Category: Technology

In what seems to be an annual tradition, Disney announced that the costs for standalone plans of its video streaming services will get more expensive, starting on October 17.

The ad-supported Disney+ Basic plan will increase from $8 a month to $10, while the ad-free Disney+ Premium plan jumps from $14 a month or $140 annually to $16 a month or $160 annually. For Hulu, the plan with ads is changing from $8 a month or $80 a year to $10 a month or $100 a year and the ad-free plan will go from $18 a month to $20 a month. ESPN+ is getting pricing updates as well, with monthly costs going from $11 monthly or $110 annually to $12 monthly or $120 annually.

Recall that this service was a mere $7 a month, without ads, when it launched less than five years ago.

Only one combo plan seems to be getting a change. The Disney Bundle Duo Basic, which includes ad-supported access to both Disney+ and Hulu, is increasing from $10 a month to $11 a month. The Hulu + Live TV plans are also hiking costs: $83 a month for ad-supported, and $96 a month for ad-free.

The increased subscription costs were included in a feature announcement that had been rumored earlier this year. Disney+ will start offering viewers continuous playlists starting September 4. There will be two playlists to start: a channel for ABC News Live, and one with videos for preschoolers. Four more playlists will debut later in the fall: Seasonal Content, Epic Stories (featuring franchises like Marvel and Star Wars), Throwbacks (“nostalgic pop culture content”) and Real Life (biopics and documentaries).

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/disney-is-increasing-prices-again-for-standalone-streaming-plans-183518837.html?src=rss 

Epic Games has brought two of its tentpole titles together in a fun way: Fall Guys has come to the Fortnite island for a limited time. A familiar-looking obstacle course has appeared in the skies above the sprawling battle royale arena. It’ll be there until August 15.

If you happen to find a Bean Idol in the Classy Courts area of the map, your character will be transported to the obstacle course and turned into a Fall Guys bean (which, fact fans, is canonically six feet tall). If you’re using an original Fortnite character rather than a licensed one, your bean will look like that skin. Otherwise, you’ll have a default naked bean. You’ll revert back to your regular more-boring humanoid look when you finish the course.

You’ll have up to three attempts to finish the course but you can only complete it once per match. Once the course is in the storm, though, it’ll be inaccessible.

There’s a 120-second time limit and if you fall off, you’ll respawn at a checkpoint or the start of the course. The faster you finish, the better the loot you’ll get. So if you’re good at Fall Guys, you’ll suddenly be at an advantage in Fortnite. Finish in under 50 seconds and you’ll get gold loot, likely making it easier for you to destroy those pesky Cybertrucks. There are quests you can complete for cosmetics like a Fall Guys bean-inspired back bling too.

Fall Guys is also now part of Fortnite’s creative mode. There are a few pre-built islands you can check out that have new versions of iconic Fall Guys stages, including an unlimited version of Hex-A-Gone. You’ll be able to build your own Fall Guys-themed islands in Fortnite too and publish them for others to check out. Whenever you’re playing on these islands, your character will be in bean form.

Meanwhile, Epic has enabled proximity chat in creator-built islands. It’ll be interesting to see that become available in battle royale modes eventually, as it could add an interesting wrinkle to gameplay.

This article originally appeared on Engadget at https://www.engadget.com/gaming/fall-guys-is-now-in-fortnites-battle-royale-mode-for-a-limited-time-171506216.html?src=rss 

X, whose top executives have long railed against advertisers who fled the platform amid concerns over hate speech, is now also suing them. X has filed an antitrust lawsuit against the Global Alliance for Responsible Media (GARM) and several of its members, including Mars, Unilever and CVS Health, CEO Linda Yaccarino said in an open letter shared on X.

According to Yaccarino, the group engaged in an “illegal boycott” of X. “The consequence – perhaps the intent – of this boycott was to seek to deprive X’s users, be they sports fans, gamers, journalists, activists, parents or political and corporate leaders, of the Global Town Square,” she wrote.

As Axios points out, GARM is part of the World Federation of Advertisers (which is also named in the lawsuit) and was created to come up with brand safety guidelines for online advertisers. The lawsuit alleges that the group “conspired, along with dozens of non-defendant co-conspirators, to collectively withhold billions of dollars in advertising revenue from Twitter.”

GARM didn’t immediately respond to a request for comment.

It’s not the first time X has filed a lawsuit against a group that Musk has accused of stoking an advertiser exodus from the platform. The company previously sued the Center Countering Digital Hate (CCDH), an anti-hate group that published research showing that X failed to take down hateful posts shared by premium subscribers. That lawsuit was later dismissed by a judge who said X was trying to “punish” the group for sharing unflattering research. X is also suing Media Matters, a watchdog group that published a report showing X had displayed ads alongside anti-Semitic content.

“We tried being nice for 2 years and got nothing but empty words,” Musk, who nearly a year ago publicly told advertisers to “go fuck themselves,” wrote in a post on Tuesday. “Now, it is war.”

This article originally appeared on Engadget at https://www.engadget.com/big-tech/x-sues-advertisers-for-illegal-boycott-of-the-platform-173100888.html?src=rss 

Sonos has delivered on its promise to expand TV audio swap for its new Ace headphones, which launched in June. When the premium cans arrived, support for the TV sound-switching feature was limited to the Arc soundbar. But starting on Tuesday, Ace owners can swap their audio with the Ray and both generations of the Beam.

After installing today’s update through the Sonos app, Ace users can move audio from their TV to their headphones by pressing the content key on their right ear cup. Alternatively, the Sonos app can do the same. The feature works on iOS and Android after being limited to iOS on the headphones’ arrival.

TV audio swap supports spatial audio with Dolby Atmos, so you can feel “centered in the action,” as a Sonos spokesperson put it. Engadget’s audio gear expert, Billy Steele, was impressed with how the feature worked with the NBA playoffs on TNT. “Regularly, the commentary trio is clear with a bit of crowd noise in the background, but after Sonos does its tricks, the announcers are more prominent and dynamic. Plus, the cheers of the crowd envelope you so it feels more like you’re in the arena.”

“TV Audio Swap really is as quick and easy as pressing a button,” he wrote in our Ace headphones review.

Once activated, the feature works through a Wi-Fi chip inside the headphones that takes over to receive the soundbar’s signals. Low-energy Bluetooth will remain connected to your phone for controls and settings, although there’s one caveat: You’ll have to un-swap the audio to reconnect Bluetooth if a call comes in while watching.

This article originally appeared on Engadget at https://www.engadget.com/audio/headphones/sonos-ace-owners-can-now-swap-tv-audio-with-the-ray-and-beam-soundbars-161925958.html?src=rss 

It’s all too easy to accidentally damage a piece of tech, which is why many Apple fans opt to pay for the company’s AppleCare+ coverage for piece of mind. It’s perhaps not too often that you see deals involving AppleCare+, but there’s a solid one on the Beats Studio Pro at the minute. You can snap up a pair with two years of AppleCare+ coverage for $174. That’s a discount of $205.

Given that the headphones by themselves cost $180, you’re effectively getting 24 months of AppleCare+ protection for zilch and saving five bucks on the headphones. The deal applies to the black, navy and sandstone colorways but not the deep brown variant.

We gave the headphones a score of 81 in our review last year. The improved sound quality (compared with previous Beats over-ear headphones) and voice clarity were major plus points. The transparency mode, a feature that wasn’t present in the Beats Studio 3, works fairly well too. Meanwhile, if you plug the headphones into your audio source via USB-C, you can enjoy lossless music at sample rates up to 24-bit/48kHz thanks to the built-in digital-to-analog converter. Dynamic head tracking is a neat feature, while some reviewers have pointed out that the Beats Studio Pro play nicely with Android devices too.

Unfortunately, the headphones might be a tight fit for some folks given their clamping force. We found the lack of automatic pausing and multipoint iOS connectivity to be disappointing, particularly in the latter case since this is an Apple product.

AppleCare+ for Headphones builds on the one year of limited warranty and 90 days of technical support you get as standard with Apple’s audio gear. It adds round-the-clock access to Apple experts by phone or chat, along with unlimited incidents of accidental damage protection for the two-year coverage period. You’ll just need to pay a $29 fee for each repair..

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

This article originally appeared on Engadget at https://www.engadget.com/deals/get-beats-studio-pro-headphones-with-applecare-for-174-150034075.html?src=rss 

If there was ever a movie franchise that was seemingly made to be turned into a video game, it would be A Quiet Place. The films are basically already stealth horror titles. The premise, after all, involves bloodthirsty and noise-sensitive aliens. To that end, we already knew the franchise was getting the gaming treatment. Now we have an official release date of October 17 for the first digital spinoff. 

A Quiet Place: The Road Ahead is a first-person horror adventure that’s set in the same world as the movies, but tells a brand new story. In other words, you won’t be controlling a digital John Krasinski or a digital Lupita Nyong’o. You’ll play as a brand-new character charting her own path in this royally screwed up dystopia.

Just like the movies, players will have to rely on their wits and whatever simple tools they find when scavenging about, like flashlights and noise detectors. Developer Stormind Games, who was behind Remothered and Batora: Lost Haven, promises both thrills and chills. Today’s release date trailer certainly confirms that. The spooky vibes are off the chart.

A Quiet Place: The Road Ahead will be released on PC, PS5 and Xbox Series X/S. Pre-orders are available right now and early purchasers get “exclusive in-game content and digital concept art.” The game costs $30.

This article originally appeared on Engadget at https://www.engadget.com/gaming/a-quiet-place-the-road-ahead-is-coming-to-pc-playstation-and-xbox-on-october-17-151706002.html?src=rss 

Two key OpenAI personnel are leaving the company, while another one is taking a months-long leave of absence. As reported by The Information, OpenAI president Greg Brockman is taking a sabbatical, while his fellow co-founder John Schulman is bidding the company farewell and joining its rival Anthropic. Peter Deng, its VP for consumer product who joined last year, is leaving OpenAI, as well. Deng used to lead product developments at Meta and Uber.

In a post on X/Twitter, Brockman said his leave of absence will last through end of year and that it’s his “first time to relax” since the founding of OpenAI nine years ago. He also reportedly assured staff members that he’s coming back after his vacation. Brockman temporarily left OpenAI last year when the company’s board ousted its CEO, Sam Altman. They were both reinstated just a few days later, whereas the board was disbanded and replaced.

John Schulman also posted the note he sent to OpenAI staff on X, where he said that his departure stems from his “desire to deepen [his] focus on AI alignment” and to “return to hands-on technical work.” He clarified that he wasn’t leaving OpenAI due to lack of support for alignment research and that the company’s executives have apparently been “very committed to investing in this area.” At OpenAI, Schulman helped lead the post-training team that refined its large language models. After the company disbanded the “Superalignment” team that was in charge of steering powerful AI models that could pose a threat to humanity in the future, OpenAI said Schulman would be in charge of any future safety efforts. 

These departures follow several major previous changes in OpenAI’s rank of leaders. Before the Superalignment team was disbanded, Jan Leike, one of its heads, wrote on X that “safety culture and processes have taken a backseat to shiny products” within the company over the past years. Company co-founder and Chief Scientist Ilya Sutskever also left in May. He was involved in Altman’s dismissal as a board member, though he later said that he regretted his participation in the board’s actions. While he remained Chief Scientist after the event, he reportedly never truly returned to his duties. The Information also notes that OpenAI recently hired its first CFO and chief product officer, which may have had an effect on Deng’s role within the company. 

This article originally appeared on Engadget at https://www.engadget.com/ai/two-more-openai-leaders-are-leaving-the-company-110012003.html?src=rss