small number of select customers at first and won’t enter mass production until 2024, so naturally, the company is trying to get ahead of resellers looking to cash in on the vehicle’s rarity.

This article originally appeared on Engadget at https://www.engadget.com/tesla-fine-print-says-it-may-sue-cybertruck-resellers-for-50k-if-they-flip-it-too-soon-173137300.html?src=rss 

Terminator is back with a new anime series coming to Netflix

Netflix is giving the Terminator franchise the anime treatment in a new series that’s set to hit the streaming platform “soon.” The company dropped the first teaser for Terminator: The Anime Series this weekend during its Geeked Week event. Details so far are scant, but we do know it’ll be produced by Production IG, the Japanese animation studio behind the original Ghost in the Shell movie and spinoff TV series.

Terminator: The Anime Series will take us back to August 1997, when the Skynet AI has first become self-aware and turned against humans. It will feature a cast of new characters, according to Variety

On August 30th, 1997…Two days from now…Everything changes. Terminator: The Anime Series is COMING SOON #GeekedWeek pic.twitter.com/mcbxavrn7V

— Netflix Geeked (@NetflixGeeked) November 11, 2023

Also on board as executive producers are Skydance and Project Power writer Mattson Tomlin, who will be the series’ writer and showrunner. Netflix hasn’t announced a release date yet or shown any preview scenes, so here’s hoping we get an expanded trailer soon. The Terminator franchise has had quite a few installments, not all of them good, but going back to the beginning could be just the refresh it needs.

This article originally appeared on Engadget at https://www.engadget.com/terminator-is-back-with-a-new-anime-series-coming-to-netflix-154925265.html?src=rss 

What happened to Washington’s wildlife after the largest dam removal in US history

The man made flood that miraculously saved our heroes at the end of O Brother Where Art Thou were an actual occurrence in the 19th and 20th century — and a fairly common one at that — as river valleys across the American West were dammed up and drowned out at the altar of economic progress and electrification. Such was the case with Washington State’s Elwha river in the 1910s. Its dam provided the economic impetus to develop the Olympic Peninsula but also blocked off nearly 40 miles of river from the open ocean, preventing native salmon species from making their annual spawning trek. However, after decades of legal wrangling by the Lower Elwha Klallam Tribe, the biggest dams on the river today are the kind made by beavers. 

In this week’s Hitting the Books selection, Eat, Poop, Die: How Animals Make Our World, University of Vermont conservation biologist Joe Roman recounts how quickly nature can recover when a 108-foot tall migration barrier is removed from the local ecosystem. This excerpt discusses the naturalists and biologists who strive to understand how nutrients flow through the Pacific Northwest’s food web, and the myriad ways it’s impacted by migratory salmon. The book as a whole takes a fascinating look at how the most basic of biological functions (yup, poopin!) of even just a few species can potentially impact life in every corner of the planet.   

Hatchette Books

Excerpted from by Eat, Poop, Die: How Animals Make Our World by Joe Roman. Published by Hachette Book Group. Copyright © 2023 by Joe Roman. All rights reserved.

When construction began in 1910, the Elwha Dam was designed to attract economic development to the Olympic Peninsula in Washington, supplying the growing community of Port Angeles with electric power. It was one of the first high-head dams in the region, with water moving more than a hundred yards from the reservoir to the river below. Before the dam was built, the river hosted ten anadromous fish runs. All five species of Pacific salmon — pink, chum, sockeye, Chinook, and coho — were found in the river, along with bull trout and steelhead. In a good year, hundreds of thousands of salmon ascended the Elwha to spawn. But the contractors never finished the promised fish ladders. As a result, the Elwha cut off most of the watershed from the ocean and 90 percent of migratory salmon habitat.

Thousands of dams block the rivers of the world, decimating fish populations and clogging nutrient arteries from sea to mountain spring. Some have fish ladders. Others ship fish across concrete walls. Many act as permanent barriers to migration for thousands of species.

By the 1980s, there was growing concern about the effect of the Elwha on native salmon. Populations had declined by 95 per cent, devastating local wildlife and Indigenous communities. River salmon are essential to the culture and economy of the Lower Elwha Klallam Tribe. In 1986, the tribe filed a motion through the Federal Energy Regulatory Commission to stop the relicensing of the Elwha Dam and the Glines Canyon Dam, an upstream impoundment that was even taller than the Elwha. By blocking salmon migration, the dams violated the 1855 Treaty of Point No Point, in which the Klallam ceded a vast amount of the Olympic Peninsula on the stipulation that they and all their descendants would have “the right of taking fish at usual and accustomed grounds.” The tribe partnered with environmental groups, including the Sierra Club and the Seattle Audubon Society, to pressure local and federal officials to remove the dams. In 1992, Congress passed the Elwha River Ecosystem and Fisheries Restoration Act, which authorized the dismantling of the Elwha and Glines Canyon Dams.

The demolition of the Elwha Dam was the largest dam-removal project in history; it cost $350 million and took about three years. Beginning in September 2011, coffer dams shunted water to one side as the Elwha Dam was decommissioned and destroyed. The Glines Canyon was more challenging. According to Pess, a “glorified jackhammer on a floating barge” was required to dismantle the two-hundred-foot impoundment. The barge didn’t work when the water got low, so new equipment was helicoptered in. By 2014, most of the dam had come down, but rockfall still blocked fish passage. It took another year of moving rocks and concrete before the fish had full access to the river.

The response of the fish was quick, satisfying, and sometimes surprising. Elwha River bull trout, landlocked for more than a century, started swimming back to the ocean. The Chinook salmon in the watershed increased from an average of about two thousand to four thousand. Many of the Chinook were descendants of hatchery fish, Pess told me over dinner at Nerka. “If ninety percent of your population prior to dam removal is from a hatchery, you can’t just assume that a totally natural population will show up right away.” Steelhead trout, which had been down to a few hundred, now numbered more than two thousand.

Within a few years, a larger mix of wild and local hatchery fish had moved back to the Elwha watershed. And the surrounding wildlife responded too. The American dipper, a river bird, fed on salmon eggs and insects infused with the new marine-derived nutrients. Their survival rates went up, and the females who had access to fish became healthier than those without. They started having multiple broods and didn’t have to travel so far for their food, a return, perhaps, to how life was before the dam. A study in nearby British Columbia showed that songbird abundance and diversity increased with the number of salmon. They weren’t eating the fish — in fact, they weren’t even present during salmon migration. But they were benefiting from the increase in insects and other invertebrates.

Just as exciting, the removal of the dams rekindled migratory patterns that had gone dormant. Pacific lamprey started traveling up the river to breed. Bull trout that had spent generations in the reservoir above the dam began migrating out to sea. Rainbow trout swam up and down the river for the first time in decades. Over the years, the river started to look almost natural as the sediments that had built up behind the dams washed downstream.

The success on the Elwha could be the start of something big, encouraging the removal of other aging dams. There are plans to remove the Enloe Dam, a fifty-four-foot concrete wall in northern Washington, which would open up two hundred miles of river habitat for steelhead and Chinook salmon. Critically endangered killer whales, downstream off the coast of the Pacific Northwest, would benefit from this boost in salmon, and as there are only seventy individuals remaining, they need every fish they can get.

The spring Chinook salmon run on the Klamath River in Northern California is down 98 percent since eight dams were constructed in the twentieth century. Coho salmon have also been in steep decline. In the next few years, four dams are scheduled to come down with the goal of restoring salmon migration. Farther north, the Snake River dams could be breached to save the endangered salmon of Washington State. If that happens, historic numbers of salmon could come back — along with the many species that depended on the energy and nutrients they carry upstream.

Other dams are going up in the West — dams of sticks and stones and mud. Beaver dams help salmon by creating new slow-water habitats, critical for juvenile salmon. In Washington, beaver ponds cool the streams, making them more productive for salmon. In Alaska, the ponds are warmer, and the salmon use them to help metabolize what they eat. Unlike the enormous concrete impoundments, designed for stability, beaver dams are dynamic, heterogeneous landscapes that salmon can easily travel through. Beavers eat, they build dams, they poop, they move on. We humans might want things to be stable, but Earth and its creatures are dynamic.

This article originally appeared on Engadget at https://www.engadget.com/hitting-the-books-eat-poop-die-joe-roman-hatchette-books-153032502.html?src=rss 

SpaceX workers face above-average injury rates as Musk prioritizes Mars over safety, report finds

A Reuters investigation into unsafe working conditions at SpaceX has uncovered more than 600 injuries going back to 2014 that have not been publicly reported until now. Current and former employees cited in the report blame CEO Elon Musk’s aggressive deadlines and hatred of bureaucracy, alleging his goal of getting humans to Mars “as fast as possible” has led the company to cut corners and eschew proper protocols.

Injury rates at some SpaceX facilities are much higher than the industry average of .8 injuries or illnesses per 100 workers, Reuters found. At its Brownsville, Texas location, the 2022 injury rate was 4.8 per 100 workers. At the Hawthorne, California manufacturing facility, it was 1.8. In McGregor, Texas, where the company conducts rocket tests, the injury rate was 2.7.

Employees have suffered broken bones, lacerations, crushed fingers, burns, electric shocks and serious head wounds — including one that blinded Brownsville worker Florentino Rios in 2021 and another that left employee Francisco Cabada in a coma since January 2022. At SpaceX’s McGregor site, one worker, Lonnie LeBlanc, was killed in 2014 when wind knocked him off the trailer of an improperly loaded truck. Yet over the years, SpaceX has only paid meager fines as a result of its safety lapses. After LeBlanc’s death, the company settled with OSHA for $7,000, according to Reuters.

Reuters spoke to over two dozen current or former employees, as well as others “with knowledge of SpaceX safety practices.” One SpaceX ex-manager told Reuters that “workers take care of their safety themselves,” and others said employees were even told not to wear bright-colored safety gear because Musk does not like it. SpaceX has also repeatedly failed to submit injury data to regulators for much of its history, according to Reuters.

This article originally appeared on Engadget at https://www.engadget.com/spacex-workers-face-above-average-injury-rates-as-musk-prioritizes-mars-over-safety-report-finds-224235095.html?src=rss 

Netflix is bringing Hades, Braid and Death’s Door to mobile devices

Netflix now has more than 80 games that subscribers can dive into at no extra cost on iOS and Android (and TVs and desktops, in some cases). As part of its Geeked Week event, the company has revealed some more titles that are on the way to the service, including some indie classics.

Hades, one of the very best games of 2020, will soon be available to Netflix subscribers on iOS, but not Android for the time being. It’s a rogue-lite dungeon crawler that places a heavy emphasis on replayability. 

You’ll play as Zagreus, the prince of the Underworld. Whenever he dies (which will probably be often to begin with), he’ll go back to the beginning. It’s different every time you play, but you’ll carry knowledge — and some weapons and abilities — from one run into the next. The Hugo award-winning Hades has a rich cast of characters too. It’s a real treat, and you might find yourself sinking hundreds of hours into this one.

Classic time-manipulation platformer Braid is on the way to iOS and Android for Netflix users. The long-delayed Braid, Anniversary Edition features upgraded audio, hand-repainted visuals, fresh animations “and a whole new world of puzzles to solve.” In a neat touch, there will also be over 15 hours of commentary that delves into game design, programming and other aspects of development. Braid creator Jonathan Blow revealed that the new edition of Braid is coming to Netflix Games, Windows, PlayStation and Xbox on April 30

Death’s Door was one of the standout indies of 2021, and the Zelda-esque adventure title will soon be a mobile exclusive for Netflix subscribers. You control a crow that’s tasked with collecting souls for the Reaping Commission Headquarters, a bureaucratic entity in the afterlife.

Slick action platformer Katana Zero is on the way to Netflix Games too, along with a string of titles based on the company’s shows and movies. Shadow and Bone: Enter the Fold, which is set between the first two seasons of the show, is available now. Top-down heist game Chicken Run: Eggstraction and co-op action RPG The Dragon Prince: Xadia will arrive in 2024.

A game based on one of Netflix’s biggest hits is coming soon too. In Money Heist, you’ll get to take part in a version of the heist from the franchise’s original series. Netflix says the game will arrive alongside spinoff series Berlin.

This article originally appeared on Engadget at https://www.engadget.com/netflix-is-bringing-hades-braid-and-deaths-door-to-mobile-devices-214008933.html?src=rss 

SAG-AFTRA deal includes a $40 million streaming bonus and AI protections

SAG-AFTRA has released more information about its tentative deal with Hollywood studio executives ahead of ratification votes starting on Tuesday. The actors’ union announced the agreement on November 8, bringing to an end a nearly four-month-long strike.

Under the deal, actors would get three wage increases between the time of ratification and July 2025: a 7 percent bump right away, followed by a 4 percent increase in July 2024 and 3.5% in July 2025. For background actors, there will be a wage increase of 11 percent as of November 12, followed by 4 percent and 3.5% increases in July 2024 and July 2025, respectively.

It also secures a bonus for some members whose work has landed on streaming platforms, albeit it much smaller than the union demands initially called for. According to Variety, there will be a bonus fund amounting to $40 million a year for the deal’s three-year term to be paid out to actors on top of their normal streaming residuals. But to be eligible, the show or movie in question must meet certain criteria of “success,” which will only work out to be “a thimble worth of shows on these platforms,” said SAG-AFTRA President Fran Drescher in a press conference on Friday.

Regarding studios’ use of artificial intelligence, the deal would require “informed consent and compensation for the creation and use of digital replicas of our members, living and deceased, whether created on set or licensed for use.” It also establishes higher contributions toward SAG-AFTRA workers’ health and retirement benefits, and aims to put an end to longstanding practices in hair and makeup that actors of color have called out as racist, like “inappropriate wiggings and paintdowns.” The deal would also require the use of intimacy coordinators for sex scenes and those involving nudity, or if an actor otherwise requests it.

The SAG-AFTRA National Board approved the deal with 86 percent of votes in its favor, and now members will get their chance to weigh in. The voting period for ratification will open on Tuesday, November 14 and run until December 5.

This article originally appeared on Engadget at https://www.engadget.com/sag-aftra-deal-includes-a-40-million-streaming-bonus-and-ai-protections-204526458.html?src=rss 

Dbrand’s artisan keycaps are here to curse you out and stab you

Gadget accessory maker Dbrand has released a pair of novelty mechanical keyboard keycaps, and they’re just as absurd as fans might expect. The company has been teasing its artisan keycaps for months, and their launch today coincides with Dbrand’s 12th anniversary.

One of the aluminum keycaps, a replacement for the Escape key, is a pyramid designed to stab you when you press it — because, according to Dbrand’s tongue-in-cheek announcement, “there is no escape.” The second is for the Enter key, and has a message for whoever is looking at it: “F off.” They’ll both be available in black, silver, and a colorful neochrome. 

On 11/11/11, dbrand was founded.

12 years later, we’re making keycaps that stab you. Progress.https://t.co/ZHXCJT07Rz pic.twitter.com/RjhN34sf0L

— dbrand (@dbrand) November 11, 2023

Dbrand is selling the keycaps through NovelKeys for $60 (Pyramid) — nearly the cost of its PS5 Darkplates — and $40 (F*** Off) in a limited drop. They’ll ship in two waves, with the first going out immediately and the second set for the last week of November.

This article originally appeared on Engadget at https://www.engadget.com/dbrands-artisan-keycaps-are-here-to-curse-you-out-and-stab-you-170254661.html?src=rss 

Netflix teases the live-action YuYu Hakusho series before it arrives in December

The live-action adaptation of the classic shonen manga and anime YuYu Hakusho is hitting Netflix on December 14, and the streaming service has given fans some idea of what they can expect in a short teaser video. Live-action adaptations of anime shows are a hit or miss. Some, like Netflix’s Death Note, were generally panned and poorly received, while others like the Rurouni Kenshin movies starring Takeru Satoh and Netflix’s One Piece had managed to win over existing fans and new audiences alike. 

As a long-time fan of Yoshihiro Togashi’s YuYu Hakusho, I have witnessed fellow fans dread its arrival after the streaming service published the first posters for the series. Certain actors were a miscast, they said, and even the actors in YuYu Hakusho’s stage production had better costumes and styling. The teaser, however, actually looked pretty good, and fans seem to be hopeful that the show will end up becoming of the better anime adaptations out there. 

When Netflix announced the series’ streaming date, it hinted that it will not be an exact copy of the manga and the anime. “The series breathes new life into the story, and fans old and new can expect to encounter their favorite characters in ways that have never been seen before,” it said. The teaser’s too short to reveal most of the changes the show has made, but eagle-eyed viewers might find some in the video below. 

This article originally appeared on Engadget at https://www.engadget.com/netflix-teases-the-live-action-yuyu-hakusho-series-before-it-arrives-in-december-140055463.html?src=rss 

Netflix’s The Witcher: Sirens of the Deep animated film will feature Geralt’s original voice actor

Netflix has given The Witcher fans their first look at a new animated film that’s set to hit the streaming service in late 2024. The Witcher: Sirens of the Deep is based on A Little Sacrifice, a short story written by the universe’s creator Andrzej Sapkowski. It will have Geralt of Rivia investigating a series of attacks in a seaside village in the midst of rising conflict between its human inhabitants and merpeople from the ocean. Netflix says the film is set between episodes 5 and 6 of the live-action series’ first season, and it does show: The Geralt in the film resembles original Witcher actor Henry Cavill more than the Geralt in the games. 

The live action’s stars Anya Chalotra and Joey Batey will also be reprising their roles as Yennefer of Vengerberg and Jaskier in the animated film. But Geralt will be voiced by Doug Cockle, who’s known for voicing the White Wolf in the Witcher games. The movie is directed by Kang Hei Chul, who served as a storyboard artist for The Witcher: Nightmare of the Wolf, which featured the story of Vesemir before he became Geralt’s mentor. It was also animated by Studio MIR, the same South Korean studio that worked on Nightmare of the Wolf

The film may be the last time those who were particularly fond of Cavill as Geralt can see, well, a version of him play the role. He left the live-action show after its third season and is set to be replaced by Liam Hemsworth

This article originally appeared on Engadget at https://www.engadget.com/netflixs-the-witcher-sirens-of-the-deep-animated-film-will-feature-geralts-original-voice-actor-120020251.html?src=rss 

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